Adicionar um enredo no seu idiomaA struggling circus finds salvation in the form of an exciting new twist on their high-wire act.A struggling circus finds salvation in the form of an exciting new twist on their high-wire act.A struggling circus finds salvation in the form of an exciting new twist on their high-wire act.
- Direção
- Roteiristas
- Artistas
William Hartnell
- Jim Powers
- (as Bill Hartnell)
Elsie Wagstaff
- Eve Wainwright
- (as Elsie Wagstaffe)
Patricia Laffan
- Nurse
- (não creditado)
Peter Noble
- Circus Worker
- (não creditado)
Jack Sharp
- Circus Worker
- (não creditado)
Cecil Ayres Trio
- Skaters
- (não creditado)
Victor Wood
- Journalist
- (não creditado)
Avaliações em destaque
Nothing else on TV so found myself watching The Dark Tower on TCM. I found myself drawn into this, despite what seems to be clichés (but really weren't when the film was made). Well worth watching.
As a Doctor Who fan from way back when, what a thrill to have the original Doctor, William Hartnell (billed as Bill Hartnell) playing Jim.
I won't recount the story, but I really liked the peripheral characters especially the "naysayer" Annie Oakley woman. Most of the circus stuff was faked but there were some real gems worth watching. There is a wonderful sequence with a "clown" tightrope walker which I defy you to find better -- I was riveted to his performance.
Put it on your list of things to watch.
As a Doctor Who fan from way back when, what a thrill to have the original Doctor, William Hartnell (billed as Bill Hartnell) playing Jim.
I won't recount the story, but I really liked the peripheral characters especially the "naysayer" Annie Oakley woman. Most of the circus stuff was faked but there were some real gems worth watching. There is a wonderful sequence with a "clown" tightrope walker which I defy you to find better -- I was riveted to his performance.
Put it on your list of things to watch.
Financially strapped circus manager Ben Lyon (as Phil Danton) hires hypnotist Herbert Lom (as Stephen Torg) after the latter helps capture an escaped lion. Fortunes turn when Mr. Lom is asked to use his hypnotic prowess to enhance stunts performed by trapeze artist Anne Crawford (as Mary). Her high-flying partner and boyfriend David Farrar (as Tom) becomes an obstacle when Lom wants to control Ms. Crawford. We assume Lom wants to romance Crawford, but the story seems to stall in this area, just as it gets going. Poor Mr. Lyon is easy to control without hypnotism. Perceptive Josephine Wilson (as Dora Shogun) lives up to her name. The characters and production make it an engaging melodrama.
****** The Dark Tower (10/18/43) John Harlow ~ Herbert Lom, Ben Lyon, Anne Crawford, David Farrar
****** The Dark Tower (10/18/43) John Harlow ~ Herbert Lom, Ben Lyon, Anne Crawford, David Farrar
A curious little movie that deserves to be better known. Based on "The Dark Tower," a play by George S. Kaufman and Alexander Woolcott, which was also the inspiration for the better-known "The Man With Two Faces," it shares little except for its title and the theme of hypnotism with the boilerplate melodrama by the two celebrated Algonquin Roundtable wits of the 1930s.
Well-acted,well-written, well-shot, and well-lit, this motion picture operates on two levels, both of them terrifying. Superficially, it's a neat horror film starring an excellent Herbert Lom as "Torg," a Peter Lorre-type -- a rather off-putting and unhappy gentleman from some Central European country who, while absolutely loathing people, can mesmerize them to do his bidding. Ingratiating himself into a rundown provincial traveling circus in a pre-war England -- think an anglicized "La Strada" -- he makes himself indispensable, turning around the fortunes of this one-lion show.
On another level, the circus can be interpreted as a metaphor for Nazi Germany, with the Lom character standing in for the master propagandist Dr. Josef Goebbels, sans a limp. Every utterance of his drives home this resemblance, as "Torg," morphs from just plain Torg to Mr. Torg to ... Doctor Torg, using his power "to cloud men's minds" to bully his way into a position of power. To draw attention to this subtext, the circus parade features a platoon of uniformed blondes marching with arms extended (are they Sieg Heiling?), and a Col. Blimpish ringmaster who could be a stand-in for Field Marshal von Hindenburg.
This secondary theme isn't all that obvious,and perhaps it may not even exist (as Sigmund Freud himself said, sometimes a cigar is just a cigar) but for one viewer it does lift this 1943 movie out of the realm of still another film of fright and frisson and instead, with its unspoken chilling and sinister message, places it in Hell.
