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IMDbPro

Prelúdio de uma Guerra

Título original: Prelude to War
  • 1942
  • Not Rated
  • 52 min
AVALIAÇÃO DA IMDb
7,0/10
2,5 mil
SUA AVALIAÇÃO
Prelúdio de uma Guerra (1942)
DocumentárioGuerra

Adicionar um enredo no seu idiomaThe official World War II US Government film statement defining the various enemies of the Allies and why they must be fought.The official World War II US Government film statement defining the various enemies of the Allies and why they must be fought.The official World War II US Government film statement defining the various enemies of the Allies and why they must be fought.

  • Direção
    • Frank Capra
    • Anatole Litvak
  • Roteiristas
    • Julius J. Epstein
    • Robert Heller
    • Williband Hentschel
  • Artistas
    • Walter Huston
    • Victor Bulwer-Lytton
    • Kai-Shek Chiang
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,0/10
    2,5 mil
    SUA AVALIAÇÃO
    • Direção
      • Frank Capra
      • Anatole Litvak
    • Roteiristas
      • Julius J. Epstein
      • Robert Heller
      • Williband Hentschel
    • Artistas
      • Walter Huston
      • Victor Bulwer-Lytton
      • Kai-Shek Chiang
    • 26Avaliações de usuários
    • 4Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
    • Ganhou 1 Oscar
      • 5 vitórias no total

    Fotos

    Elenco principal40

    Editar
    Walter Huston
    Walter Huston
    • Narrator
    • (narração)
    • (não creditado)
    Victor Bulwer-Lytton
    • Self
    • (cenas de arquivo)
    • (as Lord Lytton)
    Kai-Shek Chiang
    • Self
    • (cenas de arquivo)
    • (as General Chaing Kai-Shek)
    Walter Darré
    • Self
    • (cenas de arquivo)
    • (as Darré)
    Otto Dietrich
    • Self
    • (cenas de arquivo)
    • (as Dietrich)
    Hans Frank
    Hans Frank
    • Self
    • (cenas de arquivo)
    • (as Frank)
    Joseph Goebbels
    Joseph Goebbels
    • Self
    • (cenas de arquivo)
    • (as Doctor Goebbels)
    Hermann Göring
    Hermann Göring
    • Self
    • (cenas de arquivo)
    • (as Goring)
    Rudolf Hess
    Rudolf Hess
    • Self
    • (cenas de arquivo)
    • (as Hess)
    Adolf Hitler
    Adolf Hitler
    • Self
    • (cenas de arquivo)
    • (as Hitler)
    Saburo Kurusu
    • Self
    • (cenas de arquivo)
    • (as Kurusu)
    Robert Ley
    • Self
    • (cenas de arquivo)
    • (as Ley)
    Yôsuke Matsuoka
    • Self
    • (cenas de arquivo)
    • (as Yosuke Matsuoka)
    Frank McCoy
    • Self
    • (cenas de arquivo)
    Benito Mussolini
    Benito Mussolini
    • Self
    • (cenas de arquivo)
    Puyi
    • Self
    • (cenas de arquivo)
    • (as Henry Pu-yi)
    Fritz Reinhardt
    • Self
    • (cenas de arquivo)
    • (as Reinhardt)
    Alfred Rosenberg
    Alfred Rosenberg
    • Self
    • (cenas de arquivo)
    • (as Doctor Alfred Rosenberg)
    • Direção
      • Frank Capra
      • Anatole Litvak
    • Roteiristas
      • Julius J. Epstein
      • Robert Heller
      • Williband Hentschel
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários26

    7,02.5K
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    Avaliações em destaque

    9BrandtSponseller

    Well-done and educational propaganda

    Prelude to War is the first in a series of well-made propaganda films that were co-directed by Frank Capra during World War II with the intention of educating new U.S. soldiers about the war while inspiring them to fight for "what's right". Watching them at this point in time, they are fascinating as a glimpse into more or less official propagandistic stances. Of course it's to be expected that the films go to pains to dehumanize, even demonize, then enemy cultures. Because this specific material is so far removed from our current stances and concerns, it's instructive to watch and especially to show it to students, because it's much easier to see through the propaganda tactics, enabling similar tactics to more easily be identified in modern politics.

