Cairo

In one of her last movies, Miss MacDonald shows a real gift for light comedy - along with her well known vocal talents.

And for the guy who said there were too many songs...WAKE UP!!!...it's a musical! LOL That's like saying there are too many explosions in an action flick or jokes in a comedy.

I enjoyed the story line and comic sequences in this spy-movie spoof. But, I was a bit wary knowing that Jeanette MacDonald was in the cast. I hoped that, for a change, she would give her voice a rest and just play the comedy. I was sure wrong. There are too many musical numbers in this film and, for me, they detracted from my enjoyment of the movie.

I guess there was no way that the producers of any movie with Ms. MacDonald in the cast would not utilize her voice. My fault, I should have known better. Oh, I almost forgot. Ethel Waters (she of the very big mouth) was also in the cast and, of course, sang a couple of songs.

If all of this sounds as if I don't like Musicals, you're absolutely correct. We all have our own individual tastes.

Cairo doesn't open in Cairo. It opens in that garden spot community of Cavity Rock, California in the northern part of the state where the local paper has won a contest by being declared the best small town newspaper in the USA. That contest carries with it the distinction of having their star reporter, one Homer Smith played by Robert Young, the appointment of foreign correspondent to cover World War II personally.

Previous to getting the news Young is watching his favorite film star Marcia Warren on the screen. It happens to be a scene from Maytime with Jeanette MacDonald singing Les Filles Des Cadiz. In the film MacDonald had gone to Europe to make a film three years earlier and the outbreak of war forced her to flee to North Africa from France.

In the meantime Young gets torpedoed in the Mediterranean and finds himself on a floating piece of wreckage with a garrulous, but mysterious Englishman played by Reginald Owen. They're forced to split up, but Young's given a message for someone in Cairo by Owen who tells him he's with British Intelligence.

Of course Young meets the movie star girl of his dreams in Cairo and what follows is a comedy of errors in which each believes the other is a spy. The enemy does have a dastardly bit of business cooked up, but that's for you to watch the film to find out.

As a satire on spy films Cairo is uneven. Some of the stuff is brilliant, some of it trite. One of the gags involves Jeanette's ability to hit a high C because that opens certain doors. Even the bad Nazi lady, Mona Barrie, says why don't we just have doorknobs like everyone else.

The master plot itself is kind of dumb. It's an elaborate scheme, but it only involves the destruction of one troop transport which it the long range scheme of things seems a waste.

But what really makes Cairo worth watching isn't Jeanette so much as Ethel Waters. Ms. Waters is playing a maid, but she's quite a bit more than that as Jeanette's girl Friday and personal assistant. She's not subservient in the least. And of course she gets a couple of numbers to sing with her style contrasting quite nicely with Jeanette. Ethel sings the Harold Arlen-E.Y. Harburg tune Buds Won't Bud and in grand style.

Jeanette's highlight is a song about the Lady in the Harbor, the Statue of Liberty. She sings it in grand bravura style and I'm sure brought many a tear to the eyes of GIs when this film was shown abroad.

Fans of Jeanette will love this film, others might find it amusing but only in spots. And fans of Ethel Waters shouldn't miss it.

"Cairo" (1942) is a typically polished MGM production - even if it does take place in an entirely Hollywood-studio Cairo. It features some surprising, for the time, "meta" humor, like Jeanette MacDonald's response to the question "Have you ever been to San Francisco?", or the final scene where she "teaches" Robert Young how to carry himself as an actor in front of a supposed camera - which is the actual camera filming them. There is perhaps a tad too much singing, although MacDonald, who looks gorgeous and younger than her age, has a remarkable voice. A fine supporting cast helps. **1/2 out of 4.

This would be OK as a wartime musical, praying that ships get back to the harbours of Home. But Robert Young's character in infuriating. The gags, the pratfalls aren't funny, or they require the mindset of the Three Stooges. This is supposed to be an investigative reporter? Classy Jeanette MacDonald is supposed to fall for this goofball? But what saves the movie, as other have noted, is Ethel Waters. Sure, she's dressed as a maid until she gets to do a stage number. And Dooley Wilson, who watches that number, is dressed as an "A-rab." And of course there's nobody else they can pair up with. But they steal the show, and inspire even MacDonald to move her hips for a moment. Not Robert Young's character, still out of it.