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Ships With Wings made in 1941 tells the story of the British flagship aircraft carrier the Ark Royal in battle in the Mediterranean theater. The first thing to compliment in this film is the judicious use of editing real battle newsreel footage into the film, integrating it with the plot of the film. I doubt very much if Ark Royal was being used for location shooting, the Royal Navy kept her quite busy in those years.

Three pilots take the lead here, John Clements, Michael Wilding, and Michael Rennie. Of the group Clements is an easy going, but reckless type. Some dereliction of duty gets him washed out of the Royal Navy's pilots.

But when war comes, Clements who is now working for a spitball Greek Airliner in the Mediterranean gets hold of German plans and flies to Allied territory to bring the world. The former Three Musketeers are united and Clements lends a helpful hand to the others at a critical moment in battle.

Ships With Wings is a nice rousing tribute to the men who served on Great Britain's Naval Air Arm and on the Ark Royal in particular. And this review is dedicated to everyone who ever served on that most gallant ship of the British Royal Navy. You folks kept us all free.

"Ships with Wings reminded me of three other war films. Three years earlier, John Clements in "The Four Feathers" had played another disgraced British officer who redeemed himself, and "Casablanca" also portrayed Italian officers as ineffective popinjays.

Most strikingly, though, just as "Air Force" depicts an instant United States naval victory days after Peal Harbor, SWW portrays a mass sinking of German ships by the Royal Navy at a time when Axis forces were sweeping across the Eastern Mediterranean. Such fictitious achievements may have been designed to raise morale, but I wonder how contemporary cinema-goers reacted to the preposterous antics shown in the last part of SWW, which today look risible. Another reviewer has described them as "comic-book".

To avoid "spoiling", I won't list all the half-dozen improbable actions, though I do wonder why there was no attempt by the carrier's crew to deal with the burning aircraft that had crashed on its deck.

The film did start well, with some good scenes of the launching of HMS Ark Royal and of aircraft of the early 1940s.

As always with films of this period, there are some interesting names to look out for among the cast.

This film was indeed propagandist in nature, so what? I mean so what? It has reasonably good performances from it's cast, Banks and Rennie really stand out......It's played with that exceptional British axiom, "the stiff upper lip" Stacey is the proverbial "sacrificial lamb" as a result of his indiscretion regarding an associate that wanted to fly....He comes back and gets his revenge on the axis SOB's and winds up going down in flames a-la John Carrol's "Woody Jason" in Dave Miller's 1942 opus: "Flying Tigers"..... This film NEVER fails to come through with the goods. As for the spfx.........Well, they could be better, but, as a long time spfx buff, you cannot, repeat, cannot fault the efforts and pure chutzpah of the technicians - even though it's all very improbable and very much "over the top". Look at Tsuburaya's early efforts at TOHO and Derek Medding's early work with Gerry Anderson. Screw CGI! Perhaps the lighting and photography of the miniature work could be improved, but the actual models themselves were superb and dead on accurate. Bloody good show!

Yes, this is British wartime propaganda. Yes, the story-line often seems cartoonish. Yes, some of the special effects seem as though they're out of a 1930s serial. While all those points are granted, "Ships With Wings, does score on featuring a lot of well-known British film and stage personalities of the period, along with some others; including Michael Wilding (Elizabeth Taylor's first husband) and Michael Rennie(The Day the Earth Stood Still) who would become well-known later on. However, "Ships with Wings" scores the most points for its' inclusion of many scenes of air operations on board the Royal Navy's famous aircraft carrier, HMS Ark Royal, with Blackburn Skua dive bombers, Fairey Fulmar fighters and Fairey Swordfish torpedo bombers. HMS Ark Royal had actually been sunk by the time this film was released in 1942, but not before the Fleet Air Arm's Swordfish torpedo bombers, the immortal "String-Bags", had crippled the Italian fleet at Taranto. Look also for historic scenes of the real "Force H" operating in the Mediterranean, showing HMS Ark Royal accompanied by the Battleship HMS Bahram and battle-cruiser HMS Renown.

Rate this one an "8"; not for it's story, acting or special effects, but for it's value as an historic curio of the times in which it was produced.

Supposedly set in the thirties, this glossy nonsense glorifying the Fleet Air Arm was made by Ealing before they soon afterwards hit their stride and realised that gung ho heroics were not exactly their thing.

The general unreality of the piece is indicated by the credit in the titles for the fashion houses that supplied the dresses; and although the final bombing raid is done with obvious models at least it provides the pleasure of seeing John Laurie in the cockpit of one of the planes.

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