AVALIAÇÃO DA IMDb
7,0/10
4,1 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaTwo vaudeville performers fall in love, but find their relationship tested by the arrival of WWI.Two vaudeville performers fall in love, but find their relationship tested by the arrival of WWI.Two vaudeville performers fall in love, but find their relationship tested by the arrival of WWI.
- Direção
- Roteiristas
- Artistas
- Indicado a 1 Oscar
- 4 vitórias e 1 indicação no total
Mártha Eggerth
- Eve Minard
- (as Marta Eggerth)
Stephen McNally
- Mr. Waring
- (as Horace McNally)
Ernie Alexander
- Theater Workman with Big Die
- (não creditado)
Hooper Atchley
- Assistant Stage Manager
- (não creditado)
Walter Baldwin
- Bill
- (não creditado)
Gurney Bell
- Member - Sportsmen Quartet
- (não creditado)
Herman Boden
- Soldier
- (não creditado)
John Breen
- Soldier
- (não creditado)
Ken Darby
- Member - The King's Men
- (não creditado)
George Davis
- France Taxi Driver
- (não creditado)
Bill Days
- Member - Sportsmen Quartet
- (não creditado)
John Dilson
- Lou
- (não creditado)
Jon Dodson
- Member - The King's Men
- (não creditado)
Lester Dorr
- Stage Manager
- (não creditado)
Avaliações em destaque
In 1943 Gene Kelly made "For Me And My Gal". It was a film starring that rising star of MGM Judy Garland, set in the years from 1915 - 1919. Garland wanted Kelly to appear in this film as her lover, Harry Palmer. It was an unusual film debut for Kelly, now recalled for his masterful dancing in musicals like "Singing In The Rain" and "An American In Paris". Instead, although it was a musical (using many tunes of the Tin Pan Alley period, it really was a character study. It looked at Kelly's opportunistic anti-hero, who does love Garland, but who is career centered to the point that he injures himself (he thinks it will be a slight injury) to avoid the draft.
It is a passably good film, due to the chemistry of the leads and such supporting film actors as Keenan Wynn (as Kelly's long suffering agent, who gets to tell him off), and George Murphy (as the would-be lover of Garland, who can't get her attention away from the unworthy Kelly).
The interest I have in the film is why Garland chose Kelly for this part. She apparently insisted that he be used for this film. The reason is that his biggest Broadway success was the 1941 show "Pal Joey", where he played the first anti-hero in Broadway history. Joey is a user of women, who wants to own a fancy nightclub in Chicago. He never rises above the sleazy dive he acts as M.C. at. He could be Harry Palmer's distant, slightly cousin. Garland would have seen Kelly play a role of a heel where he sang a golden flow of Rogers and Hart melodies, and do some good hoofing as well. It was the perfect "screen test" for Kelly to use to prove his ability to play Palmer. So he got his first role, and then went on to the major achievements of his career.
It is a passably good film, due to the chemistry of the leads and such supporting film actors as Keenan Wynn (as Kelly's long suffering agent, who gets to tell him off), and George Murphy (as the would-be lover of Garland, who can't get her attention away from the unworthy Kelly).
The interest I have in the film is why Garland chose Kelly for this part. She apparently insisted that he be used for this film. The reason is that his biggest Broadway success was the 1941 show "Pal Joey", where he played the first anti-hero in Broadway history. Joey is a user of women, who wants to own a fancy nightclub in Chicago. He never rises above the sleazy dive he acts as M.C. at. He could be Harry Palmer's distant, slightly cousin. Garland would have seen Kelly play a role of a heel where he sang a golden flow of Rogers and Hart melodies, and do some good hoofing as well. It was the perfect "screen test" for Kelly to use to prove his ability to play Palmer. So he got his first role, and then went on to the major achievements of his career.
Gene Kelly makes his film debut opposite Judy Garland in this film about vaudeville acts trying to make it big and falling in love too. They start off as partners in a vaudeville act but of course, they fall in love. The story takes place on the verge of American involvement in World War I. Judy's Jo Hayden is an aspiring singer who helps her kid brother study at medical school. When the war breaks out in Europe, he enlists. Just as things were getting good with a marriage and performing at the infamous Palace Theatre in New York City, bad news occurs which separates these two star-crossed lovers. World War I becomes a top priority as does cheering the spirits of the men who go off to battle. The songs and dance numbers are what makes the film. The story is weak but Garland and Kelly's acting talents bring it alive to the audience. The dance and singing sequences are worth watching for any Judy Garland fan. Supporting cast is first rate.
