Uma Loira com Açúcar

Almost all of Cagney's early roles were that of a gangster or a fast-talking con-man. Starting in the 40's as the major studios ramped up their production of patriotic films in anticipation of war, Cagney starred in some military roles such as "The Fighting 69th" and "Captains of the Clouds". However, it was still the same old wise-cracking gangster or con-man - he was just in uniform. Don't get me wrong, I never get tired watching Cagney play these kinds of parts, but I've read that the typecasting was a source of friction between himself and Warner Brothers.

This film is a real departure from the kind of role that Cagney had grown tired of by 1934. In it he plays Biff Grimes, a dentist at the beginning of the 20th century. Biff has had a series of misfortunes heaped upon him throughout his life. To begin with his Dad (Alan Hale) is a ne'er-do-well, and he has a "friend" Hugo F. Barnstead (Jack Carson) who is always managing to get the best of him and then some. Hugo works up from small slights such as not paying back money or leaving Biff with the tab to stealing and marrying Biff's ideal girl and finally setting Biff up to take the fall in some substandard work Hugo's company has done for the city. After Biff gets out of prison after serving time for a crime he didn't commit, he has a chance to get even with Hugo -as in killing him - and make it look like an accident. Since most of the movie is told in flashback, and Cagney is playing a likable if somewhat gullible fellow who has been deeply wronged, you don't know how it will end or what he will do. The supporting cast is great in this one. Jack Carson was always playing the slippery type in Warner films around this time, and he does the job of playing Hugo with believable gusto, always making excuses for his part in Biff's predicaments. Rita Hayworth is cast as "the strawberry blonde" that Biff loses to Hugo, and Olivia De Havilland plays the girl Biff ultimately marries. She turns out to the one piece of good luck that Biff has as she is tough and loyal in a crisis.

A bittersweet romantic comedy, this is one of my favorite post-code Cagney films.

Biff Grimes (James Cagney) struts around like a pugnacious, vainglorious banty rooster in this piece of wartime escapism that harkens back to Victorian America. He has his eye on Virginia Brush (Rita Hayworth), but so does his buddy Hugo Barnstead (Jack Carson). One of them weds Virginia and the other "settles" for her girlfriend Amy Lind (Olivia de Havilland).

The story follows the two couples through good times and bad in an absolutely charming recreation of turn-of-the-century society. The music includes all of the classics of that earlier time, including the enchanting "When You Were Sweet Sixteen." Costumes by Orry-Kelly help revive the formality and stiffness of Victorian manners, but also accent the beauty of Hayworth and de Havilland. If only they had been shot in color!

Miss de Havilland is a revelation as an unconventional young woman who challenges the headstrong Biff. Her role might not have been extremely challenging, but she rises above the script and creates a persona that viewers could fall in love with.

This is not a spoiler, but the end of the film includes an audience sing-along that would have allowed viewers to fully indulge in memories of better times. One can easily imagine their voices rising as one in the darkened theaters of 1941.

Charming turn-of-the-century romantic comedy gives Rita Hayworth her breakthrough role as the flirtatious town siren who gets her comeuppance when she ditches James Cagney for Jack Carson. Her best friend Amy (Olivia de Havilland) marries dentist Biff (Cagney) after an unusual courtship which provides some amusing scenes between the outspoken miss and her boyfriend. The plot thickens when Cagney's best friend Hugo (Jack Carson) uses him in a shady business scheme that leaves Cagney taking the blame and serving time in prison. He resolves to get even with Hugo one day--and gets his chance when Hayworth brings Hugo to his dental office to have a tooth pulled. It's all done with a light touch and played to the hilt by an engaging cast. Rita shines in the title role but it is Olivia de Havilland who really walks off with the film as Cagney's sweetheart. Time magazine reported that she stole the film from both of them with her "electric winks". Only flaw is the occasional emphasis on comedy scenes with Alan Hale (as Cagney's father) that tend to drag. George Tobias has a good supporting role, as does George Reeves ("Superman") who appears at the beginning and end of the story as Cagney's belligerent neighbor. Cagney is his usual blustery self but shows a nice flair for comedy. Entertaining and a great film to watch on a rainy afternoon.

Trivia note: Compare this with the musical remake Raoul Walsh directed in '48 called ONE Sunday AFTERNOON with Dennis Morgan, Dorothy Malone and Janis Paige in the three central roles. Painfully bad and painfully dull with terrible songs and lackluster work by Morgan as Biff Grimes.

Very entertaining, funny, and well acted movie. A great cast including a young George Reeves (Superman). It starts out as a comedy but has a lot of serious moments without being preachy. It is hard to believe that Cagney would come in second in anything in life but he plays the part perfectly.

What an enjoyable movie with the three stars making it so! James Cagney as Biff Grimes, the local dentist, is a joy and shows how well suited he was to this type of serio-comedy, and what a pity he did not get the opportunity to play this type more in his early days at Warners. I think Olivia de Havilland is the real surprise as Biff's wife and she also showed a wonderful gift for comedy mixed with minor drama - her very special "wink" added so much - she was just great! As the Strawberry Blonde, Rita Hayworth in one of her earliest roles was excellent, and was well supported by Jack Carson, while "Superman" George Reeves had a cameo role early & late in the movie. If you see this, make sure you watch the very end for the sing-a-long, it certainly leaves you with a very good feeling. Alan Hale as Biff's father was a bit over the top, and his scenes dragged a little, but that is irrelevant in the total package.