Adicionar um enredo no seu idiomaNewspaperman jailed for a framed murder, escapes with prisoner. Years later, ex-convict finds ex-cellmate, now respectable, tries blackmailing him about past escape.Newspaperman jailed for a framed murder, escapes with prisoner. Years later, ex-convict finds ex-cellmate, now respectable, tries blackmailing him about past escape.Newspaperman jailed for a framed murder, escapes with prisoner. Years later, ex-convict finds ex-cellmate, now respectable, tries blackmailing him about past escape.
- Direção
- Roteiristas
- Artistas
Tod Andrews
- Ken Marshall
- (as Michael Ames)
Patti Hale
- Penny Marshall
- (as Patty Hale)
Dick Chandlee
- Office Boy
- (não creditado)
Eddy Chandler
- Arresting Policeman at Accident
- (não creditado)
Sol Gorss
- Paul's Gang Member
- (não creditado)
John Hamilton
- Judge
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Investigative reporter Ken Marshall is on the trail of crooked politician Gaines who is running for governor. After a series of articles, he is kidnapped and forced into a staged drunk driving incident which kills 3 people. He is sent to prison but quickly manages to escape.
This is a redo of "Each Dawn I Die" starring James Cagney. The first part is almost exactly the same which includes reusing the same car crash footage. The rest is completely different. None of it is an improvement. First, Cagney can't be replaced. Second, I'm not sure about the rewrite. I don't think I've ever encountered a redo. Maybe Rob Zombie redoing Halloween. I just can't believe the story. It turns an interesting prison drama into a dull non-dramatic life. I don't know the point of it all. The first part is a copy and the most notable about the rest is an overacting little girl.
This is a redo of "Each Dawn I Die" starring James Cagney. The first part is almost exactly the same which includes reusing the same car crash footage. The rest is completely different. None of it is an improvement. First, Cagney can't be replaced. Second, I'm not sure about the rewrite. I don't think I've ever encountered a redo. Maybe Rob Zombie redoing Halloween. I just can't believe the story. It turns an interesting prison drama into a dull non-dramatic life. I don't know the point of it all. The first part is a copy and the most notable about the rest is an overacting little girl.
Reporter gets framed for murder and sent to prison. Then some stuff happens. This started out as a promising little B with a nice cast and some action. Then things slow to a standstill for a long while before an abrupt but somewhat exciting climax. I've seen this compared to Each Dawn I Die, probably my favorite prison movie and definitely my favorite James Cagney movie. The only comparison is in the opening framejob. Everything else is different. Each Dawn I Die is superior in every way. This is a fairly dull picture. It does have some thrilling moments at the beginning, as well as some interesting "that wouldn't fly today" elements like a doctor refusing payment and a creepy murderous-looking vagrant being allowed into a house by a pretty woman who then proceeds to make him breakfast! Oh and there's a precocious little Shirley Temple wannabe who will rot your teeth with every line she says.
Regis Toomey as "Bob", the newspaper editor, is the biggest name in this 1942 shortie. One of his reporters, Ken Marshall (Michael Ames aka Tod Andrews) gets a good photo of some shenanigans taking place, but the local mobsters catch him, destroy the photo, and try to destroy him and his career. The script and the acting are pretty cardboard and ordinary. The local cops are all on the take, so our hero can't get any help from them. It looks like Andrews did mostly television appearances. The wife, played by Julie Bishop, worked with all the biggies in numerous war-time films and westerns. Aldrich Bowker is the kindly old doctor who helps them out. Keep an eye out for Sam McDaniel as Doc Brown's servant. They gave him some of the best lines. The film devotes a whole lot of time to the couple's little daughter "Penny" (Patti Hale), and even has her sing a song. Turner Classics showed this at 3 am, which probably explains why, as of March 2009, there are only 25 votes. It's an okay story, written by Jerome Odlum, but the ending is a little too abrupt, almost as if the original ending were skipped for budget reasons. The U.S. HAD just entered the war...
A crusading reporter is framed, sent to jail, but escapes to make a prosperous life in a new town, only to be blackmailed by an old cellmate he's double-crossed.
