AVALIAÇÃO DA IMDb
6,6/10
1,5 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA jewel thief and a con artist are rivals in the theft of a valuable gem as the Japanese army invades China.A jewel thief and a con artist are rivals in the theft of a valuable gem as the Japanese army invades China.A jewel thief and a con artist are rivals in the theft of a valuable gem as the Japanese army invades China.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 vitórias no total
Eduardo Ciannelli
- Hotel Manager
- (as Edward Ciannelli)
Philip Ahn
- Japanese Officer
- (não creditado)
Philson Ahn
- Japanese Radio Man
- (não creditado)
Ernie Alexander
- Sailor
- (não creditado)
Harry Allen
- Soldier in Saloon
- (não creditado)
Jimmy Aubrey
- Soldier in Saloon
- (não creditado)
Rama Bai
- Restaurant Patron
- (não creditado)
William A. Boardway
- Officer
- (não creditado)
Avaliações em destaque
Gerald Meldrick (Clark Gable) is a wanted jewel thief. He arrives in Bombay to steal the Star of Asia from the Duchess of Beltravers. Unbeknownst to him, con woman Anya Von Duren (Rosalind Russell) has the same idea. The two thieves quickly figure each other out. They compete and end up together. After both stealing the gem at different times, they escape the authorities on board Captain Chang (Peter Lorre)'s ship to Hong Kong. They arrive with war looming over the horizon.
The first half is a fun little screw-ball caper. I like both Gable and Russell having fun with the characters and each other. It's loads of fun in a light affair. The movie eventually turns into war movie and it's not always the best. Gable and Russell get separated in a large middle section. Gable's con is a bit fun until the war breaks out. The action, the vehicles, and the gears are not the most realistic. It's also wartime in the real world and a bit of war propaganda is to be expected. This is a good pairing and one can excuse any flaws for the greater cause. The mix of a real war and light comedy is just a bit awkward.
The first half is a fun little screw-ball caper. I like both Gable and Russell having fun with the characters and each other. It's loads of fun in a light affair. The movie eventually turns into war movie and it's not always the best. Gable and Russell get separated in a large middle section. Gable's con is a bit fun until the war breaks out. The action, the vehicles, and the gears are not the most realistic. It's also wartime in the real world and a bit of war propaganda is to be expected. This is a good pairing and one can excuse any flaws for the greater cause. The mix of a real war and light comedy is just a bit awkward.
Clark Gable and Rosalind Russell had worked twice together before. Russell was a supporting player in two of Gable's previous films, China Seas and Forsaking All Others. But in They Met in Bombay they make a bright pair of competing and then cooperating thieves.
Bombay is in fact where they do meet, both of them working individually on a caper to steal a really big diamond belonging to inebriated Dutchess, Jessie Ralph. When they discover who each really is, there's some antagonism, but the police chasing them forces some cooperation which becomes more and more willing as the film progresses.
The pair eventually arrive in Hong Kong and I dare not say more, but some of Gable's con games involve him something far bigger than he can handle as the plot takes some unbelievable turns.
Gable and Russell worked well together, it's a pity that this was their only teaming on the big screen. Look also for good performances by Peter Lorre as the sly Chinese freighter captain and Reginald Owen as the British General and Matthew Boulton as the frustrated British police inspector. Also if you look fast you'll see Alan Ladd in a minute part as a British soldier in a scene with Gable while the leads are in Hong Kong.
They Met in Bombay is fast paced and very funny and still holds up remarkably well today.
Bombay is in fact where they do meet, both of them working individually on a caper to steal a really big diamond belonging to inebriated Dutchess, Jessie Ralph. When they discover who each really is, there's some antagonism, but the police chasing them forces some cooperation which becomes more and more willing as the film progresses.
The pair eventually arrive in Hong Kong and I dare not say more, but some of Gable's con games involve him something far bigger than he can handle as the plot takes some unbelievable turns.
Gable and Russell worked well together, it's a pity that this was their only teaming on the big screen. Look also for good performances by Peter Lorre as the sly Chinese freighter captain and Reginald Owen as the British General and Matthew Boulton as the frustrated British police inspector. Also if you look fast you'll see Alan Ladd in a minute part as a British soldier in a scene with Gable while the leads are in Hong Kong.
They Met in Bombay is fast paced and very funny and still holds up remarkably well today.
