O Monstro das Trevas

Forde Beebe was a longtime writer and director who doesn't get much love -- the Buck Rogers serials excepted; most of his sound work was in the serial and B westerns, which usually don't impress. However in 1942 he shot Night Monster in less than two weeks for Universal. And it's a fine creepy-crawly with a good slow build-up and some fine atmospheric lighting by Charles van Enger. Bela Lugosi and Lionel Atwill were top-billed for marquee value, though Lugosi has few lines as the servant of the house, Rolf, and Atwill is the first person killed inside the house, so there really is no truth in advertising here.

Three doctors are summoned by wealthy Kurt Ingston (Ralph Morgan) to spend a few days at his mansion for possible endowments for their research. That's odd since the three doctors could not stop Kurt from ending up in the state he is in now - an arm and both legs partially amputated. Kurt's sister has summoned a fourth doctor, Dr. Lynn Harper, for completely separate reasons. Harper is a psychiatrist. A mystic, Agor Singh (Nils Aster), is a resident of the Ingston home, helping Kurt deal with the reality of his condition. And then guests as well as some of the servants are found strangled, usually in their rooms but sometimes outside. So the search is on to discover who the murderer - the titular night monster - might be.

This is a well-done horror film that, despite not having any big names who have many lines or who are onscreen for very long, was quite engaging with an interesting and unusual angle. With Leif Ericson as a big galoot chauffeur who could be the poster boy for the Me Too movement 70 years ahead of schedule. 15 minutes in I was rooting for the Night Monster to get this creep he was so awful!

Crippled Kurt Ingston (Ralph Morgan) has no arms or legs despite the fact that three doctors tried to save him (from what is never said). He invites all three of them to his creepy estate and says there are no hard feelings...but then the doctors start getting killed and his house is full of suspicious characters.

I caught this on late night TV when I was a kid and remember being pleasurably spooked by it. It's nice to see it still holds up all these years later. First off don't let the top billing of Bela Lugosi and Lionel Atwill fool you--they're hardly in the movie. Lugosi is totally wasted as a sinister butler and Atwill chews the scenery but is gone halfway through the movie. Most of it deals with Morgan and various supporting characters. The good thing is all the supporting actors are interesting and well-acted especially by Leif Erickson as a lecherous chauffeur and Nils Asther as a sinister yogi. The direction is very good and the movie has a nice dark atmosphere. There's a VERY spooky scene where one of the doctors is approached by the killer. Another nice touch is all the frogs and animals in the swamp surrounding the estate go dead quiet when the killer appears. The sudden dead silence is more than a little unnerving. The final sequence when you find out who the killer is doesn't make a lot of sense but the movie is so good that you let that go. A low-budget horror from Universal that is exceptionally well-done. I give it an 8.

Universal made a great hit with this one due to the way the story is put together. This had to be one of the best "spooky house" films. The use of atmosphere in terms of foggy nights, shadows on the wall, creepy facial expressions (this is why "The Ring" was such a hit), creaky doors, puddles of blood, a skeleton materializing in a room, Bela Lugosi looking mysterious, frogs/crickets coming to a sudden silence, sinister residents of "The Towers" and more, make this one of the best shockers of the 1940s.

Ever spook yourself in a darkened room ? (Great fun!) Ever get spooked by inanimate objects in a room based on their shadows on the wall? (I used to have nightmares as a child (about 5 years of age) due to the wood patterns on a dresser that looked like ghoulish figures. My mother told me that I used to run high fevers as a child and this may account for it.) Not being a psychologist, I am not familiar with a lot of the theory underlying why this sort of thing happens, perhaps it is based on subliminal reactions to the unknown, but it is very simple to scare oneself by associating objects,shapes or shadows with some sort of subconscious fear. In any case, this movie does the same thing to an extent by creating an atmosphere of overwhelming dread by tuning to the subconscious anxieties (such as the proverbial "things that go bump in the night" ) which exist in all of us.

I am a great Bela Lugosi fan and even though he plays a red herring butler in this film, through the use of creepy facial expressions, he adds to the nightmare quality of this film. Some fans think he would have been better off in the Angar Singh role (as he played in another great film, "Night of Terror" 1933), but he is fine as the sinister butler this time. Lionel Atwill is also fun to watch. The ladies Fay Helm and Irene Harvey are great eye candy. In the last reel of the film, people are knocked off one by one until the film reaches a ghoulish climax (I won't give the ending away).

