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IMDbPro

O Assassino Mora no 21

Título original: L'assassin habite... au 21
  • 1942
  • Not Rated
  • 1 h 23 min
AVALIAÇÃO DA IMDb
7,3/10
3,8 mil
SUA AVALIAÇÃO
O Assassino Mora no 21 (1942)
Trailer for The Murderer Lives at Number 21
Reproduzir trailer1:57
2 vídeos
71 fotos
Cozy MysteryWhodunnitComedyCrimeMysteryThriller

Adicionar um enredo no seu idiomaInspector Wens moves into a Paris boarding house to catch a serial killer.Inspector Wens moves into a Paris boarding house to catch a serial killer.Inspector Wens moves into a Paris boarding house to catch a serial killer.

  • Direção
    • Henri-Georges Clouzot
  • Roteiristas
    • Stanislas-André Steeman
    • Henri-Georges Clouzot
  • Artistas
    • Pierre Fresnay
    • Suzy Delair
    • Jean Tissier
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,3/10
    3,8 mil
    SUA AVALIAÇÃO
    • Direção
      • Henri-Georges Clouzot
    • Roteiristas
      • Stanislas-André Steeman
      • Henri-Georges Clouzot
    • Artistas
      • Pierre Fresnay
      • Suzy Delair
      • Jean Tissier
    • 31Avaliações de usuários
    • 37Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Vídeos2

    The Murderer Lives at Number 21
    Trailer 1:57
    The Murderer Lives at Number 21
    THE MURDERER LIVES AT NUMBER 21 (Masters of Cinema) New & Exclusive Trailer
    Trailer 1:55
    THE MURDERER LIVES AT NUMBER 21 (Masters of Cinema) New & Exclusive Trailer
    THE MURDERER LIVES AT NUMBER 21 (Masters of Cinema) New & Exclusive Trailer
    Trailer 1:55
    THE MURDERER LIVES AT NUMBER 21 (Masters of Cinema) New & Exclusive Trailer

    Fotos71

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    Elenco principal33

    Editar
    Pierre Fresnay
    Pierre Fresnay
    • L'inspecteur Wenceslas Wens
    Suzy Delair
    Suzy Delair
    • Mila Malou - la maîtresse tapageuse de Wens
    Jean Tissier
    Jean Tissier
    • Triquet, aka professeur Lalah-Poor
    Pierre Larquey
    Pierre Larquey
    • Monsieur Colin
    Noël Roquevert
    Noël Roquevert
    • Docteur Théodore Linz
    René Génin
    René Génin
    • Alfred, l'ivrogne
    Jean Despeaux
    • Kid Robert
    Marc Natol
    Marc Natol
    • Armand, le valet de chambre
    • (as Natol)
    Huguette Vivier
    Huguette Vivier
    • Mademoiselle Vania
    Odette Talazac
    Odette Talazac
    • Madame Point
    Maximilienne
    • Mademoiselle Cuq
    Sylvette Saugé
    • Christiane Perret, la poule
    Louis Florencie
    Louis Florencie
    • Commissaire Monnet
    André Gabriello
    • L'agent Pussot
    • (as Gabriello)
    Raymond Bussières
    Raymond Bussières
    • Jean-Baptiste Turlot
    • (as Bussières)
    Antoine Balpêtré
    Antoine Balpêtré
    • Albert, le ministre de l'Intérieur
    • (não creditado)
    Paul Barge
    • Le garçon de café
    • (não creditado)
    Léon Belières
    Léon Belières
    • L'impresario
    • (não creditado)
    • Direção
      • Henri-Georges Clouzot
    • Roteiristas
      • Stanislas-André Steeman
      • Henri-Georges Clouzot
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários31

    7,33.8K
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    Avaliações em destaque

    7planktonrules

    Certainly not in the same league with his later films.

    This film is about a series of murders all done, apparently, by someone calling themselves 'Mr. Durand'. At the scene of every murder, they leave a calling card taking credit for the killings and Inspector Wens is determined to get to the bottom of it. The trail leads to a boarding house and, with the unwelcome help of Mila, he will attempt to solve these horrible crimes.

    Henri-Georges Clouzot directed some wonderful French thrillers and is one of the best directors of his age. Films like his "Le Corbeau", "Quai des Orfèvres", "Wages of Fear" and "Diabolique" are brilliant and must be seen. However, in this early film, "The Murderer Lives at Number 21" he does not show the greatness that would make him famous. It's decent--but also a bit annoying. Why annoying? Because Clouzot was wonderful with suspense but combining suspense with comedy was a big mistake--making this an enjoyable but lightweight film. I say lightweight because some of the acting is so incredibly broad that scenes with Mila (Suzy Delair) are often a bit painful. Overall, it is worth seeing--but don't expect his later brilliance.
    8oOgiandujaOo_and_Eddy_Merckx

    Survivalist masterpiece

    This was Clouzot's directing debut, having graduated from being a screenwriter feeling that his script for Le dernier des six was implemented by Georges Lacombe to the letter, and yet not being satisfied with the result. It's a murder mystery based on a novel by the same author behind Le dernier des six, Clouzot adds comic touches which act as kindling to set the fire alight.

