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I never really rated Alan Ladd but he's quite decent in this wartime thriller. He's the gangster "Lucky" who finds himself drafted! Despite the best efforts of his lawyer "Higgins" (Lloyd Corrigan) to get him off, he is duly posted - and promptly absconds. Not before, though, he encounters "Jill" (Helen Walker) who disapproves heartily of his unpatriotic attitude. She ends up his hostage and the briefcase she was carrying becomes the hottest property in town. We discover it contains some top secret army designs and that there's a group of Nazi fifth columnist's out to retrieve it. Now "Lucky" has to make some tough choices (and a fairly impassioned speech at the end) before their secrets fall into enemy hands. The drama itself is quite well put together and decently paced. There's a solid, if unremarkable, effort from Walker and a few scene stealing quips from Mabel Paige's rather astute "Annie" - the sharpest, shrewdest and wittiest of the bunch. It's all fairly standard fayre, but is an easy watch as it sows the seeds for US involvement in WWII.

After Alan Ladd's success in This Gun For Hire and The Glass Key, roles more traditionally associated with him, Paramount decided to give him top billing in Lucky Jordan, a film remarkably similar to Humphrey Bogart's All Through The Night in which gangster Bogart foils a Nazi spy ring. Although Ladd does well in the part, this was something given Ladd's diminutive stature that James Cagney would have breezed through.

In the title role Ladd is a gangster who's most reluctant to go into military service and leave the lifestyle he's become accustomed to. His number one subordinate Sheldon Leonard is most anxious to see him leave so he can move in on everything including Marie McDonald. Ladd and lawyer Lloyd Corrigan try all kinds of gambits, the last being to hire an Apple Annie type to fake being Ladd's mother so he can claim he's her sole support. Mabel Paige who played the gin swilling old souse is the best one in the film.

Ladd finally goes in the army, but he crashes out like you would in a prison film and accidentally gets some secret plans for a new airplane in the car he hijacked. Furthermore Sheldon Leonard is doing business with people who'd like those plans as the old rackets are drying up do to the war. All this doesn't faze Ladd, not even the pleadings of Helen Walker who is an Army WAC, but when the spies beat up on Paige our boy is not about to see the institution of motherhood defiled.

Lucky Jordan is played tongue in cheek just like All Through The Night. It made a profit for Paramount and confirmed Ladd's box office appeal. But it's firmly rooted in the time and place that the story is set in and hasn't really aged all that well. During his years at Paramount in the Forties Alan Ladd made far better films than Lucky Jordan that have come down as classics. This one is quite a bit less than a classic.

This picture was fun to watch. Alan Ladd had a style as a gangster that counterpointed well with the wonderful Sheldon Leonard ("Hey, Buddy, ... C'mere!") Helen Walker presented an unusually perky, sexy look that was never really exploited in the movies. When she distracted the nazi spy he was not alone. I sat through the movie again to be distracted a second time. The picture may become a cult 'classic', if it has not already and I recommend most insistently that you view it. Ladd's involvement with the old 'bag lady' will touch you. Once again, for a light comedy, spy thriller (The Second World War was in full sway) it was away ahead of most of it's ilk. My favourite Alan Ladd movie.

This is a very entertaining movie. A lot funnier upon repeated viewing (dialogue is very witty and fast). Alan Ladd (underrated actor to begin with) has made very few comedies and shines here in both delivery, mannerisms and excellent timing. Helen Walker is holding her own and has just about as good an on-screen chemistry with Ladd as Veronica Lake in his noir movies. The plot is pretty stupid because of introduction of Nazis (in US ?!), secret plans, treason, etc. The whole patriotic hullabaloo, in my opinion, only gets in the way of otherwise interesting idea of a wise guy trying to dodge draft by any means necessary (especially as the movie was released in 1942). It's a pity Ladd got "pigeonholed" by his studio (Paramount) into tough guy, action hero and/or tragic roles. He would have been a winner in an intelligent, dialogue based comedy, or even romantic comedy (dare I say: the caliber of Cary Grant?!). I'm buying this one for my collection of Ladd's movies. :D

This is one of my favorite wartime crime/espionage/comedies. It's played mostly straight, but a few of the comedy sequences are priceless. Ladd plays Lucky Jordan, a man who makes his living in the rackets. He is a bookie and also makes money in slot machines. Basically letting the saps gamble away their dough. Business is good, but there is a problem. Jordan has been drafted into the army. You know the film isn't taking itself totally serious when Lloyd Corrigan plays Lucky's lawyer.

Jordan looks out for number one and thinks the government should look after itself. He finds nothing but trouble in the army and decides to skip and hide out until the war blows over. He gets away but inadvertently comes into the possession of some blueprints of a new tank design. Spies are after the documents and so is Slip (Sheldon Leonard), his old partner. His main nemesis however, is a spunky idealist (Helen Walker), who wants to see Lucky suffer for his unpatriotic attitude.

Also in the cast is Mabel Paige, who is hired to play Lucky's long lost mother. This is where most of the best laughs are found. But also it becomes quite touching, when the two loners find they have someone they can trust. The spies end up with the blueprints, but they have to beat up Paige to get it. This makes Lucky decide to join the fight. As Lucky says in the film, "I don't want to see my country run by a bunch of guys who beat up old ladies."

Jordan gets a tip that Slip has a connection to Kilpatrick Gardens, a high end garden nursery. This is where the final fireworks will start as we learn that Kilpatrick's is a front for the spies. It's all breezy and filled with snappy patter. The two leads, Walker and Ladd, are beautiful and work well off each other. Ladd's role is very physical here and he's up to meet the challenge. He was a star athlete in high school and you can see it here.