Adicionar um enredo no seu idiomaA team of ex-con bounty hunters go to Germany in search of Hitler. If they can find him, a million dollar reward is to be paid to them.A team of ex-con bounty hunters go to Germany in search of Hitler. If they can find him, a million dollar reward is to be paid to them.A team of ex-con bounty hunters go to Germany in search of Hitler. If they can find him, a million dollar reward is to be paid to them.
Bobby Watson
- Adolf Hitler
- (as Bob Watson)
Eddie Coke
- Jimmy
- (não creditado)
Jack Gardner
- Lou
- (não creditado)
Myra Marsh
- Miss Grange
- (não creditado)
Henry Rowland
- Col. Hecht's Subordinate
- (não creditado)
George Sorel
- Capt. Kuhr
- (não creditado)
Billy Wayne
- Paratroop Capt. Tanner
- (não creditado)
Avaliações em destaque
Yes, the movie "Hitler, Dead or Alive",was sub-par for that time period's genre, but I believe that the basic theme could be currently remade, with success! Using an all-star cast & more expensive sets, this "B" movie plot could capture a new audience, since World War II movies have become in fashion again, in recent years! I also think a film, like the "Dirty Dozen" was also influenced by it!
If you look at numerous 'war' films, actually made during WW II, they were done quickly & cheaply, to capitalize on the times.
Even the great "Casablanca", made in 1943, was done mostly on back-lots & to take advantage of the recent 'action' there, so please look at "Hitler, Dead or Alive" through the eyes of war audiences, who had no television & were anxious to see anything about world events!
If you look at numerous 'war' films, actually made during WW II, they were done quickly & cheaply, to capitalize on the times.
Even the great "Casablanca", made in 1943, was done mostly on back-lots & to take advantage of the recent 'action' there, so please look at "Hitler, Dead or Alive" through the eyes of war audiences, who had no television & were anxious to see anything about world events!
After eleven years at Alcatraz Prison in San Francisco Bay, several gangsters are released and immediately concoct a scheme to kill Hitler in exchange for a bounty. Why will they succeed? Because they previously assassinated a fellow gangster. If you can accept that premise then the other contrived actions and subplots will be immaterial.
This film is far-removed from Plan 9 From Outer Space not that it is better. This film was produced in 1941 or '42 which was in the early days of the War, long before the German Army retreated from North Africa, Sicily, Italy, Greece, Romania and France. This is a simple story exploiting the hopes and dreams of many Americans.
It is especially interesting that gangsters are cast as heroes and at the end proclaimed "great Americans". J. Edgar Hoover and his star agent Eliot Ness at the FBI must have been livid after spending the 1930s claiming bootleggers and minor gangsters were the greatest threat to America since abolitionists.
While some scenes provoke a smile, this is far from the lunacy of Plan 9. The writer, producer and director of this film are mere apprentices or hacks compared to Ed Wood, Jr. To even compare the two films is a travesty. Unlike Plan 9, I recommend renting this because one viewing is more than enough.
This would have been great comedy if the Three Stooges had been cast as the lead actors. But, they were not and therefore, this is merely a mild broth that is less than filling. However, it does have one redeeming characteristic and that is the ending when "war lords and profiteers" are proclaimed a greater threat than Hitler. It is mind-boggling that the screenwriter foresaw Dick Cheney, the president of Halliburton corporation who loudly advocated during 2003, invading Iraq allegedly to destroy non-existent weapons of mass destruction. And, subsequently out of sheer coincidence received contracts totaling more than $12 billion to rebuild Iraq.
This film is far-removed from Plan 9 From Outer Space not that it is better. This film was produced in 1941 or '42 which was in the early days of the War, long before the German Army retreated from North Africa, Sicily, Italy, Greece, Romania and France. This is a simple story exploiting the hopes and dreams of many Americans.
It is especially interesting that gangsters are cast as heroes and at the end proclaimed "great Americans". J. Edgar Hoover and his star agent Eliot Ness at the FBI must have been livid after spending the 1930s claiming bootleggers and minor gangsters were the greatest threat to America since abolitionists.