    Stylistically they're very different, and yet it feels like Paul Verhoeven and Henri-Georges Clouzot were cut from the same philosophical cloth. It seems under-remarked upon that L'assassin habite a 21 is a pretty anti-clerical movie, there's blasphemous jokes about the celibacy of Catholic priests and the Holy Trinity. You also get the feeling, from this movie made under the Occupation, that this is a "Clowns to the left of me, jokers to the right" kind of movie, where the French characters are shown with acid misanthropy, but also, that the allusions to the Nazis, really trivialise them, in the manner of Lubitsch. The final scene of the movie contains a quite hilarious snub of the Nazis that is brazen but too droll for any Nazi to catch.

    Clouzot worked for Continental-Films, which was controlled by the Nazis, its chief Alfred Greven reporting directly to Max Winkler the Reichsbeauftragter (Reich Commissioner) for German films. Clouzot attended parties with Greven and his mistresses, with his own mistress Suzy Delair (Mina Milou, the female lead of this movie). I get this feeling like with some of Verhoeven's characters in Black Book, that they were riding the tiger's back, trying to survive and enjoy themselves in a world of mad people. There's a feeling when a character dies that it's a Darwinian incident, that you're an idiot if you flash money around and wander the streets at night when there is a spate of robbery homicides going on in your district.

    There's a swagger to the direction of this film, a boastful assuredness that I found really refreshing. There is also a balance to the characteristic misanthropy of Clouzot's film, an offsetting humour. I think Clouzot belongs up there with Nabokov and Verhoeven as supremely competent individuals laughing in the dark. L'assassin habite a 21 was quite the guilty pleasure for me!
    7gbill-74877

    Entertaining mystery

    Director Henri-Georges Clouzot's first film is an Agatha Christie style mystery, with the murderer constrained to the set of people in a boarding-house and a detective (Pierre Fresnay) investigating them. It's a playful script, buoyed by the perky Suzy Delair who is both his mistress and an aspiring opera singer (and in an interesting side note, Delair, a year younger than Olivia de Havilland, is as of this writing also still alive). The subject matter of a serial killer who leaves a calling card on his victims is of course serious, but it's presented here in a pretty light way, a bit like a stage play. It's also a little hokey in how its investigation proceeds and it's not all that kind to the French police who seem a bit foolish, but the resolution to the mystery is excellent and hard to see coming.

    The film was made when the Nazis were occupying France, so Clouzot was working for the German production company Continental Films, and undoubtedly walking a tightrope (one that would get him into trouble with his countrymen in his next film, Le Corbeau). Some critics read veiled commentary about the Nazis in aspects of the plot (e.g. a murder shot from the perspective of the killer early on, or how heavy-handed police interrogations that border on torture can elicit a false confession), but I didn't see it quite as symbolically. The possible reference to a Nazi salute is intriguing though, and regardless, it's mind-boggling to think of this light mystery being made at this point in French history.
    8gans

    charming noir-ish comedy-thriller

    This light murder mystery, with Pierre Fresnay as the cool detective and the delightful (if a bit overwhelming) Suzy Delair as his "sidekick," somewhat a la Nick & Nora Charles, is in style and casting (Fresnay, Pierre Larquey, Noel Roquevert), sexual tension, even theme - the ambiguity of criminal responsibility - a prelude to Clouzot's far more significant Le corbeau (1943). The Fresnay-Delair duo brings fresh air to the claustrophobic space of Vichy cinema.
    7vogonify

    A beautiful thriller

    What a smart film this is! It took me a while to get around after the proverbial rug was pulled from under my feet towards its climax.

    It is a thriller, but not just that. It is a comedy, but never distracting from the overall tone. It is intelligent, but doesn't take a cheat breather at the end to cover up writing inadequacies.

    A policeman has to catch a serial killer in two days. He has for company an ambitious woman who is far from qualified to be in situations she intends to be in. He has a clue. And he has a set of strange people amongst whom he feels he has his target.

    A fabulous whodunit ensues. Add to this the beautiful language of the French in what is a fairly verbose film, and you have an absolute must- see. Along with Laura, this is one of my favourite suspense thrillers from the 40s and I definitely recommend it.

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    Enredo

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    Você sabia?

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    • Curiosidades
      There is a poster for this movie displayed in the theatre in Quentin Tarantino's Bastardos Inglórios (2009).
    • Erros de gravação
      Near the beginning, before Wren's boss goes into his office looking for him, a shadow of the boom microphone is visible on the wall behind him in the hallway.
    • Citações

      Mila Malou - la maîtresse tapageuse de Wens: [Being arrested in police station] Call my friend.

      Police officer: I don't give a damn.

      Mila Malou - la maîtresse tapageuse de Wens: But my friend is...

      Police officer: Even if he's the Pope!

      Mila Malou - la maîtresse tapageuse de Wens: I don't sleep with the Pope! I'm a God-fearing, decent girl.

    • Conexões
      Featured in La vie sera belle (2007)
    • Trilhas sonoras
      Je Sais bien que tu Mens
      Music by Maurice Yvain

      Lyrics by Albert Willemetz

      Performed by Suzy Delair

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    Perguntas frequentes14

    • How long is The Murderer Lives at Number 21?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 11 de outubro de 1943 (Suécia)
    • País de origem
      • França
    • Idioma
      • Francês
    • Também conhecido como
      • The Murderer Lives at Number 21
    • Empresas de produção
      • Continental Films
      • Liote
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 23 minutos
    • Cor
      • Black and White
    • Proporção
      • 1.33 : 1

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