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Once again, Ms. Canova is a hick-from-the-stix thrust into modern living, in this case going to live with her uncle Charles Butterworth, who's a decent sort, but whose wife and daughter, Katharine Alexander and Susan Hayward, no less, are conniving snobs. Judy and Susan wind up as roomies at college, and from there it more or less writes itself, with misunderstandings, a side trip to burlesque, and some less-than-scintillating specialty acts. Jerry Colonna does what he can with subpar material, and Bob Crosby, singing and conducting pleasantly, has the personality of a lox. Judy gets to sing some pretty good songs by an up-and-coming Frank Loesser and Jule Styne, as well as yodel, jitterbug, and even attempt "Sempre Libre," which unfortunately is rather beyond her. She's an amiable presence who deserved better than Republic could give her, and while this showcase for her talents is a slog when she isn't around, it gives her a nice workout.

I'd never heard of her before watching this movie, but Judy Canova was a pretty famous comedienne in the 1930s and 1940s. If you're curious about her, or if you have heard of her and happen to like her, Sis Hopkins shows off her talents like no other. She plays the same character as her decades-famous shtick: a hillbilly from the sticks with hidden talents. She comes to live with her wealthy, high-society relatives and is made fun of and looked down upon because of her uncouth manners and funny accent. Will she eventually find acceptance in her new surroundings, or will Sis Hopkins turn into a tearful drama?

I'm sure you can guess the answer after watching the first ten minutes. Most of the movie is incredibly silly, and the rest of it is predictable and trite. Judy sings everything from country tunes to opera to yodeling, but if you find her annoying, you probably won't like this movie. She's on the screen almost the entire time, so you'll be able to quickly find out if you'll like the movie or hate it.

A hick from the sticks, Sis Hopkins, is thrust into a sophisticated urban setting, where a lot of folks object to her down-home ways, especially when she's slated to join a fancy college sorority.

The name Judy Canova may not be familiar to non-fans of old movies and radio. Perhaps the best way to describe her appeal is as a country cousin of TV's Gomer Pyle. She had an inimitable style doing either novelty songs or knock-about dances. But beneath her rather homely appearance, an appealing persona shone through. Unfortunately, this is not her best showcase, maybe because screen time is shared by a number of performers, including mustachioed comic Jerry Colonna taking a break from radio, and an unexpected Susan Hayward already showing a sharp edge behind that soft beauty. Unfortunately, the musical selections are pretty forgettable, rather surprising given Bob Crosby's popular presence. And what's with that hugely overdone final production number. Its lordly costuming appears jarringly out of place. But at least there's a lot of sexy girls backstage for guys to look at. Then too, I suspect the patriotic curtain closer was anticipating WWII then only months away. All in all, the 100-minutes may not be top-notch Canova, but does remain a decent time- passer.

Very much a mixed bag. The good-Judy Canova could really sing when she wasn't camping it up with yodeling and so forth. Bob Crosby, Bing's brother, also had a nice voice not as smooth as his brothers but pleasant and his band is very good but when he reads his lines the man is a block of wood. Susan Hayward very early in her career gives a good account of herself as a spoiled selfish witch, something of a specialty of hers on her way up. Plus she has the dubious distinction of probably being the only Oscar winner to appear in a Judy Canova movie. The bad-Did I mention the yodeling? Jerry Colonna is very definitely an acquired taste and a great deal of the movie is very corny and a tad ridiculous. Not painful just don't expect high art.

In Sis Hopkins Judy Canova plays the proverbial country cousin who comes to live with her rich relations in the big city. Her blood uncle Charles Butterworth is all right, he's the twin brother of her father and Uncle Butterworth became rich by inventing a new kind of faucet valve. He was a plumber when he started and not one to put on airs. The same can't be said for his wife Katharine Alexander and daughter Susan Hayward. They've taken to the manor born and they've even got a snooty butler played by Charles Coleman.

The missus won't have Canova around, so Butterworth sends her off to college with Hayward. Of course Susan isn't crazy about the prospect of rooming in the dormitory with her country cousin, especially when the rich society kid Bob Crosby starts checking her out.

Sis Hopkins is the quintessential Judy Canova film where Judy may come off like a hayseed, but she's got good instincts and a good heart that people eventually warm up to. Even her rich relatives eventually come around.

I can't leave Sis Hopkins without mentioning Jerry Colonna who plays a wacky music professor who house mother Elvira Allman has a bit of a thing going for. Allman plays Margaret Dumont to Colonna's Groucho Marx and the results are pretty funny.

Sis Hopkins has a nice cast of colorful supporting players who nicely frame Judy Canova in her quintessential part. One of those is Susan Hayward as her snooty cousin. Hayward is fifth billed in Sis Hopkins and probably no one but Susan Hayward saw Oscar in her future. It took 17 years to get there, but Susan Hayward knew her worth and had that kind of determination.

Sis Hopkins was produced by Republic and the production values aren't the greatest. Still the cast puts this one over very well.