AVALIAÇÃO DA IMDb
5,9/10
626
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaSailors suspicious of spies and a singer in love enjoy life in the Canal Zone.Sailors suspicious of spies and a singer in love enjoy life in the Canal Zone.Sailors suspicious of spies and a singer in love enjoy life in the Canal Zone.
- Direção
- Roteiristas
- Artistas
Rags Ragland
- Rags
- (as 'Rags' Ragland)
Dan Dailey
- Dick Bulliard
- (as Dan Dailey Jr.)
Carmen Amaya
- Dancer in 'Good Neighbors' Number
- (não creditado)
Marvin Bailey
- Member - Six Hits and a Miss
- (não creditado)
Jackie Bardell
- Gimme Girl
- (não creditado)
The Berry Brothers
- The Beery Brothers
- (não creditado)
Ananias Berry
- Member - The Berry Brothers
- (não creditado)
James Berry
- Member - The Berry Brothers
- (não creditado)
Warren Berry
- Member - The Berry Brothers
- (não creditado)
Pauline Byrne
- Member - Six Hits and a Miss
- (não creditado)
Avaliações em destaque
6tavm
After years of only reading a bit about this movie, I finally saw Panama Hattie on a DVD I borrowed from the library. Adapted from a Cole Porter musical comedy, this film version only retains 4 of his songs from it with another one he wrote called "Just One of Those Things" from another musical he wrote it for. Lena Horne sang that one and another song written by someone else which she performs with The Berry Brothers dancers who also have another number. The stars are Ann Sothern in the title role and Red Skelton as one of three sailors-the others being Rags Ragland and Ben Blue-who are involved in a plot to expose spies. Ms. Sothern has a romantic subplot involving her romance with Dan Dailey but really, it doesn't really go anywhere while the sailors/spies one at least has some good laughs. Oh, and since this was made during wartime, it ends with a number meant to get America cheering the eventual destruction of the Japs which while understandable for the time it was made sounds very politically incorrect today. But none of this is supposed to be taken seriously so on that note, Panama Hattie is worth a look for anyone interested in these vintage old movies.
Highly mediocre musical is a botched filmization of Ethel Merman's Broadway smash. In this one, the marvelous Ann Sothern at the peak of her pin-up girl beauty almost saves the film with another delightful performance. Glossy MGM production values and a game cast including Dan Dailey, Red Skelton, Virginia O'Brien and the lovely Lena Horne give it their all. Story is very thin but this was still a huge hit at the time. Probably because Miss Sothern was then one of MGM's top box-office draws at the time. Sothern's "Lady Be Good"(MGM,1941) is a far superior film with a charming script and an Oscar-winning song but was somehow less popular than "Panama Hattie." WHo knows why some films make a fortune and others tank....
Even though Ethyl Merman originated the role on Broadway, she was not considered attractive enough to carry the starring top billing. I am a real fan of Cole Porter and will watch anything he is involved with. Unfortunately, a lot of his work is either not included in movies that tout "music by Cole Porter", or is thrown out because it may not be mainstream for the audience of the day. Good example is "Anything Goes."
This is a movie you watch for the musical performance and dancing, not the story. Dan Daily's role could have been played by anyone.
I pull out the DVD about twice a year and again visit Cole Porter and this innocent musical.
Lena Horne is outstanding.
This is a movie you watch for the musical performance and dancing, not the story. Dan Daily's role could have been played by anyone.
I pull out the DVD about twice a year and again visit Cole Porter and this innocent musical.
Lena Horne is outstanding.
PANAMA HATTIE (1942) is two different movies, plotwise. One movie is about nightclub singer Hattie Maloney and her romance with a young soldier from a well-to-do Philadelphia family. The other film is a slapstick comedy about a trio of sailors on shore leave, with a penchant for catching spies. Juggling both, only tenuously connected plots in a 79-minute time frame means that neither story is properly developed. Conflicts are resolved easily and off-screen. And both stories give way to extended musical numbers, particularly at the end.
Despite its obvious weaknesses, PANAMA HATTIE is a very entertaining collection of parts. Red Skelton, Rags Ragland, and Ben Blue make a fine comedic team. The slapstick is pulled off well and the script is witty. Skelton's clowning shtick isn't too overbearing, as he is part of a trio (and the brains, no less). Ann Sothern impresses with her singing and Lena Horne is showcased in a couple of musical numbers with the dancing Berry Brothers.
Two favorites of mine, the offbeat "deadpan" singer Virginia O'Brien and the lovely Marsha Hunt, are welcome presences in the congenial ensemble. O'Brien shines in fun numbers like "Fresh as a Daisy" and "(Did I Get Stinkin') At the Savoy". Hunt's mildly antagonistic Philadelphia snob is a bit of a change of pace for her, and she has some great comedic moments opposite Skelton.
The film's finale becomes an interesting showcase of wartime patriotism, capped by the entire cast singing "The Son of a Gun Who Picks on Uncle Sam" about bombing the Japs and Heinies right off their Axis and whatnot. There's a great line near the end. After convincing her to join the war effort, Skelton tells Hunt that he'll take her around the world after the war is over: "I'll even show you where Japan used to be."
6.5/10
Despite its obvious weaknesses, PANAMA HATTIE is a very entertaining collection of parts. Red Skelton, Rags Ragland, and Ben Blue make a fine comedic team. The slapstick is pulled off well and the script is witty. Skelton's clowning shtick isn't too overbearing, as he is part of a trio (and the brains, no less). Ann Sothern impresses with her singing and Lena Horne is showcased in a couple of musical numbers with the dancing Berry Brothers.
Two favorites of mine, the offbeat "deadpan" singer Virginia O'Brien and the lovely Marsha Hunt, are welcome presences in the congenial ensemble. O'Brien shines in fun numbers like "Fresh as a Daisy" and "(Did I Get Stinkin') At the Savoy". Hunt's mildly antagonistic Philadelphia snob is a bit of a change of pace for her, and she has some great comedic moments opposite Skelton.
The film's finale becomes an interesting showcase of wartime patriotism, capped by the entire cast singing "The Son of a Gun Who Picks on Uncle Sam" about bombing the Japs and Heinies right off their Axis and whatnot. There's a great line near the end. After convincing her to join the war effort, Skelton tells Hunt that he'll take her around the world after the war is over: "I'll even show you where Japan used to be."
6.5/10
It's a war-time propaganda film, so allowances will be made! In lieu of a clear, solid story, we see huge star after star sing or dance, or do a standup bit. My personal favorite is the amazing miss virginia obrien; she only did about twenty films, but every one is a hilarious gem. I won't list the cast list, but check it out.. it's just incredible. With all those directors and writers, it's no wonder it's kind of a big mish-mash of a story... from the filming dates, it looks like it was re-hashed after pearl harbor, with scenes added, and removed. Ann sothern is hattie, who runs the joint where the story takes place. And some nonsense about getting upset at something the little girl says. Sothern was maisie in films for years, before and after panama hattie. Watch this one just for the parade of stars that come strolling by. Mostly good stuff. Shows on turner classic now and then. I'm surprised at the low-ish rating, but to be fair, the story is a little wacky, and it's based on only 480 votes so far.
Você sabia?
- CuriosidadesAdapted from the Broadway musical "Panama Hattie", which opened at the 46th Street Theater in New York October 30, 1940 and ran for 501 performances. Ethel Merman played Hattie, Betty Hutton was Flo, Rags Ragland originated his movie role, Arthur Treacher played the butler, James Dunn was Bullet, and future film stars June Allyson, Lucille Bremer, Betsy Blair, Doris Dowling and Vera-Ellen were dancers. Allyson was also Hutton's understudy.
- Citações
Hattie Maloney: They're from the other side of the tracks, and I don't want to get run over crossing!
- Cenas durante ou pós-créditosAt the end of the opening credits, the lead actors break through a giant screen that states: "Warning! Any resemblance between the three sailors in this story and human beings is purely accidental."
- ConexõesFeatured in We Must Have Music (1941)
- Trilhas sonorasHattie From Panama
(1942) (uncredited)
Music and Lyrics by Roger Edens
Sung and danced by Six Hits and a Miss and The Music Maids
Principais escolhas
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- La rubia audaz
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 1.097.907 (estimativa)
- Tempo de duração
- 1 h 19 min(79 min)
- Cor
- Proporção
- 1.37 : 1
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