Ódio no Coração

Some may remember Kenneth Anger taking this lush film's title and gender-bending it a bit to give his Frances Farmer chapter in "Hollywood Babylon" its tabloid tone, but this is truly a great movie (outside of the fact that it features not one, but two Tinseltown beauties who, in Anger's salacious words "drank at the well of madness") ... Farmer, after a string of uneven pictures, is relegated to a supporting role here, but actually fares better than leading lady Gene Tierney because 1) her role is far more complex and 2) her on-screen chemistry with star Tyrone Power is much more palpable. Perhaps the saddest thing about "Son of Fury" is the knowledge that despite the now recurrent difficulties being reported from the set, Farmer had caught herself a break and maybe a chance to finally ride out Paramount's punishment -- starting in 1938, of course, with the aptly-named (and perfectly awful) "Ride A Crooked Mile". But as we all know, the road got bumpier, the turns sharper and the potholes unavoidable ... To see Farmer surrounded not only by the likes of such A-list talent as Power and Tierney, but a stellar George Sanders and very young Roddy McDowell is to get a glimpse of what might have been. To read accounts of Farmer being tricked into watching this film years later while incarcerated in an insane asylum, if indeed true, is unforgivable ... Watch "Son of Fury" for everything the Golden Age of Hollywood purported to be -- solid, if not overly- spectacular, entertainment. It may not be the last film of Farmer's short-lived career, but it is our last look at this fine young actress at her peak -- as stunning and mythic as she was years earlier in "Come And Get It" -- but now with an undeniable sadness melting from within.

'Son of Fury: The Story of Benjamin Blake' sounded like my kind of film. Love classic film, liked the idea of the story regardless of whether it was original or not and the cast seemed too good to resist. It is inviting enough to see especially Gene Tierney, George Sanders and Elsa Lanchester in any film, to see them in the same film along with Tyrone Power, Frances Farmer and Harry Davenport is enough to get anybody excited. It is always a plus too having Alfred Newman on board as composer.

Luckily did not find myself let down at all. 'Son of Fury: The Story of Benjamin Blake' turned out to be a very well done and entertaining film. To me, it really is something of a little treasure that is sadly is not particularly well known, hard when up against some of the best films ever made in one of film history's strongest decades and for those involved it is in the shadow of their better known work. This is a shame because 'Son of Fury: The Story of Benjamin Blake' does deserve to be better known and more widely available, and some of the cast actually give some of their most interesting and best work here (especially Tyrone Power and George Sanders), with such talent on board that is reason enough to see it.

Didn't find an awful lot wrong actually. The story is a slight one and can be predictable in places.

Also thought that Tierney's character was underused and underdeveloped.

However, 'Son of Fury: The Story of Benjamin Blake' is a gorgeously photographed film and while the locations may not be exactly authentic they are still handsome. Newman's score is lavish and sweeping in unmistakable Newman style, which will be an utter joy for fans of his and those who admire him. It moves at a lively pace without feeling rushed and there isn't anything really that slows things down. The script has wit and tautness, also with some sharply observed insights in class and human rights at the time, and the direction indicated somebody who knew what he was doing and what he wanted to accomplish. The story on the most part, while not perfect, still interests and it is impossible to dislike its charm and entertainment value. Some nice twists and surprises too.

There is a constant sense of fun and the action is genuinely exciting and well choreographed. The softer and more romantic scenes are charming and sweet, without being saccharine, while not making the mistake of slowing things down like romantic scenes in classic film did have the danger of doing. Parts are also surprisingly scary with Sanders' character, with a bold brutality that one doesn't expect. The cast are the main reason to see 'Son of Fury: The Story of Benjamin Blake' and why it works as well as it does. Power is dashing and charismatic, no unease or stiffness here, plus visually he smoulders. Regardless of whether Tierney is believable as an island girl (personally don't think she is, somewhat too glamorous), she still charms and is entrancingly beautiful, making the most of too little screen time.

