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IMDbPro

O Amor que não Morreu

Título original: Smilin' Through
  • 1941
  • Approved
  • 1 h 40 min
AVALIAÇÃO DA IMDb
6,4/10
494
SUA AVALIAÇÃO
Brian Aherne, Ian Hunter, and Jeanette MacDonald in O Amor que não Morreu (1941)
John Carteret has long been depressed and lonely, because, at his wedding years ago, his bride, Moonyean, was murdered. He accepts into his house Kathleen, the 5 year old orphaned niece of Moonyean, and she quickly grows up to look just like her aunt. Kathleen meets and falls in love with a mysterious stranger from America, Kenneth Wayne. When John hears of this he is furious, and we learn that it was Kenneth's father, Jeremy, who had killed Moonyean years before. John carries his grudge against Jeremy to the new generation, and threatens to ruin his niece's happiness, but he softens in the end.
Reproduzir trailer3:04
1 vídeo
5 fotos
Épico românticoRomance sombrioMusicalRomance

Adicionar um enredo no seu idiomaJohn Carteret has long been depressed and lonely, because at his wedding years ago, his bride Moonyean was murdered. He accepts into his house Kathleen, Moonyean's 5-year-old orphaned niece,... Ler tudoJohn Carteret has long been depressed and lonely, because at his wedding years ago, his bride Moonyean was murdered. He accepts into his house Kathleen, Moonyean's 5-year-old orphaned niece, and she quickly grows up to look just like her aunt. Kathleen meets and falls in love wit... Ler tudoJohn Carteret has long been depressed and lonely, because at his wedding years ago, his bride Moonyean was murdered. He accepts into his house Kathleen, Moonyean's 5-year-old orphaned niece, and she quickly grows up to look just like her aunt. Kathleen meets and falls in love with a mysterious stranger from America, Kenneth Wayne. When John hears of this he is furious... Ler tudo

  • Direção
    • Frank Borzage
  • Roteiristas
    • Donald Ogden Stewart
    • John L. Balderston
    • Jane Cowl
  • Artistas
    • Jeanette MacDonald
    • Brian Aherne
    • Gene Raymond
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,4/10
    494
    SUA AVALIAÇÃO
    • Direção
      • Frank Borzage
    • Roteiristas
      • Donald Ogden Stewart
      • John L. Balderston
      • Jane Cowl
    • Artistas
      • Jeanette MacDonald
      • Brian Aherne
      • Gene Raymond
    • 17Avaliações de usuários
    • 3Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Vídeos1

    Official Trailer
    Trailer 3:04
    Official Trailer

    Fotos4

    Ver pôster
    Ver pôster
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    Elenco principal16

    Editar
    Jeanette MacDonald
    Jeanette MacDonald
    • Kathleen…
    Brian Aherne
    Brian Aherne
    • Sir John Carteret
    Gene Raymond
    Gene Raymond
    • Kenneth Wayne…
    Ian Hunter
    Ian Hunter
    • Reverend Owen Harding
    Frances Robinson
    • Ellen
    Patrick O'Moore
    Patrick O'Moore
    • Willie
    Eric Lonsdale
    • Charles (Batman)
    Jackie Horner
    Jackie Horner
    • Kathleen (As a Child)
    David Clyde
    David Clyde
    • Sexton
    Frances Carson
    Frances Carson
    • Dowager
    Ruth Rickaby
    • Woman
    Douglas Beattie
    • Baritone in "Recessional"
    • (não creditado)
    Marguerite Campbell
    • Undetermined Secondary Role
    • (não creditado)
    Nan Merriman
    • Mezzo-Soprano in 'Recessional'
    • (não creditado)
    Wyndham Standing
    Wyndham Standing
    • Doctor
    • (não creditado)
    Emily West
    • Chorus Singer
    • (não creditado)
    • Direção
      • Frank Borzage
    • Roteiristas
      • Donald Ogden Stewart
      • John L. Balderston
      • Jane Cowl
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários17

    6,4494
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    Avaliações em destaque

    5TheLittleSongbird

    Smiling through disappointment

    Of course there would be no chance of casting the 1941 Technicolor musical remake of the wonderful and incredibly moving 1932 fillm, with Norma Shearer, Fredric March and Leslie Howard, aside. Have always absolutely loved Technicolor and have been blown away by it numerous times, and also musicals (or more in this case play/film with music). Have liked what has been seen of Frank Borzage's films, quite a fair bit more to see, and do like Jeanette MacDonald and have never minded at all her voice. Can take or leave Gene Raymond.