This picture is likely to make the viewer yearn to know what went on behind the scenes during its making. The impression one gets is that about halfway through the filming (or writing of the scenario, or both) someone decided that what they had so far wasn't working, but that there was already too much invested to discard it. So from a conventional international jewel thieves romance/suspense/comedy (better than some of its type, not as good as others), the film shifts gears abruptly and becomes a wartime adventure, with our hero and heroine trapped by the battles raging around them. Having once put in some time in the military (before being asked to leave), the Gable character needs do nothing more than don a tailor-made uniform to pass as an authentic member of the corps, his presence unquestioned by any of his colleagues, his authority unchallenged by anyone to whom he issues orders. Needless to say, he becomes a war hero, awarded the highest honors despite there presumably being no record of his existence.
Wait a minute.....weren't we talking about jewel thieves? Yes, and so was the picture, no more than fifteen minutes earlier.
Don't despair - before the final credits, the two stories are reconciled about as clumsily as the rest of the picture is put together.
Could it be that this 1941 product was deemed too lightweight and frivolous for an audience whose nation was being drawn into a world war, and that the studio bosses decided to make it more contemporary? If so, they should have taken their losses on what was already written and/or filmed, because the incongruous story they released is an embarrassment.
Wait a minute.....weren't we talking about jewel thieves? Yes, and so was the picture, no more than fifteen minutes earlier.
Don't despair - before the final credits, the two stories are reconciled about as clumsily as the rest of the picture is put together.
Could it be that this 1941 product was deemed too lightweight and frivolous for an audience whose nation was being drawn into a world war, and that the studio bosses decided to make it more contemporary? If so, they should have taken their losses on what was already written and/or filmed, because the incongruous story they released is an embarrassment.
'They Met in Bombay' had a lot going for it. Having Clark Gable, Rosalind Russell and Peter Lorre in the same film, a really conceptually interesting story and a talented director being the primary ones, plus MGM were responsible for many classics of all genres (especially musicals) that are too numerous to list.
On the most part, 'They Met in Bombay' doesn't disappoint. Not quite one of those completely living up to high expectations and exceeding them, but it nearly does and in no way a waste of potential. 'They Met in Bombay' is not necessarily great. It is uneven and disjointed for reasons that will be explained later and actually have been covered already in previous reviews. 'They Met in Bombay' having said that is also very entertaining, would classify it as a good film that is hard to dislike and with nothing to be offended by.
Good things are a great many. Clark Gable and Rosalind Russell are terrific in the lead roles, particularly Gable. Lots of charm and with great comic timing, their chemistry sparkles. Peter Lorre, Reginald Owen, Matthew Boulton and Jessie Ralph give nice support, Lorre and Boulton coming off most memorably.
Production values are lovely to look at, particularly the crisp photography. The score is suitably peppy and the direction sees someone with a lot of talent doing a more than solid job. 'They Met in Bombay' goes at a snappy pace, the script is funny, witty and surprisingly sophisticated and the story for the near-perfect first two thirds is immensely engaging with plenty of well done scenes (including a hilarious scene in a beauty parlour).
It is a shame that the last third is not as good. The pace slackens, the wit and sophistication disappears and the patriotic element that is introduced feels heavy-handed and almost tacky, it just felt very misplaced. With the more action-heavy and political edge 'They Met in Bombay' did feel like a completely different film, and one that wasn't near as interesting or entertaining as the first two thirds (which only had the predictability to fault it).
Also thought that Gerald's character went through a character change to a more heroic personality trait that also jarred, almost like there were two different Geralds.
Concluding, a good and entertaining film let down by a disappointing final third that was enough to bring the film's quality quite a bit. 7/10 Bethany Cox
On the most part, 'They Met in Bombay' doesn't disappoint. Not quite one of those completely living up to high expectations and exceeding them, but it nearly does and in no way a waste of potential. 'They Met in Bombay' is not necessarily great. It is uneven and disjointed for reasons that will be explained later and actually have been covered already in previous reviews. 'They Met in Bombay' having said that is also very entertaining, would classify it as a good film that is hard to dislike and with nothing to be offended by.
Good things are a great many. Clark Gable and Rosalind Russell are terrific in the lead roles, particularly Gable. Lots of charm and with great comic timing, their chemistry sparkles. Peter Lorre, Reginald Owen, Matthew Boulton and Jessie Ralph give nice support, Lorre and Boulton coming off most memorably.