While some scenes provoke a smile, this is far from the lunacy of Plan 9. The writer, producer and director of this film are mere apprentices or hacks compared to Ed Wood, Jr. To even compare the two films is a travesty. Unlike Plan 9, I recommend renting this because one viewing is more than enough.
This would have been great comedy if the Three Stooges had been cast as the lead actors. But, they were not and therefore, this is merely a mild broth that is less than filling. However, it does have one redeeming characteristic and that is the ending when "war lords and profiteers" are proclaimed a greater threat than Hitler. It is mind-boggling that the screenwriter foresaw Dick Cheney, the president of Halliburton corporation who loudly advocated during 2003, invading Iraq allegedly to destroy non-existent weapons of mass destruction. And, subsequently out of sheer coincidence received contracts totaling more than $12 billion to rebuild Iraq.
Reportedly, in April 1865, upon hearing the dreadful news from Washington, D.C., Benjamin Disraeli made the comment that "Assassination has never changed history!". A brave statement, but dubious. Lincoln's murder took a first rate political mind and spirit out of an office that needed him, and put in a misguided, ill prepared man with some sense of his office's importance. The result was that Lincoln's hope to restore the Union with a benign peace was wrecked by the inept President Andrew Johnson and the Radical Republican Congress which sought a harsher peace on the South. John Wilkes Booth had changed history indeed.
Same happened in 44 B.C. when Julius Caesar was killed. Same happened in 1914 when Archduke Franz Ferdinand was killed and World War I broke out. Assassination does effect history.
In 1942 two Czech patriots were parachuted into their homeland to carry out a mission. They did - they killed Reinhart Heydrich, the "Hangman" "Protector" of Bohemia, and creator of the Final Solution. Heydrich was in a car that was blown up, and it is pleasant to announced that the creep actually died from being skewered by eight heavy springs in the seat that he was seated in - it took him over a week to die. Given his involvement in the Holacaust and other atrocities, one can only say he died the way he deserved. Unfortunately, the Germans destroyed two villages, and killed hundreds of people in retaliation. Because of that the Allies did not carry out any other assassination plots in Europe against Nazis.
But the notion of killing Nazi leaders was instilled in the air, and I think that is why this film was made soon after. To Americans Heydrich was vaguely known (after the destruction of Lidice and the other village interest in the "Hangman" led to two films being made: Fritz Lang's HANGMEN ALSO DIE and Douglas Sirk's HITLER'S MADMAN). HITLER, DEAD OR ALIVE is not a good film - it is really rather stupid. The idea of hiring three American criminals to kill Der Fuhrer is outlandish. But to be fair, this idea of criminals fighting the good fight against Nazis was fairly common in Hollywood films. Nazis never fought fairly, so we needed someone who also fought unfairly. Witness Humphrey Bogart and his co-horts in ALL THROUGH THE NIGHT (against Conrad Veidt) or Alan Ladd in THIS GUN FOR HIRE (admittedly against traitors working for Japan, not Germany) or LUCKY JORDAN. Still, if you want to kill the most vicious government leader in history, why use three gunman instead of working out a plan with the government. So if you have problems with this, you will have problems with the entire film.
The only thing I liked about this movie was when Bobs Watson (as Hitler) makes a comment to a cohort that he eventually plans to doublecross Mussolini. Perhaps it might have happened sooner or later, but Der Fuhrer actually had a high regard for Il Duce, and later in the war sent his leading special agent, Otto Skorzeny, into Italy to rescue the imprisoned ex-head of the government. Still it was amusing to hear that. Otherwise, the film was a total wash-out.
Same happened in 44 B.C. when Julius Caesar was killed. Same happened in 1914 when Archduke Franz Ferdinand was killed and World War I broke out. Assassination does effect history.