    When inevitably comparing which is the better film of the 1932 and 1941 versions, there is no doubt at all in my mind which is the better of the two. Being someone who loves the former and is rather conflicted on the latter. By all means this version of 'Smilin Through' is worth a curiosity look and it is not that impossible to sit through. Everybody involved has done much better work, with it being one of not many near-misfires from Borzage.

    1941's 'Smilin Through' has advantages. It is very handsomely produced and perhaps more lavish than the 1932 film, the Technicolor truly opulent and blazing quite thrillingly. The music is both beautiful and rousing, not to mention catchy. Several songs populate the film and although momentum dips a bit when they feature, they are great songs and suit MacDonald's voice very well. "Land of Hope and Glory" is quite spirit-rousing and affecting.

    MacDonald, at her loveliest, also comes off well dramatically, the role(s) does stretch her and it is quite different and more complex to her usual roles but she brings charm and pathos. Aherne is sympathetic and is a lovely match for her. Parts do bring a lump to the throat, especially the church death scene.

    Raymond however is a disastrous miscast, there is nothing appealing about him whatsoever and he is almost too caddish/smarmy. He also, as some have already said, has no chemistry with MacDonald, that he and she were actually married in real life yet her and Aherne's chemistry was a million times more believable is a worrying sign. Nelson Eddy would have been a much better choice. Borzage seemed neither interested or comfortable in his direction.

    Just felt that way because the pace can be quite stodgy, and although it is already a complicated story it was handled far more cohesively before whereas it was near-convoluted here. It is far too melodramatic and the treacle and schmaltz, both of which the 1932 film did not do, becomes too hard to take due to the amount of them being excessive.

    In summation, not a bad film but left me very conflicted. 5/10
    Doylenf

    Old-fashioned yarn in superb technicolor...sentimental tear-jerker...

    Jeanette MacDonald and Gene Raymond (married in real-life) only made one film together and both were at the peak of their careers when they co-starred with Brian Aherne in this handsome remake of the older Leslie Howard-Norma Shearer tale. Brian Aherne narrates some of the story in flashback to a time when he was about to wed a young woman who was killed at the altar by a jealous suitor. He then tries to dissuade Jeanette from marrying a man who is the son of that suitor. Jeanette plays the dual role of the present-day woman and the young woman her uncle was about to wed. Jeanette is given several charming songs to sing (including 'The Kerry Dance') and has never looked more beautiful. It tends to become a bit too sentimental--an old-fashioned valentine with a candy-box look to the technicolor--but for fans of the singer this is definitely one worth viewing. Nice performance by Aherne in age make-up as the elderly uncle. Raymond, too, is seen to advantage. Pleasant lightweight entertainment, if a bit dated in style.
    5bkoganbing

    Through time, dimension, and space

    It seems to be a general consensus on the board that this version is the inferior of the Norma Shearer-Leslie Howard-Fredric March version previously done by MGM a decade before. Without having seen that one, my guess is that is probably correct because those are all better players.

    I was surprised to learn that originally Jeanette was given her choice of leading men as she was in San Francisco and picked Gable and Tracy for their parts. For Smilin' Through she originally had as her choices James Stewart and Robert Taylor. Then both dropped out and Jeanette had to settle for the B team.

    The Jeanette MacDonald/Nelson Eddy joint biography by Sharon Rich which is the source of that information doesn't say which parts Taylor and Stewart were to play. But it's sure interesting to speculate who was to play John Carteret and who was to play Jeremy/Kenneth Wayne.

    So Jeanette did the film with Brian Aherne and her husband Gene Raymond. Smilin' Through created no public demand for a reteaming of Mr.&Mrs. Raymond.