Gene Kelly makes his smashing screen debut in For me and my gal. That alone should make it a must see. This movie was a delight for numerous reasons. First, I like the fact that this movie was a musical/drama. So, we were able to get a full dose of the manifold talents of Gene Kelly and Judy Garland. Second, the chemistry that Judy and Gene had in this movie was exceptional. The scene in which they are singing the title song is riveting. George Murphy was solid in his role as the amiable friend and colleague, who was a good example of selflessness.
This movie is not as renowned as other Garland classics such as the wizard of Oz and Meet me in St. Louis. However, I think this was her most endearing role. She was beautiful, sweet and vivacious in this movie. I can watch this movie repeatedly, and so should everyone else.
This movie is not as renowned as other Garland classics such as the wizard of Oz and Meet me in St. Louis. However, I think this was her most endearing role. She was beautiful, sweet and vivacious in this movie. I can watch this movie repeatedly, and so should everyone else.
'For Me and My Gal' had so much going for it on paper, with the involvement of immensely talented people like Judy Garland, Gene Kelly and Busby Berkeley. It has its flaws, but when it's good it's fabulous and showcases the two stars brilliantly.
The story and script are admittedly slight and heavy in the clichés, complete with an ending that feels tacked on (and apparently it was, hardly surprising). The supporting cast's performances also don't compare to those of Kelly and Garland. Well George Murphy is good, he is very likable and charming, the problem is that he is underused and deserved more considering his talent. Ben Blue is unfunny and annoying however, and Marta Eggerth seemed out of place, am a fan of the operatic style of singing but there are far more beautiful voices than Eggerth's rather shrill and metallic sound and the singing doesn't really fit the style of the songs.
However, it is very difficult to be too hard on 'For Me and My Gal' because it fills me with so much joy and really does tug at the heart. The best thing about the film is Garland, who is absolutely sensational, with remarkably graceful dancing and as ever her voice is one you can listen to for hours and not get enough of. Her role here is also one of her most relatable and radiantly likable ones. Kelly may have had more endearing roles in his career, but he really shines in charm and technical skill in his debut where his material plays marvellously to his strengths. The two of them are simply magical together, and one is entranced every time they're on screen together or individually.
It is also a visually beautiful film. Technicolor it ain't, but it is not a film that cries out for it. The lavishness and elegant sumptuousness is still there and it is beautifully filmed. The songs are truly lovely, with the title song and "When You Wore a Tulip" standing out, and advantaged even further by top-notch direction and choreography by Berkeley (throughout, but especially in those two numbers), it may lack the kaleidoscopic style of his earlier films but never looks overblown or static, basically what cinema is all about.
While flawed, the story is still very charming, is lots of fun and there are also some genuinely touching parts that tug at the heart-strings. The pacing never feels dull, even with the slightness, which faces the danger of over-stretching and padding, and over-familiarity.
All in all, not a favourite but for fans of Kelly, Berkeley and especially Garland it is a must regardless of its issues. 8/10 Bethany Cox
The story and script are admittedly slight and heavy in the clichés, complete with an ending that feels tacked on (and apparently it was, hardly surprising). The supporting cast's performances also don't compare to those of Kelly and Garland. Well George Murphy is good, he is very likable and charming, the problem is that he is underused and deserved more considering his talent. Ben Blue is unfunny and annoying however, and Marta Eggerth seemed out of place, am a fan of the operatic style of singing but there are far more beautiful voices than Eggerth's rather shrill and metallic sound and the singing doesn't really fit the style of the songs.
However, it is very difficult to be too hard on 'For Me and My Gal' because it fills me with so much joy and really does tug at the heart. The best thing about the film is Garland, who is absolutely sensational, with remarkably graceful dancing and as ever her voice is one you can listen to for hours and not get enough of. Her role here is also one of her most relatable and radiantly likable ones. Kelly may have had more endearing roles in his career, but he really shines in charm and technical skill in his debut where his material plays marvellously to his strengths. The two of them are simply magical together, and one is entranced every time they're on screen together or individually.
It is also a visually beautiful film. Technicolor it ain't, but it is not a film that cries out for it. The lavishness and elegant sumptuousness is still there and it is beautifully filmed. The songs are truly lovely, with the title song and "When You Wore a Tulip" standing out, and advantaged even further by top-notch direction and choreography by Berkeley (throughout, but especially in those two numbers), it may lack the kaleidoscopic style of his earlier films but never looks overblown or static, basically what cinema is all about.