In 1942 two Czech patriots were parachuted into their homeland to carry out a mission. They did - they killed Reinhart Heydrich, the "Hangman" "Protector" of Bohemia, and creator of the Final Solution. Heydrich was in a car that was blown up, and it is pleasant to announced that the creep actually died from being skewered by eight heavy springs in the seat that he was seated in - it took him over a week to die. Given his involvement in the Holacaust and other atrocities, one can only say he died the way he deserved. Unfortunately, the Germans destroyed two villages, and killed hundreds of people in retaliation. Because of that the Allies did not carry out any other assassination plots in Europe against Nazis.
But the notion of killing Nazi leaders was instilled in the air, and I think that is why this film was made soon after. To Americans Heydrich was vaguely known (after the destruction of Lidice and the other village interest in the "Hangman" led to two films being made: Fritz Lang's HANGMEN ALSO DIE and Douglas Sirk's HITLER'S MADMAN). HITLER, DEAD OR ALIVE is not a good film - it is really rather stupid. The idea of hiring three American criminals to kill Der Fuhrer is outlandish. But to be fair, this idea of criminals fighting the good fight against Nazis was fairly common in Hollywood films. Nazis never fought fairly, so we needed someone who also fought unfairly. Witness Humphrey Bogart and his co-horts in ALL THROUGH THE NIGHT (against Conrad Veidt) or Alan Ladd in THIS GUN FOR HIRE (admittedly against traitors working for Japan, not Germany) or LUCKY JORDAN. Still, if you want to kill the most vicious government leader in history, why use three gunman instead of working out a plan with the government. So if you have problems with this, you will have problems with the entire film.
The only thing I liked about this movie was when Bobs Watson (as Hitler) makes a comment to a cohort that he eventually plans to doublecross Mussolini. Perhaps it might have happened sooner or later, but Der Fuhrer actually had a high regard for Il Duce, and later in the war sent his leading special agent, Otto Skorzeny, into Italy to rescue the imprisoned ex-head of the government. Still it was amusing to hear that. Otherwise, the film was a total wash-out.
The only reason I wanted to see this World War Two propaganda film was the presence of Ward Bond in a leading role which he handled very well & was completely convincing & believable. He had an enormous screen presence & personality & he could've easily became a leading actor if he really wanted to but he was content in small & distinguished supporting roles. He was quite versatile & is often associated with John Wayne in the John Ford directed films. Ward Bond was literally in just about every film to name a few like "It Happened One Night" (1934) he was an extra in "G-Men" (1935) "Night Key" with Boris Karloff (1937), "Dead End" (1937), "Prison Break" with Barton Maclane (1938), "Gone With The Wind" (1939) he was an extra in "Son Of Frankenstein" (1939), "The Maltese Falcon" (1941), "It's A Wonderful Life" (1946), "Kiss Tomorrow Goodbye" with James Cagney (1950) etc. He was in hundred's of movies.
He often played cops & gangsters & I thought he did a good job in the leading role of the patriotic gangster. The cast is solid with established actors like Paul Fix & Warren Hymer who often played stupid gangsters. Sure the plot is far fetched but it was 1942 & WW2 was a very popular war inspiring national patriotism. The film was obviously a wartime moral booster while at the same time trying to sustain & save a dying genre: the gangster film & in 1942 what better way to sell a gangster movie than to turn the gangsters into patriotic American hero's on an improbable mission to knock off Adolf Hitler. It may be a little campy today but in it's day this movie was probably taken seriously by 1942 audiences. Think about it, the film was obviously intended to be serious & it's not a bad watch & I would watch it again & it's by far superior to the Ed Wood films.
There is really no comparison & there is a lot worse movies out there than this. Don't forget Ed Wood was voted the worst director of all time, an honor & title he fittingly deserves. It doesn't get any worse than Ed Wood not even an Elvis Presley movie.
