O Fogo Sagrado

In the early days of the 1940's, America was being inexorably drawn into World War Two. During that time, there was a great national Isolationist movement which sought to keep America out of the global conflict. The strongest and perhaps the most influential figures which arose were America's heroes. Among them was famed aviator, Charles Lindbergh. Having visited Germany prior to the invasion of Poland, was convinced America could not win a war against Germany. This movie called " Keeper of the Flame " represents the views of the late Robert Forest, a rich industrialist, popular and civic leader who although groomed himself as a true American patriot, was in fact a 'sleeper' Fascist. Because he believed Forest was an American hero, Steve O'Malley (Spencer Tracy) a famous war correspondent, returns home. His mission is to write the biography of Forest. Instead, as he begins writing the story, he discovers that Forest's wife Christine (Katharine Hepburn) and her family is hiding a family secret which everyone wants to keep buried with the deceased. With Richard Whorf, Margaret Wycherly and Forrest Tucker in supporting roles, this mysterious film quickly becomes a spy vs spy drama. One which Tracy and Hepburn play to the hilt. Due to her association with her husband, I could not help but see Bogart in this movie. Nevertheless, this is a dark film which easily explains the title. Recommended to anyone wanting to recall why America eventually went to war. ****

This film is early in the Tracy-Hepburn canon, and not widely regarded as one of their best efforts. The thing is, coming out so shortly after their landmark Woman Of the year, it isn't properly a Tracy-Hepburn vehicle so much as a George Cukor-Donald Ogden Stewart movie in which they happen to appear.

It is the story of a newspaperman (Tracy) out to investigate the circumstances behind the death of a much beloved American hero, meets and falls in love with the man's widow (Hepburn)who, along with everyone else whoever knew the man, seems to be harboring some dark secrets as to the true nature of his character. The film owes some obvious debts to Citizen Kane in being the inside scoop on a recently deceased man presumed to be great but who was in actuality something else altogether. In its somber mood, forbidding mansion, enigmatic and generally paranoid aspect, Keeper of the Flame suggests Kane in many regards, but is, to be fair, its own film.

Tracy and Hepburn play their roles exceedingly well. The supporting cast is well-chosen, and Percy Kilbride does a nice turn as a cab-driver; while Margaret Wycherly is scarifying as the dead man's mad mother; and a young, Aryan-looking-as-all-getout Forrest Tucker scoots about on a motorcycle like he'd join Hitler's minions at the drop of a hat. Richard Whorf in what at the time must have seemed a 'daring' performance, plays a fussy secretary to the dead hero in a manner which suggests a combination of repressed mania and strong homosexual tendencies. His character is wholly unbelievable but awfully fun to watch.

The movie has a dark, gothic cast to it, and was obviously filmed on a studio back-lot, but the result is not so much unreality as the suggestion of a fairy tale or a fable strangely consistent with the film's intent, and hence satisfying, making its woods and country roads look at times like a weird and twisted perversion of a Norman Rockwell painting.

Tracy's speech at the end of the movie about the American public being able to handle the truth is a point that should be well taken by today's politicians. Nothing is worse than finding out you have been lied to. Instead of sweeping it under the rug, Tracy's character brings the deception to the forefront for all to see. We would all be better off if our media and representaives had the same courage.

Keeper of the Flame is the answer to the trivia question, what film contained the only screen death for either Katherine Hepburn or Spencer Tracy in their joint projects.

This was their second teaming and after the comedy of Woman of the Year, they tried a change of pace with a melodrama. Pearl Harbor was still fresh in everyone's minds and so was the discredited isolationist movement.

It's chief spokesperson was Charles Lindbergh on whom the character of Hepburn's husband Robert Forrest was based. Lindbergh's too close association with Germany tarred him for the rest of his life.

Here Robert Forrest is killed right at the beginning of the film as he drives over a bridge that's ready to collapse. The death of Forrest brings out the grief of a nation and reporters flock to his Manderley like estate.

One of those reporters is Spencer Tracy who by some chicanery gains entrance to the place and meets the widow Forrest and her husband's chief aide Richard Whorf. The place reeks of sinister and Tracy's curiosity is aroused. He also meets Margaret Wycherly who is Hepburn's mother-in-law. She's one batty old dame. A far cry from Gary Cooper's mother a year before who Wycherly played in Sergeant York.

Hepburn seeks to preserve her late husband's reputation at the risk of her own in sending Tracy out on a red herring. He discovers the truth and how he does it and the result therein is the crux of the film.

Tracy and Hepburn are at their professional best working for the first time with George Cukor who later guided them through Adam's Rib and Pat and Mike. Richard Whorf is very good as the malevolent aide.

After over 60 years the film still packs a powerful dramatic punch.

Even though the story about fascism on the home front is strongly connected to its time period during World War II, the film's deeper warning remains true -- people who play hero to the masses may not be what they appear.

Great performances from the great team, Tracy and Hepburn. The atmosphere of mystery and gradual revelation of the amazing truth makes the film absorbing and tense. Though the film is not well known, this is definitely a classic.