While flawed, the story is still very charming, is lots of fun and there are also some genuinely touching parts that tug at the heart-strings. The pacing never feels dull, even with the slightness, which faces the danger of over-stretching and padding, and over-familiarity.
All in all, not a favourite but for fans of Kelly, Berkeley and especially Garland it is a must regardless of its issues. 8/10 Bethany Cox
The classic plot of girl refuses guy only to fall in love with him later is at work again. When the girl happens to be Judy Garland, one of the top box office draws and the MGM triple threat of extraordinarily talented singer, actress and dancer, it kind of changes the whole perspective. In the MGM heavens there are no leading men who can match her on screen stature.
To solve that problem, she gets two leading men. Before World War 1, the vaudeville girl has to choose between two partners. George Murphy and Gene Kelly. Fresh from Broadway success with "Pal Joey", Mr Kelly makes his movie debut in "For Me and My Gal" and it is nothing short of memorable. It was time the world saw that Hollywood dancers wore something other than white tails and top hat, like Mr Astaire.
The screenplay is slight. It hardly matters, because World War 1 is enough of a threat to forward the story anyway. All elements of drama and tear jerking romance are there. For a routine musical at MGM, we expect our happy 40s story, all complete with happy ending, plus the usual congenial mix of complications along the way. And with direction from Busby Berkley, great 1915s songs and two of the greatest musical stars in the mix, we certainly get our happy ending.
Today it stands out because of its musical quality and excellent conception of production. They certainly don't make 'em like this anymore.
Rating: 8/10
To solve that problem, she gets two leading men. Before World War 1, the vaudeville girl has to choose between two partners. George Murphy and Gene Kelly. Fresh from Broadway success with "Pal Joey", Mr Kelly makes his movie debut in "For Me and My Gal" and it is nothing short of memorable. It was time the world saw that Hollywood dancers wore something other than white tails and top hat, like Mr Astaire.
The screenplay is slight. It hardly matters, because World War 1 is enough of a threat to forward the story anyway. All elements of drama and tear jerking romance are there. For a routine musical at MGM, we expect our happy 40s story, all complete with happy ending, plus the usual congenial mix of complications along the way. And with direction from Busby Berkley, great 1915s songs and two of the greatest musical stars in the mix, we certainly get our happy ending.
Today it stands out because of its musical quality and excellent conception of production. They certainly don't make 'em like this anymore.
Rating: 8/10
Você sabia?
- CuriosidadesGene Kelly's film debut. It is known that Judy Garland got him the job after seeing him in the Broadway musical "Pal Joey". Kelly made films in a variety of genres over the next few years but became best known for his energetic dancing style in MGM hits such as Marujos do Amor (1945), Um Dia em Nova York (1949), and Sinfonia de Paris (1951). Kelly, who was a choreographer and director as well as a dancer and singer, received a special Academy Award in 1951 in recognition of his outstanding achievement as an actor, dancer, singer and director. He also received a Life Achievement Award from the American Film Institute in 1985. The song "For Me and My Gal" became one of Kelly's signature songs.
- Erros de gravaçãoJo's YWCA uniform (like much of her clothing in the latter half of the film) is characteristic of World War II, when the film was released, and not World War I, in which it is set. Her uniform's shoulders are too broad and the skirt too short, and she is wearing sheer stockings and pumps instead of opaque stockings and high boots or oxfords.
- Citações
Harry Palmer: Why didn't you tell me I was in love with you?
- Cenas durante ou pós-créditosA picture of an infantry soldier in New York harbor and the text "America needs your money. Buy war bonds and stamps at this theatre."
- Versões alternativasThere is a 1993 colorized version of the film that aired on TNT
- ConexõesEdited into American Masters: Gene Kelly: Anatomy of a Dancer (2002)
- Trilhas sonorasFor Me and My Gal
(1917) (uncredited)
Music by George W. Meyer
Lyrics by Edgar Leslie and E. Ray Goetz
Played during the opening credits and often as background music
Played on piano (with background orchestra) by Judy Garland (uncredited) and sung and danced by her and Gene Kelly (uncredited)in a coffee shop
Reprised by Judy Garland (uncredited), Gene Kelly (uncredited) and chorus at the end
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- How long is For Me and My Gal?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- For Me and My Gal
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 802.000 (estimativa)
- Tempo de duração
- 1 h 44 min(104 min)
- Cor
- Proporção
- 1.37 : 1
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