He often played cops & gangsters & I thought he did a good job in the leading role of the patriotic gangster. The cast is solid with established actors like Paul Fix & Warren Hymer who often played stupid gangsters. Sure the plot is far fetched but it was 1942 & WW2 was a very popular war inspiring national patriotism. The film was obviously a wartime moral booster while at the same time trying to sustain & save a dying genre: the gangster film & in 1942 what better way to sell a gangster movie than to turn the gangsters into patriotic American hero's on an improbable mission to knock off Adolf Hitler. It may be a little campy today but in it's day this movie was probably taken seriously by 1942 audiences. Think about it, the film was obviously intended to be serious & it's not a bad watch & I would watch it again & it's by far superior to the Ed Wood films.
There is really no comparison & there is a lot worse movies out there than this. Don't forget Ed Wood was voted the worst director of all time, an honor & title he fittingly deserves. It doesn't get any worse than Ed Wood not even an Elvis Presley movie.
I was always interested in viewing a Bobby Watson vehicle. Recently I purchased this film solely for that reason. Film historians tell us that Mr. Watson was a dead ringer for Adolf Hitler and I had to see this for myself. Watson only shows up in the film after about two thirds of the way through.
All in all, this film is so bad that it's pathetic. Putting aside propaganda reasons, it boggles the imagination why an accomplished actor like Ward Bond (Gentleman Jim, Wagon Train, Gone With the Wind) would actually star in such a farce. My only guesses are that 1) he was hard up for money or 2) he felt it was his patriotic duty to do this stinker.
The Nazis in this film are shown to be idiotic boobs and incompetent to the point of not even being able to keep POWs from escaping from Dachau. Actually, Dachau wasn't even used as a POW camp. At any rate, that aside, they are depicted as a group of nincompoops, much like the ones in the TV program, Hogan's Heroes. I always thought that Stalag 17 spawned the idea for Hogan's Heroes, but now I think that Hitler Dead or Alive may have been the movie that influenced Bing Crosby to air that TV classic!!
Simply put, this movie is nonsensical, moronic and unrealistic. It's worth the time to view it once, just for laughs, but to view it a second time is a waste of time!
All in all, this film is so bad that it's pathetic. Putting aside propaganda reasons, it boggles the imagination why an accomplished actor like Ward Bond (Gentleman Jim, Wagon Train, Gone With the Wind) would actually star in such a farce. My only guesses are that 1) he was hard up for money or 2) he felt it was his patriotic duty to do this stinker.
The Nazis in this film are shown to be idiotic boobs and incompetent to the point of not even being able to keep POWs from escaping from Dachau. Actually, Dachau wasn't even used as a POW camp. At any rate, that aside, they are depicted as a group of nincompoops, much like the ones in the TV program, Hogan's Heroes. I always thought that Stalag 17 spawned the idea for Hogan's Heroes, but now I think that Hitler Dead or Alive may have been the movie that influenced Bing Crosby to air that TV classic!!
Simply put, this movie is nonsensical, moronic and unrealistic. It's worth the time to view it once, just for laughs, but to view it a second time is a waste of time!
Você sabia?
- CuriosidadesThis film represents one of a small handful of American films which featured the word Hitler or Hitler's, and both referencing Adolf Hitler, in their titles and were ones made around the time of the Second World War. The other films include Os Filhos de Hitler (1943); O Capanga de Hitler (1943) aka Hitler's Hangman; A Quadrilha de Hitler (1944) aka Hitler & Co.; the documentary short, Hitler Lives (1945); A Estranha Morte de Adolfo Hitler (1943); Hitler's Women aka Escravas de Hitler (1943); the comic short, The Devil with Hitler (1942) and A Besta de Berlim (1939).
- Erros de gravaçãoThe enormous swastika on the banner hanging on the wall of Colonel Hecht's office at Dachau is the wrong way round (as can be seen at a glance by comparing it with the swastika on Hecht's armband, both of which are frequently simultaneously visible within the same shot).
- Citações
Samuel Thornton: Our enemies are the warlords and their followers, not just one person or one group. We must shatter the mailed fist forever... and silence their cry of blood and iron, with blood and iron.
- ConexõesEdited into A Mind Is a Terrible Thing to Taste (2012)
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Hitler - Dead or Alive
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 1 h 10 min(70 min)
- Cor
- Proporção
- 1.37 : 1
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