Raptor de Noivas

I have enjoyed the films of Angelo Rossitto, particularly "Fairy Tales". But when Rossitto and Bela Lugosi join forces (both here and in "Scared to Death") there is an element that really sets a tone for a good eery horror film.

This film is about brides who are seemingly killed and then kidnapped so their lifeblood can keep a mad scientist's wife young. A nosy reporter, who seems to take some sick delight in getting photographs of dying brides, trails the mad scientist to his mansion and may become his next victim.

As usual, Lugosi does not disappoint. He is great as a mad scientist with his European look and accent. The supporting cast is also well chosen. While I am not familiar with them (besides Rossitto), this is not a strike against them but actually a positive sentiment. Without being known faces to me, they more successfully blended into the characters they were supposed to represent.

While not the strongest of Lugosi's films by any means, any fan would be missing out if they failed to check this one out. There is an undercurrent of black humor that keeps the film rolling and is definitely missing (unfortunately) in the films of today.

This low-budget cheapy is from the days when Bela was pretty hard up for roles, but it has a certain charm. The basic plot is that Lugosi is a mad scientist with an aging wife whose beauty he is determined to preserve forever. Apparently, the way to do this is by extracting some chemical from young women that makes them beautiful. The height of discretion, Bela decides to kidnap brides at the altar – because it's easy to find them, I guess, when they are the center of attention and surrounded by people. His clever plan is challenged by a young go-getting female reporter who seems just as interested in using her job to secure a doctor for a husband as in solving the case, her comedy-relief photographer buddy, and the inevitable bland love interest. Luckily, Lugosi has a dysfunctional degenerate white trash family to help him out, and he hires street people to distract the police. Great movie making ,this is not, but it is good for some fun.

Modest, insignificant but nevertheless amusing black & white horror that stars Bela Lugosi as a (surprise surprise!) sinister doctor who kidnaps young girls on their wedding day. Not for the cause of science this time, but to donate eternal youth and beauty to his wife, the countess. He breeds a special type of orchids (that's right, he's also a horticulturist) that paralyzes the girls and he picks up the bodies with a fake hearse. The screenplay doesn't really bother to explain what exactly happens to these girls afterwards and neither are we informed about Bela's relation with the family of misfits that lives in his mansion and works for him. In fact, "The Corpse Vanishes" is one giant incoherent mess yet I can't bring myself to bash it entirely. The basic plot idea is good, there are some moments of creepiness (when the female journalist discovers the dungeon, for example) and the acting performances are overall decent. Lugosi is on automatic pilot here but I especially liked the countess character! She's a hostile and egocentric shrew and I loved how she got so hysterical all the time. What can I say…I have a thing for evil women.

Dr. Lorenz (Bela Lugosi) drugs young brides, kidnaps their bodies and takes spinal fluid from their necks to keep his 80 year old wife looking young. OK--it's not "Citizen Kane" but the plot is kind of interesting (in a ridiculous sort of way) and they throw in some unbelievable horror cliches--i.e. Lorenzs' assistants include an old lady, her idiot son (who Lugosi whips at one point) and a dwarf! Unfortunately they throw in an extremely annoying female reporter and a totally unmotivated romance. Also it is a Monogram picture, so production values are low (to put it mildly). Still, it does work and Lugosi gives a very good performance.

Bela made 9 pics for Monogram, but it was only at THIS one, the 4TH, that things started to come together. All the rest in the series would use this one as the essential template for production, writing and character development. From here on, better or worse, the series would also deal with one essential theme: a scientist (usually Bela) makes experiments in the basement or the old house (sometimes IN the basement in the old house) that causes things to go blooey. This was also the first time that Art Director Dave Milton got a chance to spread his wings. He came on board for BLACK DRAGONS, the flick before, but THIS one is where he gets to make his craft start to click. Lewis made great atmosphere for next to nothing, and was around for all the rest of the Monograms. Casting is key in these, and it's a pretty good one B movie wise, here. You get Barclay and Harlen (also from BLACK DRAGONS),along with Russell, who would star in Lewtons' CAT PEOPLE movies..and Rosetto, from SPOOKS RUN WILD...a nice slice of Poverty Row talent. If you have limited time and budget, start with this one...it sums up everything they had learned up to this point, and gives you something to compare the rest to. The plot? Bela steals gland juice to keep his nasty wife young. They both like to sleep in coffins. If you can read that and smile, the rest will be easy.