Well-acted,well-written, well-shot, and well-lit, this motion picture operates on two levels, both of them terrifying. Superficially, it's a neat horror film starring an excellent Herbert Lom as "Torg," a Peter Lorre-type -- a rather off-putting and unhappy gentleman from some Central European country who, while absolutely loathing people, can mesmerize them to do his bidding. Ingratiating himself into a rundown provincial traveling circus in a pre-war England -- think an anglicized "La Strada" -- he makes himself indispensable, turning around the fortunes of this one-lion show.
On another level, the circus can be interpreted as a metaphor for Nazi Germany, with the Lom character standing in for the master propagandist Dr. Josef Goebbels, sans a limp. Every utterance of his drives home this resemblance, as "Torg," morphs from just plain Torg to Mr. Torg to ... Doctor Torg, using his power "to cloud men's minds" to bully his way into a position of power. To draw attention to this subtext, the circus parade features a platoon of uniformed blondes marching with arms extended (are they Sieg Heiling?), and a Col. Blimpish ringmaster who could be a stand-in for Field Marshal von Hindenburg.
This secondary theme isn't all that obvious,and perhaps it may not even exist (as Sigmund Freud himself said, sometimes a cigar is just a cigar) but for one viewer it does lift this 1943 movie out of the realm of still another film of fright and frisson and instead, with its unspoken chilling and sinister message, places it in Hell.
Phil Danton runs a struggling British traveling circus. They're broke. When the lion escapes, hypnotist Stephen Torg (Herbert Lom) comes to the rescue. Then they have an idea to hire him. He could hypnotize trapeze artist Mary (Anne Crawford) to do a dangerous stunt.
Herbert Lom delivers good creeps. I can see much better use to hypnotize the audience in his own act. Dress him up like a wizard. Anyways, he needs to stay dark for the horror aspect. He needs to be the phantom of the circus. This could be a good horror movie, but it keeps pushing towards melodrama. The horror aspect of the story gets lost.
Herbert Lom delivers good creeps. I can see much better use to hypnotize the audience in his own act. Dress him up like a wizard. Anyways, he needs to stay dark for the horror aspect. He needs to be the phantom of the circus. This could be a good horror movie, but it keeps pushing towards melodrama. The horror aspect of the story gets lost.
Enjoyed this British film which is about a Circus called the Danton Empire Circus which is having some financial problems and has to create some new acts in order to keep in business. A drifter, Stephen Torg, (Herbert Lom) appears one day and is able to calm a lion which has broken loose and out of control around the circus grounds. Stephen is looking for work and is hired by the circus manager and meets up with Mary, (Ann Crawford) who is a high wire artist and her partner Phil Danton. Stephen Torg uses hypnosis on Mary and permits her to take some very daring tricks on the high wire act and it becomes an instant success. Stephen becomes very popular with the audiences and is very resented by the circus company, however, Mary is in his complete control and he steals her from her boyfriend Phil Danton. Great entertaining film, don't miss this one. Enjoy.
Você sabia?
- Curiosidades"The Dark Tower" was a play by George S. Kaufman and Alexander Woollcott which ran for 57 performances on Broadway between November 1933 and January 1934. Warner Brothers bought the rights and made it as a vehicle for Edward G. Robinson later that year under the title "The Man with Two Faces". Nine years later Warner Brothers U.K. remade the film under the original title "The Dark Tower". The two films have very little resemblance to each other in their plots and backgrounds except for the heroine falling under the spell of a demonic fiend who controls her mind. The Hollywood version is faithful to the original with a Broadway actor trying to rescue his sister from her Svengali husband; the British version has an aerial artist in the power of a hypnotist against a circus background.
- Erros de gravaçãoWhile Tom and the other members of the troupe are packing; at one point the hidden overhead lighting used on the set begin to blink.
- Citações
Willie Wainwright: Ladies and gentlemen, once more we bring to your town the thrill of a lifetime. The unparalled, the inimical, unrivalled Empire Circus. Come in your thousands and enjoy this feast of equine dexterity and acrobatic marvels we shall place before your astounded gaze. Never before in the history of this town has such a gay galaxy of talent and of beauty been set before you.
- ConexõesRemake of O Homem de Duas Caras (1934)
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Dantonmysteriet
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 1 h 30 min(90 min)
- Cor
- Proporção
- 1.37 : 1
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