Farmer makes just as much of an impression with more to do and with the more interesting role, and really gives it her all to both icy and poignant effect without being cold. Both she and Tierney are believable paired with Power, while Power convinces even more in his remarkably suspenseful moments with Sanders. Sanders is unflinchingly sinister, sometimes shockingly so, while maintaining his suavity, which was always very distinct. It was interesting seeing a young Roddy McDowell, while Elsa Lanchester is touching, John Carradine is both fun and atypically sympathetic and Harry Davenport is very endearing.

Overall, it is well worth digging this up. 8/10

Most movies of Hollywood Golden Age are attractive. They share cleverly constructed plot and dialogue, high-standard direction and actors' performances. Perhaps because of the charm of past times, as a rule the characters are very nice guys, even the villains, like in "Son of Fury": who is really able to detest George Sanders? Yet sometimes a motive in the movie makes it outstanding. This is the case of "Son of Fury". In fact it shows the materialization of the most romantic dream of our youth, even improving it: to live in Polynesia and... with Gene Tierney! Gene is the improvement to our own dream. Her capacity to be lovely is unbelievable: just the scene when she uses a fork like a comb would be worth seeing the movie. And what about her polynesian dance in grass-skirt? When Tyrone Power leaves the island to take his revenge in England, the audience is disappointed: we don't see the point in leaving Paradise. The director seems to realize this feeling: in fact, Power's come-back to England is more an act of justice than of revenge. Anyway, we feel relieved when he finally settles his business and returns to the island, to his friends, to her. And there she is, alone on the reef... What is more common in a movie than the final kiss? Yet this one has something special. In that instant, we all are Tyrone Power and she... she is Gene Tierney, what could be better?

Piper Laurie said of Tyrone Power, "Tyrone Power was Saturday afternoon at the movies." "Son of Fury" surely must have been one of those films that young people flocked to see on a Saturday afternoon - an island adventure starring one of the biggest stars in Hollywood.

Power costars with a great cast that includes George Sanders, Frances Farmer, Gene Tierney, Roddy McDowell, and Elsa Lanchester. Tierney is impossibly beautiful, certainly every boy's dream girl - and on an island, no less, and not speaking English! Her final kiss with Power is socko.

The film has some excellent performances by the supporting cast, McDowell and Lanchester in particular. Lanchester's scene with Power is especially touching. Fifteen years later, they'd work together on his last film, Witness for the Prosecution. Lovely Farmer, whose story is now legend, doesn't have much to do, which is a shame. Sanders is always excellent. He and Power would fight on screen again in "Solomon and Sheba." Power collapsed while he and Sanders rehearsed a sword fight and died very shortly afterward.

Son of Fury, of course, is the type of film at which Power excelled, and there would be many more period pieces to come before his contract, interrupted by the war, finally expired. He said at the end of his life that he was proud of only four films. He should have been prouder of a lot more, because he fed a lot of dreams and was responsible for many happy Saturday afternoons for 22 years.

...George Sanders would still have style (Ray Davis,"Celluloid heroes") Treacherous,diabolical,suave,cynical,sadistic ,but with a lot of class ,a touch of aristocracy ,an infinite refinement and a zest of noblesse oblige,Sanders was the villain of that era ;To see him play opposite dashing Tyrone Power is once more cause for celebration.Add Gene Tierney and it is a dream come true;too bad the actress's appearance does not exceed 20 min,but Power has nevertheless plenty of time to teach this Tahitian girl some elements of Shakespeare's language.

Power portrays the proud hero ,whose wicked uncle takes to his home (the young man's home in fact)to make him a stable lad.This lord has stolen everything from his late brother but the nephew is not prepared to accept it.He is abetted by his grand pa and a crude girl with a golden heart.

Very entertaining and the scenes where Power and Sanders play together are just a joy.

Hasn't the ending got something from Rousseau or Thoreau?