Fugitivos do Inferno

Of all the actors who made WWII adventure films, Errol Flynn was second only to John Wayne in being accused of 'winning the war single-handed'. His civilian status ridiculed (Flynn HAD attempted to enlist; despite his healthy appearance, it was discovered he had an 'athlete's heart', plus traces of malaria and TB he had contracted in his youth, and was turned down), and his wild lifestyle becoming impossible for WB publicists to cover up any longer (his arrest for trumped-up charges of statutory rape was about to explode into the nation's headlines), Flynn's unique status as an Australian who was also an American movie star would, nonetheless, make him an ideal leading man for war movies that would not only be morale boosters for American audiences, but international audiences, as well.

DESPERATE JOURNEY was the film Flynn's detractors most often ostracized, with it's 'over-the-top' action, and wildly improbable story (downed fliers reap havoc on moronic Nazis, then return to England in a stolen bomber). Certainly, Flynn's ease in both eluding and harassing the Germans, and the infamous tag line he delivers at film's end ("Now to Australia, and a crack at those Japs!") were comic book heroics, at best, and could not be taken seriously. But the same critics that lambasted him ignored the equally far-fetched WWII-themed ALL THROUGH THE NIGHT and ACROSS THE PACIFIC (with Bogart), THEY MET IN BOMBAY (with Gable), and ONCE UPON A HONEYMOON (with Cary Grant). The pity about all this was, when Flynn would appear in superior war pictures (EDGE OF DARKNESS and OBJECTIVE, BURMA!), the films would be 'lumped in' with his more cartoonish epics.

All this being said, as a 'tongue-in-cheek' adventure yarn, DESPERATE JOURNEY is fast-paced and very enjoyable! Directed by action film veteran Raoul Walsh, the story of British bomber 'D-for-Danny', shot down over occupied central Europe, offers a terrific cast, including Ronald Reagan and Arthur Kennedy (in their second teaming with Flynn), and Alan Hale (in his tenth of 12 Flynn films). The gifted Canadian actor, Raymond Massey, also making his second appearance with Flynn, is a thoroughly hiss-able Nazi Major (speaking the gobbly-gook Hollywood passed off as 'German' in these films) who 'loses' the captured fliers (after a brilliantly funny scene with Reagan, which Flynn, jealous of his co-star, attempted to cut, or have re-written for him), then pursues them, futilely, across the continent. The fliers receive aid from a sympathetic German doctor and his beautiful assistant (Nancy Coleman, providing a bit of romance for Flynn), lose Hale (a truly sad moment, in the film's most dramatic escape), and Flynn, Reagan, and Kennedy eventually discover a captured, fueled British bomber, about to be used to attack England, which provides a convenient means of returning home (so Flynn can have his 'crack' at the 'Japs').

At a running time of 108 minutes, the film seldom drags, provides Flynn a chance to give a "There'll always be an England" soliloquy, and has more one-liners than most screen comedies (Reagan's hilarious 'double-speak', describing allied bomber capabilities, leading to knocking Massey out, with the comment, "The Iron Fist has a Glass Jaw.")

The years have been far kinder to DESPERATE JOURNEY than many other war era films, and it holds it's own very well in the 'Indiana Jones' climate of today's action flicks.

It is certainly a 'must' for any Errol Flynn fan's collection!

This is probably the silliest WW2 film made during the war. But if you dismiss that fact, you find yourself enjoying a well-made piece of Hollywood escapism. Everyone in the cast seems to enjoy themselves. Walsh's direction is good and Max Steiner provides a really exciting and stirring score. So who's quibbling?

Propaganda? Yes. Some preposterous scenes? Yes. Entertaining? Very. Think "Hogan's Heros", with a Keystone Kops chase scene.

It is easy to imagine folks in theaters in 1942 cheering loudly as the GIs outwit the thick headed Germans in one escapade after another. Just when it appears they have escaped capture, they are surrounded by the enemy again, with no apparent chance to escape this time.

It is easy to find fault with many films, and this one is no exception. However, imperfect films can still be very entertaining if we allow them to be!

Not currently out on VHS or DVD - but look for it on Turner Classics.

In this exhilarating adventure five POWs in Nazi Germany fight their way back to freedom...

Errol Flynn plays a downed RAF pilot making his journey through enemy territory disguised as a German officer... In addition to evading capture he manages with his crew, a Scottish veteran of World War I, Alan Hale; a Canadian navigator, Arthur Kennedy; an American Ronald Reagan and a young Englishman Ronald Sinclair, to blow up a secret chemical plant and steal a German bomber from a Messerschmitt factory...

The film (with exciting music by Max Steiner) ends with Flynn leading an RAF assault on the airplane factory after various acts of sabotage & violent conflict, aided and inspired by an anti-Nazi German family headed by a pleasant doctor (Albert Basserman) & his sweet daughter (Nancy Coleman).

The best scene comes early in the picture, when a Nazi Major (Raymond Massey) after having questioned the captured RAF crew, calls for a private interview with Reagan, thinking he will agree to reveal what he knows about the new RAF bomber engines, and recites easily an impressive number of facts about the component parts--all nonsense... Once he has the major's rapt attention, he punches him on the jaw, knocking him out and then help himself to the major's breakfast...

With Errol Flynn, Nancy Coleman, Ronald Reagan, Alan Hale and Arthur Kennedy in a picture, how bad can it be? Not at all. "Desperate Journey" is an exciting fast paced film about American and British soldiers inside Nazi Germany after their bombing plane crashes.

There is plenty of excitement as they try to evade their captors, the head being a very German-like Raymond Massey in another of his stellar performances. Alan Hale and Sig Ruman, the latter in one scene, bring comic relief.

Of course, there is the cliché speech of Nancy Coleman, a German helping the allies, who stays despite the fact that the Nazis know her whereabouts. Her speech about patriotism is familiar but keenly on target.

We have exciting chase scenes, and wonderful sabotage by our heroes inflicted upon Massey and his group of vultures.

A wonderful war-time journey that should be viewed by all.