The film is similar to "Night of Terror" (1933) (one of my B-movie favorites) which is equally creepy and equally fun. The difference is that in "Night Monster", a supernatural element is added.

10/10.

Dan Basinger

Interesting "B" old dark house thriller about somebody or something killing people right and left at the estate of wealthy cripple Kurt Ingston (Ralph Morgan). Who the culprit is won't be a huge shock to you but how they are doing it is pretty cool. The main selling point of this film is the terrific cast, even though some of the bigger names have small roles. Despite being top billed, Bela Lugosi plays a minor part as a butler. Lionel Atwill also has a minor role as a doctor. Leif Erickson plays a lusty chauffeur and Nils Asther a Hindu mystic. Janet Shaw has a memorable part early on as a sassy maid who can't get away from the Ingston estate fast enough. But the best parts go to Ralph Morgan and Fay Helm as the deranged brother and sister. This is a great movie to pass an hour. Universal made it and it's usually billed as a horror film. It does have some supernatural overtones but at its heart it's basically a murder mystery. A good one, though.

1942's NIGHT MONSTER was a staple of Universal's SHOCK! package of classic horrors issued to television in the late 50s, showing up 6 times on Pittsburgh's Chiller Theater from 1966 to 1983. This was the only Universal to grant Bela Lugosi top billing since the 1931 Dracula, with even 1932's MURDERS IN THE RUE MORGUE listing him below not-so-virginal ingénue Sidney Fox (a triumph for the casting couch!). For the record, other servant/butler roles Lugosi played can be found in 1933's NIGHT OF TERROR, 1939's THE GORILLA, 1944's ONE BODY TOO MANY, 1945's THE BODY SNATCHER, 1946's GENIUS AT WORK, and 1956's THE BLACK SLEEP. His Rolf has little to do, but he was still a regular participant in the studio's horrors, and always a welcome presence. 'A scream in the night through the fog on Pollard Slough,' hiding something so hideously terrifying that even the frogs stop croaking whenever its shadow passes by (if that doesn't set the proper mood, nothing will!). The opening credits are presented in front of the same forest set built for THE WOLF MAN, featuring music identical to the credits for THE GHOST OF FRANKENSTEIN. Second billed Lionel Atwill also plays a small role, but it's the one doctor he's best suited for, getting good scene stealing mileage out of his exasperated reactions to Francis Pierlot's gland obsessed fellow physician. Kudos to beloved character actor Frank Reicher, best remembered for KING KONG, whose sensitive realistic portrayal of Dr. Timmons is vastly different from the bombastic Atwill. Tending the wealthy and powerful Kurt Ingston in his time of illness, the three have left him 'a helpless cripple, a misshapen thing that must hide even from the servants in the house.' Ralph Morgan is in top form as the wheelchair bound owner of Ingston Towers, with hilarious support from Leif Erickson as the lecherous chauffeur Laurie, even daring to flirt with Doris Lloyd's icy housekeeper, whom he refers to as 'old frozen face.' Little used actress Janet Shaw enjoys one of her few major roles, as Millie Carson, the suspicious maid who abruptly quits without notice, but makes the fatal mistake of returning for her belongings after nightfall, becoming the first on screen victim of the prowling horror, to the eerie silence of the fog shrouded darkness. Director Alfred Hitchcock was preparing SHADOW OF A DOUBT at Universal that summer, and screened this picture because he wanted to cast Janet as a burned out waitress in his film ('I'd just die for a ring like that'). Hitchcock was duly impressed by what he saw in NIGHT MONSTER, and was amazed that it was shot with great style and pace in just 11 days by producer-director Ford Beebe, who had just graduated from serial work. Despite the disappointment for some Lugosi buffs, this fan has long championed its qualities to remain genuinely frightening even today, receiving its long awaited due as a Universal horror classic, a real ensemble piece where the entire cast stands out, a genuine chiller that featured prominently on Chiller Theater, perfect viewing in the dark at 2:00 in the morning.