Insuspeitos

Those wonderful movies of the past. The film's setting is in the days prior to the outbreak of the Second World War. Although it would have been highly unlikely that British Intelligence would have asked two non-Britishers and non-professionals to do a bit of spying for them which could turn very dangerous for them and give the whole thing away plus creating an international scandal (the World War had not yet started), yet it is always interesting to see how it would have developed. Good slick direction by Mr. Thorpe, excellent acting by Mr. McMurray and specially by Miss Crawford, excellent set design which does not forget the overcoats needed on the Brenner Pass between Austria (in the Film the country is called Southern Germany) and Itally (which did not get into the War until 1940). Good to see two decent people doing the right thing for the right cause endangering their own lives to get away from the Nazi and back to safety. Good work and fun to watch and don't forget the inimitable Mr. Veidt. He should have been in Hollywood a decade earlier.

Barzin Samimi

Tehran, Iran

Above Suspicion (1943)

An odd movie even for its time, being clearly anti-Nazi and a bit of an American adventure on behalf of the British, but set in the months before the war began, earlier 1939. Yet it was made and was released in the thick of the war, four years later, well after even the Americans were involved. It must have seemed a bit lightweight at the time, and it certainly is a bit breezy now, too.

Joan Crawford is at her best when life is going wrong, when the screws are applied or when she has to be a tough and independent women. Here she plays a cheerful and rather carefree newlywed. What Crawford character is truly carefree? Well, in this case her husband is perfectly cast, because Fred MacMurray knows what carefree is better than anything. When the Nazi threat becomes violent, things turn out rather okay, at least at first. The only other actor of note is the Nazi figure, played by the guy who plays Sherlock in all those B-Movie Sherlock Holmes films, Basil Rathbone, and you can't quite make him out as the evil menace he needs to be.

Of course, our leading odd couple has been chosen for this mission by some knowing British officials who see the American innocence as a perfect cover for what is actually pretty dangerous stuff. And the movie, despite all these essential weaknesses, is really fun and a bit dramatic and very well made. Yes, it's a good movie, if far from a great one in either importance or effect.

The director, Richard Thorpe, is one of the step-in-when-needed guys with a bunch of B-movies under his belt, and an assortment of mediocre oddballs (a Tarzan movie, the last Thin Man, a Presley movie--Jailhouse Rock--some Westerns, and so on). It might be a miracle this is as workable as it is. The script is fair, but the mood and the setting is terrific. And really, as mismatched as they seem, Crawford and MacMurray are not half bad together. They certainly are trying very hard.

If you like the kind of spy-romance yarns spun out by Hollywood in the 1940s--the kind with tongue-in-cheek dialogue that lets you know you're not supposed to take any of it too seriously--you'll enjoy this amusing, yet suspenseful film in which Conrad Veidt plays a "nice guy" for a change. Honeymooners Joan Crawford and Fred MacMurray are asked by British intelligence to do some spying while on their European jaunt. The agreeable pair go along with a plan that has them on the trail of an agent and in and out of dangerous situations as they are pursued by Basil Rathbone, chilling as usual as a Nazi.

Good entertainment with some amusing dialogue and light-hearted performances by Joan and Fred that indicate they should have been teamed more than once. As it is, this is Joan Crawford's last film at Metro after seventeen years with the studio and comes just two years before "Mildred Pierce" at Warners. Good cast and fine production values make it an absorbing treat.

Well, if Joan Crawford didn't know the end was near for her at MGM, she knew it when she was handed "Above Suspicion," based on the novel of the same name by Helen MacInnes. I read the novel years ago and confess I don't remember much of it.

The year is 1939, before war breaks out. Crawford plays a newlywed, and Fred MacMurray her American husband, who teaches at Oxford. The couple are asked by the foreign office to track down someone while honeymooning in Germany, a man who can help the Allies regarding a German secret weapon. This weapon is a magnetic water bomb that is pulled to a ship and explodes. At first, it's fun; then it becomes dangerous.

This is an entertaining film in part thanks to a good cast of Crawford, MacMurray, Basil Rathbone, and Conrad Veidt. There are some suspenseful sequences. There is also some real stuff of spy books and films - special hats, song codes, codes on maps and in books.

"Above Suspicion" doesn't seem very big budget and despite some Bavarian costumes and quaint German towns, it's all Hollywood set. Given the huge films Crawford took part in at MGM, this black and white movie must have seemed like a come-down. It was. Louis B didn't want over the hill actresses - i.e., those over 30. There's nothing special about her part, which could have been done by any MGM stock player. And at 38, for those days, she was a little old to be a bride. Better things were on the horizon for Crawford, though she couldn't have known it at the time.

Worth seeing.

A lot of people seem to deride this film, but I found it quite enjoyable. It was Joan Crawfords last contract film at MGM, and far from walking through the part I personally think she sails along quite breezily and relaxed, which is just right for the character she plays. Basil Rathbone always makes a great, charming villain, and the much underrated Fred MacMurray comes across quite well as the hero. Casting of all supporting parts is excellent, and the MGM production values are faultless. The first half of the film is considerably better than the second as €"things become a bit chaotic and muddled towards the end -but its great to see a Hollywood film where the Germans actually speak German. There are also one or two quite extraordinary tracking shots, especially one in the concert hall, and in fact this whole sequence has an intensity that one wishes the entire film had. Still, if you can swallow the premise of the film and follow the logic of the "trail" you will perhaps be as entertained as I was by this one.