A Tragédia do Circo

A variation of Kid Galahad but without the Bogart character and the boxing. Humphrey Bogart plays the owner of a circus and Sylvia Sidney is his girl. The circus isn't very big and their lion tamer is always drunk. When a lion escapes and goes into a town, Eddie Albert winds up holding the lion back until Bogart shows up to get it. Bogart hires Albert as an assistant to the lion tamer but when the lion tamer gets really drunk, Albert has to go on by himself. He's a success and the other lion tamer is fired. The lion that escapes is very vicious and winds up killing a guy and when Albert goes to stay with Bogart's family after he is injured, Bogart gets an idea in his dead. The first part of the movie is pretty good but the ending is pretty obvious and also pretty bad.

The film was nothing more than a remake of "Kid Galahad," with the hero (Eddie Albert) as a lion tamer instead of a boxer… Bogart walked indifferently through his role as the owner of a traveling carnival whose plot was borrowed from Howard Hawks' "Tiger Shark."

Sylvia Sidney appeared in the Bette Davis as Bogart's troubled girlfriend, a fortuneteller with the carnival… The film was a very disappointing follow-up to Bogart's triumph in "High Sierra," but better things lay immediately ahead as Bogart was now ready for a new image, an image which was to dominate the screen for the next years, an image which found its basic construction in John Huston's "The Maltese Falcon."

A Lion escapes from Humphrey Bogart's circus during a performance in a small town. It wanders into a grocery store where Eddie Albert is clerking. He manages to trap the lion behind a counter and gets a lot of plaudits and an offer from Bogart to work in his circus.

But jealousy rears its ugly head as Bogart's sister Joan Leslie and his girl friend Sylvia Sidney both fall for who Bogart considers a nice kid, but a hick.

The Wagons Roll at Night was a transitional film between two acclaimed Bogart productions High Sierra and The Maltese Falcon. It was NOT the first time Bogart received number one billing. He did in a few other films like Black Legion for example. But with the acclaim he got from High Sierra, Jack Warner put him in this before the highly touted Dashiell Hammett adaption, I guess as a trial run.

The plot is based on Kid Galahad where oddly enough Bogart had a supporting role. Eddie Albert shows only a bit of his incredible talent. Joan Leslie as the nice sister basically repeats the part she had from High Sierra. Sylvia Sidney does well as the love lost carnival fortune teller with eyes for both Bogart and Albert.

Personally though I've always liked what Sig Ruman did in this film as the drunken lion tamer whose place Albert took. The film is at its best when he's on screen.

Humphrey Bogart, Sylvia Sidney, Joan Leslie, Eddie Albert, and Sig Ruman star in "The Wagons Roll at Night," a 1941 film from Bogart, most likely made before Bogart really hit the big time with High Sierra and Maltese Falcon. 1941 was certainly an important year for him.

Bogart plays Nick Coaster, the head of a traveling carnival. When a lion escapes, he ends up in a grocery store where the clerk, Matt (Albert) saves the day and becomes a local hero.

Coaster thinks the kid's a natural and talks him into learning the lion tamer trade. He needs him - his usual lion tamer, Hoffman the Great (Ruman) is usually drunk.

One night, Hoffman is too drunk to go on and despite objections from other members of the carnival, Coaster sends the novice Matt into the ring. He does such an excellent job that Nick fires Hoffman.

Hoffman retaliates, gets into a huge fight with Matt, and ends up mauled by one of the lions. Matt has to get out of town fast, so Flo (Sidney) suggests they take him to Nick's farm.

This is a big no-no because Nick is determined that his sister (Leslie) not mix with carnival people. You can guess the rest.

The young Albert was adorable, extremely likable in his role. Bogart is terrific as Nick, a tough as nails guy who considers all carnival people, including Flo and himself, the scum of the earth. Sidney shows her vulnerability here, as a woman who's been hurt by Nick but still cares for him, even while she's attracted to Matt.

Entertaining and predictable, and I have to make a disclosure here that Eddie Albert holds a special place in my heart. I interviewed him when he was in his 90s and quite frail, and after the article was published, I heard from some Navy veterans who wanted to publish the story of my father in a magazine - they'd known he was in the Navy but had no idea of his heroism.

I wrote back and said fine, but Eddie Albert isn't my father, had I written something that made them think so? It turned out that Albert's daughter has the same first name as I do, and they got confused. My father, who died in 2007, got a huge kick out of that email and kept it.

I liked this film. While a little predictable and such, it did offer Bogart and Sylvia Sidney, both of whom I admire a great deal. The scenes with the tigers were interesting. The film, while mostly melodramatic, was humourous in some portions. As a die hard Bogie fan, I can't say as to whether or not others would like this though. I am a tainted Bogie fan, and so my opinion is always slanted...