    But perhaps surprisingly, Prelude to War and the other films in the series also contain a good deal of accurate factual information, so that unless you're a World War II buff, you can learn quite a bit about how the war progressed and at least one side of why it progressed (one of many necessary sides)--if you watch the series with a critical eye.

    The series also contains a lot of intriguing historical footage--including films of Axis military campaigns in execution, and some of the more typical newsreel-type shots of the three Axis leaders--Hitler, Mussolini and Hirohito, their right-hand men and their military and civilian support systems. Just as notable now is footage of various aspects of American life that would have passed by without much thought in 1943--such as cars traveling on relatively sparse, newly built U.S. highway interchanges. You can gain as much from Prelude to War by simply watching the images and keeping in mind the historical context as you can by listening to the narration.

    There are a couple rough spots--a montage of Axis armies marching like huge, well-oiled machines probably goes on too long 60-something years later, but surely the aim was to put just a bit of fear as well as an increased fervor to conquer into the new U.S. military recruits.

    This film isn't crucial viewing for everyone, but for those who study history, politics, sociology, the military and especially World War II, it is essential.
    8rvosa

    Very good to get an idea of perceptions at that time

    The series "Why we fight" was US government propaganda to explain to American soldiers, and later the public, why the US was involved in WWII. It is very interesting to watch, and a good way to learn what Americans thought (or were supposed to think) at the time - but on its own this series does not provide an accurate account of the war.

    Obviously, this was made before political correctness existed, and you can tell: there is talk of 'Japs', the Holocaust is largely ignored. Also, the movie is necessarily ambivalent about the Russian role, who were allies at the time. For example, the Molotov-Von Ribbentrop pact (especially the annex about the division of Eastern Europe) goes virtually unmentioned, and the Red Army's reasons for showing up in Eastern Poland are nebulous.

    On the other hand, the movies are quite detailed about the people involved, the various Nazi leaders and so on - who would have been household names at the time, but would probably be left out of present day WWII documentaries. Also interesting is that one of the reasons, apparently, why Nazism must be fought was their union busting - surely a reflection of the post-Depression Roosevelt era.

    All in all, well worth watching. I rate this highly both because it is essential viewing as an historical document, and because it is very well done propaganda (Frank Capra, animations by Disney)! Note that the US government has placed these movies in the public space, which means that perfectly legal, digital versions can be found on the internet.
    9Quinoa1984

    just hokey enough to be dated, but it never loses its forceful impact for showing why the war happened

    I usually don't watch old propaganda movies, unless it's meant for fun. The kind that they show on Mystery Science Theater before the main feature are some of those. But Frank Capra had an entire series of films in the second world war educating an American public, whether they knew it or not, about the reasons and and the current fighting conditions, of World War II. Granted, these were made more-so for the US Army as a training film, and in this particular case we get the not-so-subtle look at "Free" vs "Slave" states, the latter being those in Germany and Japan. Did you know, for example, that the Nazis make their schoolchildren pledge allegiance to Hitler every day before school starts and that the Japanese have an unyielding allegiance to their Emperor? It's that kind of movie.

    But there is more than I expected here, which is what is so fascinating and satisfying. Capra is a real filmmaker, he's not just some gun for hire that the Army would get to make something fast and message heavy without any artistic merit. So even when Capra's imagery and tactics of narrative devices beat the drum over the head- perhaps for good reason as it was, again, for the US Army- is really does drive the points home as solid propaganda. And, sometimes, as some decent history too about how Germany and Japan got to where they were in the lead-up into the war. On top of this is Capra's skill in combining documentary footage of Nazis and "the Japs" with various maps showing what the axis powers would do with their far-reaching goals in taking over the road (like an oil-slick it goes over the map), and there's even some really creative animation used. Plus, of course, some actual interviews and footage of politicians.

