Don't Talk

Mark Sampson, the MGM crime reporter, brings us another story of how CRIME DOES NOT PAY. It's a story about how loose lips sink ships, or at least blow up bins of war-needed manganese because spies who run beauty parlors sneer at American democracy, but the Feds are on the case.

This is a mildly hysterical entry in the long-running series. It had begun in 1935, won some Oscars for short subjects, and was held in high enough esteem that many of the approximately 30 episodes were made into radio dramas. It also became a comic book, issued between 1942 and 1955. The series was a training ground for talent, particularly directors. Jacques Tourneur directed several of the episodes, as well as Joseph Newman, who directed this one. Always maintaining a moral tone, the episodes ranged from excellent to to mildly ludicrous. This is a dry but good one.

"Don't Talk" is a wartime propaganda film that was nominated for the Oscar for best short. Surprisingly, it holds up very well today--despite its strong message for the folks at home.

This film is about industrial espionage--Axis attempts to sabotage war supplies being trucked across America. I am not sure how serious a problem this really was during the war. Other than a French cruise ship deliberately sunk in New York harbor, I am really don't know if enemy agents had infiltrated our defense plans. BUT, just in case, films like this were made--made to dramatize the work of the FBI as well as to drive home the need to keep quiet about secret government work.

The reasons why it still holds up well are production values, fine acting and a taut script. So, even though the war is long past, these factors work together to help make a fine short. Well worth seeing--and you can see it for free at archive.org--a site linked to IMDb for many of its films.

Part of the MGM Crime Does Not Pay series, Don't Talk is supposed to serve as a stern warning to not be talking too freely about your work in war related industries. In this case some nasty Axis saboteurs are operating out of both a beauty shop and a hash house.

In this rather dated short personally I liked Gloria Holden as the waitress who listens for information from the factory workers at a tool& dye plant and passes it on to her superiors. But intrepid FBI agent Barry Nelson is definitely on to her and eventually catches on to how she passes the information. Quite clever really.

This Oscar nominated short subject is part of the propaganda the FBI under J. Edgar Hoover encouraged the film industry to make. Funny thing is that they did do a good job in preventing sabotage which was more of a threat then folks would admit today. And Hoover's historic reputation would be in great shape if he had retired in 1945.

"Don't Talk" is a Warners short film that exists as little more than a curiosity piece today, and is an example of the kind of ridiculous propaganda that movie studios at the time were feeding the American people in order to keep morale up for the war.

This forgettable film revolves around the plans of a Communist group planted within the United States to carry out terrorist attacks through their contacts at a war ammunitions plant. The moral of the story is that the American people have to be vigilant and on the lookout for subversive behavior -- in other words, when our country is at war, everyone is a soldier in that war. Sound familiar?

What this movie proves is that things haven't changed all that much in the intervening years.

"Don't Talk" is a cheesy, simplistic film made in the throes of WWII. The message was "don't talk" about anything important out loud, you never know who is listening. Acting was stiff, but it was still a fun short film to see. Everything was black and white, probably as it had to be in the early days of WWII.

But the message was important. You never knew who was listening to your conversations and even seemingly innocuous bits of information strung together by someone with less than pure motives was potentially a danger.

I am not sure it is clear who the baddies were, Nazis or commies, but I assume Nazis since we were allies with the commies in WWII.