Production values are lovely to look at, particularly the crisp photography. The score is suitably peppy and the direction sees someone with a lot of talent doing a more than solid job. 'They Met in Bombay' goes at a snappy pace, the script is funny, witty and surprisingly sophisticated and the story for the near-perfect first two thirds is immensely engaging with plenty of well done scenes (including a hilarious scene in a beauty parlour).
It is a shame that the last third is not as good. The pace slackens, the wit and sophistication disappears and the patriotic element that is introduced feels heavy-handed and almost tacky, it just felt very misplaced. With the more action-heavy and political edge 'They Met in Bombay' did feel like a completely different film, and one that wasn't near as interesting or entertaining as the first two thirds (which only had the predictability to fault it).
Also thought that Gerald's character went through a character change to a more heroic personality trait that also jarred, almost like there were two different Geralds.
Concluding, a good and entertaining film let down by a disappointing final third that was enough to bring the film's quality quite a bit. 7/10 Bethany Cox
Clark Gable and Rosalind Russell team up in "They Met in Bombay," a 1941 film also starring Peter Lorre. The two are both thieves, both with their eye on a valuable necklace, when they meet - she posing as aristocracy, he posing as a detective. They end up on the lam and in love.
The fun part of this film takes place later on when Gable, trying to come up with an escape plan for the two of them, gets a uniform and poses as a soldier.
Unfortunately, a situation arises and a superior officer grabs him off the street for special duty. He's then in a very difficult position indeed.
It's fun to watch the two stars together. MGM didn't always know what to do with Russell's strong beauty - in "Trouble for Two" she is extremely Garboesque - here, her hairstyle and makeup are pure Hedy Lamar. Either way, she looks great and gives a nice performance as a woman in love in spite of herself.
Gable is charming and plays it dead serious, which makes his war duties even more bizarre, as he's totally believable. Peter Lorre is on hand for a touch of the sinister.
The script could have been stronger to support these two stars and a good story. Nevertheless, it's good, breezy entertainment.
The fun part of this film takes place later on when Gable, trying to come up with an escape plan for the two of them, gets a uniform and poses as a soldier.
Unfortunately, a situation arises and a superior officer grabs him off the street for special duty. He's then in a very difficult position indeed.
It's fun to watch the two stars together. MGM didn't always know what to do with Russell's strong beauty - in "Trouble for Two" she is extremely Garboesque - here, her hairstyle and makeup are pure Hedy Lamar. Either way, she looks great and gives a nice performance as a woman in love in spite of herself.
Gable is charming and plays it dead serious, which makes his war duties even more bizarre, as he's totally believable. Peter Lorre is on hand for a touch of the sinister.
The script could have been stronger to support these two stars and a good story. Nevertheless, it's good, breezy entertainment.
Você sabia?
- CuriosidadesThey Met in Bombay was the third film Rosalind Russell and Clark Gable made together. In the first two, Forsaking All Others (1934) and China Seas (1935), Russell wasn't Gable's leading lady. Joan Crawford stole his heart in Forsaking All Others and in China Seas, Russell played Gable's former girlfriend, who faced some tough competition in Jean Harlow. But given the opportunity, Russell genuinely enjoyed working with Gable and unlike some of his co-stars, was at ease playing love scenes opposite him. No director ever had to give him directions in a love scene. He was a very graceful person...much like a ballet dancer. "He was beautiful to play a love scene with," Russell commented. She also recalled how much difficulty she normally had filming romantic scenes. "Love scenes...(were) murder for me," said Russell. "The only man who could make a love scene comfortable was Clark Gable."
- Erros de gravaçãoWhen the Japanese soldiers confront Meldrick in the town square and, again, when the Japanese set an ambush on the road, they are wearing German "coal scuttle" helmets. In fact, contemporary photographs of the Japanese Army in China (e.g., during the Rape of Nanking) show Japanese soldiers with German army "coal scuttle" helmets, which, obviously, were purchased from Nazi Germany.
- Citações
Gerald Meldrick: It's my duty to arrest you... but how can a man put handcuffs on moonlight?
- ConexõesFeatured in Clark Gable: Tall, Dark and Handsome (1996)
- Trilhas sonorasOn the Road to Mandalay
(uncredited)
Music by Oley Speaks
Lyrics by Rudyard Kipling
Played several times as part of the score
Principais escolhas
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Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- They Met in Bombay
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 1.380.000 (estimativa)
- Tempo de duração
- 1 h 32 min(92 min)
- Cor
- Proporção
- 1.37 : 1
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