    Overall, while not subtle in the slightest, Prelude to War is a fine piece of film-making that achieves its principle goal: get the soldiers (or the audience in general) riled up about what has happened up until this point in time, and, of course, to 'know-your-enemy' as it were. It's no less an artistic achievement really than anything else Capra was doing in the 1940's.
    Cookie003

    A great look at American propaganda

    This film is a great opening to the entire series convincing and American public why they are entering WW II. This film shows the viewer much more about American ideals right after the events of Dec 7th 1942.

    Some of the language is a little hard to handle and the overt nature makes the viewer laugh more than once, its great to look at old training videos as the try and instill a sense of pride in America and hate over the enemy. Recommended viewing for anyone looking into WW II propaganda, also used as a good counter argument to Triumph of the Will.
    RussianPantyHog

    "If you ever meet them, don't hesitate".

    So says Walter Huston, speaking about Mussolini, Hirohito & Hitler. Prelude To War is the 1st in 7 information films collectively known as the Why We Fight series. Each film is a masterpiece and still, 60 years later, the benchmark of documentary film-making. This particular film shows how the Axis powers (Germany, Italy & Japan) destroyed freedom in their own countries and then set out to poison their youth and conquer the world. It shows why we MUST fight. I don't say "we" lightly. The movie is SO powerful that by the end I actually felt myself involved in the struggle. The film is beautifully narrated by 2 very unique voices who each bring a distinctive style and message. Walter Huston is the voice of experience, and Anthony Veiller's no-nonsense New York accent adds a sense of real urgency to what must be done. The various 'footage' clips are painstakingly collected to back up the narration and they really are chilling; particularly the shots of small children utterly brainwashed by the vicious poison of militarism. WE all know that good triumphed over evil, but it certainly was touch and go back then and this movie played a major role in showing American soldiers "Why We Fight". God bless them for their sacrifice. I bought the entire series on DVD and they are essential viewing.

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    • Curiosidades
      This film is in the public domain. As a work by Federal Government employees on behalf of the Federal Government, the film is by law ineligible for copyright protection and was released into the public domain at its creation.
    • Erros de gravação
      During the (silent) footage of Ethiopians shouting, the angry voices are actually shouting in Kiswahili: "Kwenda!" ("go:), etc. The principal language of Ethiopia is Amharic. Kiswahili (commonly known as "Swahili") is the main language of Kenya, Tanzania and Uganda.
    • Citações

      Narrator: [Last line] For this is what we are fighting: Freedom's oldest enemy, the passion of the few to rule the many. This isn't just a war. This is the common man's life and death struggle against those who would put him back into slavery. We lose it, and we lose everything. Our homes; the jobs we want to go back to; the books we read; the very food we eat. The hopes we have for our kids; the kids themselves. They won't be ours anymore. That's what's at stake. It's us or them! The chips are down. Two worlds stand against each other. One must die, one must live. One hundred seventy years of freedom decrees our answer.

      [Legend - not spoken]

      Narrator: "... victory of the democracies can only be complete with the utter defeat of the war machines of Germany and Japan." G.C. Marshall, Chief of Staff

    • Conexões
      Edited into The Road to War: Japan (1989)
    • Trilhas sonoras
      The Star Spangled Banner
      (1814) (uncredited)

      Music by John Stafford Smith (1777)

      Played often in the score

    Principais escolhas

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    Perguntas frequentes15

    • How long is Why We Fight?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 27 de maio de 1942 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idiomas
      • Inglês
      • Alemão
      • Italiano
      • Japonês
      • Língua amárica
      • Russo
    • Também conhecido como
      • Why We Fight
    • Empresas de produção
      • U.S. War Department
      • Academy of Motion Picture Arts and Sciences (AMPAS)
      • U.S. Army Special Service Division
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 52 min
    • Cor
      • Black and White
    • Mixagem de som
      • Mono
    • Proporção
      • 1.37 : 1

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