    Smilin' Through was written by and starred Jane Cowl on Broadway. Jane, Norma, and Jeanette play Kathleen and her aunt Moonyean. Moonyean was the love of John Carteret and was killed literally at the church altar on her wedding day by a jealous suitor Jeremy Wayne. Years later her niece Kathleen comes to live with her aunt's brokenhearted fiancé Carteret. And wouldn't you know it, she falls in love with Kenneth Wayne, son of the homicidal Jeremy.

    One thing though that neither Jane Cowl or Norma Shearer could bring to the dual part was Jeanette MacDonald's soprano. The musical gene was passed down in this family if the homicidal one wasn't passed down in the Wayne family. Jeanette sings some wonderful standards identified with the British Isles like the title song, Drink to Me Only With Thine Eyes, The Kerry Dance, There's a Long Long Trail a Winding, and Just a Little Love, a Little Kiss. But my favorite is Land of Hope and Glory sung at a church service here and marched to by thousands of graduating classes on both sides of the Atlantic.

    If Jeanette's acting wasn't up to snuff, there wasn't anything wrong with her singing voice. But perhaps maybe only her fans should be looking to watch Smilin' Through.
    8dave-2395

    "Smilin' Through" with color and music

    "Smilin' Through" was the only film that Jeanette MacDonald made with her husband, Gene Raymond. He looked so similar to her usual co-star Nelson Eddy that they were often mistaken for one another. Raymond did play leading roles in many 1930s films, but was not a musical star like Nelson Eddy. This film, a remake of a 1932 B/W starring Norma Shearer but this time featuring MacDonald's glorious singing, is an intriguing melodrama in the best sense of the word, and it probably would have been more famous if it did not debut on December 7, 1941. The US movie-going public had other things on their minds that day (and for nearly four years to come). A lush color musical with pacifist overtones was not among them.
    10rsternesq

    don't bother with comparing apples and oranges

    Don't bother comparing this version of an old play with others. This one has Jeanette MacDonald and Brian Aherne and is splendid all on its own. A Word War II era look at the past it resonates with a thousand charming moments. She is lovely and even Gene Raymond charms. I think the special mood of this film may be that all of these faces are gone now and yet with us, part of those of us who watch and feel that vibration of the past lovers, the war in background and the sadness of our loss of that time and those faces, voices, memories. For me a pleasure enhanced with every viewing. A special thank your to Mr. Aherne who will always be a favorite of mine and hopefully others who have watched that expressive and quite beautiful but very masculine face. Definitely recommended.

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    • Curiosidades
      Jeanette MacDonald, playing Kathleen/Moonyean, and Gene Raymond, playing Kenneth/Jeremy, were married from 1937 until her death in 1965. "Smilin' Through" was their only film together. Every year after her death in 1965, he attended the Jeanette MacDonald International Fan Club convention in Los Angeles. He shared stories with her fans and friends, a thing he once said he would do "'till Jeanette and I are together again."
    • Erros de gravação
      The day of the week printed on the wedding invitation is Wednesday, but the date printed after it was actually a Sunday.
    • Citações

      Kenneth: There's only one thing missing from this picnic. Don't you have any ants in England?

      Kathleen: I have some in Ireland, but I never hear from them.

    • Conexões
      Referenced in You Can't Fool a Camera (1941)
    • Trilhas sonoras
      Smilin' Through
      (1918) (uncredited)

      Written by Arthur A. Penn

      Played during the opening credits and as background music often

      Sung by Jeanette MacDonald in the flashback scene and danced to by Jeanette MacDonald and Brian Aherne

      Reprised offscreen by Jeanette MacDonald at the end

    Principais escolhas

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    Detalhes

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    • Data de lançamento
      • outubro de 1941 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • Smilin' Through
    • Locações de filme
      • Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., Culver City, Califórnia, EUA(Studio)
    • Empresa de produção
      • Loew's
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto nos EUA e Canadá
      • US$ 1.892.240
    • Faturamento bruto mundial
      • US$ 5.240.720
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 40 min(100 min)
    • Proporção
      • 1.37 : 1

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