Ao Levantar do Pano

As an actress, Ida Lupino doesn't do it for me. It's only because she had something to say as a director in the 50's and 60's that I've decided to observe her acting roles in the 40's. This film has no other entertainment value than for research purposes.

Unlike Edmund Gwenn's portrayal of Kris Kringle on Macy's parade float, Monte Woolleys's Santa Claus was like the alcoholic one Kris replaced at the start of "Miracle on 34th Street". In this film, "Life Begins at Eight-thirty" (that's curtain time for old-time stage professionals) Monte's Thespian character, Madden Thomas, does a between-jobs gig as Department Store Santa, who secretly sips his much-needed "courage", smuggled in from the neighborhood saloon, through a hose from hot water bottle concealed behind his beard. When an uppity customer gasps indignantly upon hearing this Santa letting out a long loud belch, Monte leans down toward her, demanding sarcastically, "What did you expect madame -- chimes?"

Should we be judging a 80 year old film with 21st century cynicism? Then why watch?

Yes, this film is a little bit trite, a little sentimental, but it won't kill you. Except for for some clever lines expertly delivered by Monty, the writing isn't exceptional. The cast is great and they make you care about the characters.

Sara Allgood is an absolute treasure.

Emlyn Williams was a great writer (and actor) but he was not the happiest of Welshmen. This miserable story of his, adapted by the equally talented Nunnally Johnson is literally attractive to listen to but the oppressive dourness doesn't make it the most entertaining movie.

What keeps you engaged is two outstanding acting performances. Ida Lupino (as stunning as ever) is so completely real as the put-upon daughter inhabiting her self-made prison, you can't help but empathise with her wholeheartedly. The real star however is Monty Woolley as a once famous actor, now a forgotten victim of the demon drink. He's not your typical selfish, mentally damaged and debilitated drunk - he's bitter and twisted yes but one of those rare drunks who manages to retain a bitingly funny, acerbic wit. His marvellously clever dialogue is the only glimmer of light which raises a smile in this unhappy rather depressing story.

As a story about the damage alcohol dependency can cause, this is a little too light hearted and unrealistic. On the other hand, as an uplifting drama about how the human spirit can save you from the depths of despair, because it lacks the necessary depth, it's difficult to believe in. Still worth watching however just for Monty Woolley - he's so good in this.

Former stage actor Madden Thomas has been off the stage for eight years primarily due to his drinking habits. At the beginning of our film, he is fired from the seasonal job as a department store Santa for drinking on the job. Living w/ his daughter Kathy, Thomas is visited by playwright Robert Carter, who thinks he can build Thomas' career again by giving him a small part in a new play. Even though he still continues to drink, Madden is helped by Kathy, Robert, and Robert's aunt Alma (who was a former lover of Madden) to gain the confidence to stop drinking and take his life & career more seriously. Madden is given that chance when he is to play the title role in a production of King Lear, but when he discovers that Kathy & Robert are planning to wed and leave for Los Angeles, he gets plastered on the opening night, which drives Kathy to her patience limit (even blaming him for her lame leg). When this anger strains the marriage, it is up to Madden to make the right judgment concerning his life and those around him. This is an enjoyable piece of sentiment, while having its heart wrenching moments, it does leave a nice feeling at the end of the film. I think this is the best role Woolley ever had, and is finely supported by Lupino, Wilde, & Allgood. Pichel's direction, while it doesn't go overboard on the melodrama like many of his other films, is disjointed through most of the film since little is mentioned of the character's recent actions which impact certain scenes in the film. Rating, 8.