Despite the promising plot elements, the crime movie lacks needed grit, surprising for a Warner Bros. production. As a crusading reporter, Ames (aka Andrews) is much too bland to spark proceedings. Things pick up in final scenes, but by then it's too late. There's good support from McDaniel (Kit) and Harmon (Blake), but I'm with those who find blonde tot Hale on the annoying side. She's over-doing the aren't-I-cute bit. And catch that climax; it's like they had 30-seconds to tie up every loose end. I expect the production was rushed to accommodate burgeoning wartime audiences eager for escape. Now, I don't know about Dust Be My Destiny (1939), but the plot has a distinct resemblance to 1941's Strange Alibi, except the fall guy here is a reporter instead of a cop. A re-make wouldn't be surprising considering a speed-up on the programmer assembly line. Anyway, this 50-some minutes is easily passed up, especially if you've already seen the superior Strange Alibi.
Despite the promising plot elements, the crime movie lacks needed grit, surprising for a Warner Bros. production. As a crusading reporter, Ames (aka Andrews) is much too bland to spark proceedings. Things pick up in final scenes, but by then it's too late. There's good support from McDaniel (Kit) and Harmon (Blake), but I'm with those who find blonde tot Hale on the annoying side. She's over-doing the aren't-I-cute bit. And catch that climax; it's like they had 30-seconds to tie up every loose end. I expect the production was rushed to accommodate burgeoning wartime audiences eager for escape. Now, I don't know about Dust Be My Destiny (1939), but the plot has a distinct resemblance to 1941's Strange Alibi, except the fall guy here is a reporter instead of a cop. A re-make wouldn't be surprising considering a speed-up on the programmer assembly line. Anyway, this 50-some minutes is easily passed up, especially if you've already seen the superior Strange Alibi.
As someone mentioned, this is supposedly a remake of Dust Be My Destiny which starred John Garfield. I don't know, since I haven't seen Dust, but if Warner Brothers remade The Maltese Falcon twice (actually the famous Maltese Falcon was the third film), they could certainly have remade Dust Be My Destiny. They remade just about everything else.
Tod Andrews, who had a prolific TV career later, plays Ken Marshall, a reporter who discovers political corruption. If it comes out, it will ruin one candidate's campaign for governor.
Ken is rendered unconscious, with booze poured all over him, and then placed in the driver's seat of a car that's sent down the highway. After an accident kills three people, Ken goes to prison. He is able to escape, however, winds up in another town, and builds a new life for himself, even getting a reporter job under another name. Then one day, an old cellmate shows up and blackmails him.
This is an okay film with the big star being Regis Toomey. Someone mentioned that the wife didn't look pregnant up to the moment she gave birth. Back then, all a woman did was faint, and you were supposed to know she was pregnant. I think the censors didn't allow pregnancy to be shown, because if you look at movies like The Great Lie, the pregnant person never looked pregnant. As Lucille Ball said, "Today you can not only see that a woman is pregnant, but how she got that way."
Tod Andrews, who had a prolific TV career later, plays Ken Marshall, a reporter who discovers political corruption. If it comes out, it will ruin one candidate's campaign for governor.
Ken is rendered unconscious, with booze poured all over him, and then placed in the driver's seat of a car that's sent down the highway. After an accident kills three people, Ken goes to prison. He is able to escape, however, winds up in another town, and builds a new life for himself, even getting a reporter job under another name. Then one day, an old cellmate shows up and blackmails him.
This is an okay film with the big star being Regis Toomey. Someone mentioned that the wife didn't look pregnant up to the moment she gave birth. Back then, all a woman did was faint, and you were supposed to know she was pregnant. I think the censors didn't allow pregnancy to be shown, because if you look at movies like The Great Lie, the pregnant person never looked pregnant. As Lucille Ball said, "Today you can not only see that a woman is pregnant, but how she got that way."
Você sabia?
- CuriosidadesThe premise of this film, a reporter framed by corrupt officials and convicted in manslaughter, is identical to that of A Morte me Persegue (1939) starring James Cagney. In fact, the car crash scene is the same film. Additionally, the dialogue immediately after the crash and in the courtroom is exactly the same.
- Erros de gravação(at around 1 min) Two police officers spot the stolen car. When they turn around, the interior of the police car is reversed. Their badges switch to the right side, and the steering wheel and driver are now on the right - in other words the film is reversed. In the other views of the police car's interior the view is correct, with the steering wheel and badges on the left.
- Citações
Kit Carson: [singing while washing the dishes] I's been washin' up the dishes, all the live-long day. Bet you can't guess what my wish is, jus' to throw dem all away...
- ConexõesRemake of A Morte me Persegue (1939)
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Me traicionaron
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 70.000 (estimativa)
- Tempo de duração
- 1 h 1 min(61 min)
- Cor
- Proporção
- 1.37 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente