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Mister V

Título original: 'Pimpernel' Smith
  • 1941
  • Approved
  • 2 h
AVALIAÇÃO DA IMDb
7,2/10
2 mil
SUA AVALIAÇÃO
Leslie Howard and Mary Morris in Mister V (1941)
AventuraDramaGuerraSuspense

Adicionar um enredo no seu idiomaProfessor Horatio Smith, while seeming very unassuming, rescues victims of Nazi persecution during World War II.Professor Horatio Smith, while seeming very unassuming, rescues victims of Nazi persecution during World War II.Professor Horatio Smith, while seeming very unassuming, rescues victims of Nazi persecution during World War II.

  • Direção
    • Leslie Howard
  • Roteiristas
    • Anatole de Grunwald
    • A.G. Macdonell
    • Wolfgang Wilhelm
  • Artistas
    • Leslie Howard
    • Francis L. Sullivan
    • Allan Jeayes
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,2/10
    2 mil
    SUA AVALIAÇÃO
    • Direção
      • Leslie Howard
    • Roteiristas
      • Anatole de Grunwald
      • A.G. Macdonell
      • Wolfgang Wilhelm
    • Artistas
      • Leslie Howard
      • Francis L. Sullivan
      • Allan Jeayes
    • 33Avaliações de usuários
    • 14Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 4 vitórias no total

    Fotos90

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    Elenco principal49

    Editar
    Leslie Howard
    Leslie Howard
    • Professor Horatio Smith
    Francis L. Sullivan
    Francis L. Sullivan
    • General von Graum
    • (as Francis Sullivan)
    Allan Jeayes
    Allan Jeayes
    • Dr. Benckendorf
    Mary Morris
    Mary Morris
    • Ludmilla Koslowski
    Hugh McDermott
    Hugh McDermott
    • David Maxwell
    Raymond Huntley
    Raymond Huntley
    • Marx
    Manning Whiley
    Manning Whiley
    • Bertie Gregson
    Peter Gawthorne
    • Sidimir Koslowski
    Dennis Arundell
    Dennis Arundell
    • Hoffman
    Joan Kemp-Welch
    • School-Teacher
    Philip Friend
    Philip Friend
    • Spencer
    Laurence Kitchin
    • Clarence Elstead
    • (as Lawrence Kitchen)
    David Tomlinson
    David Tomlinson
    • Steve
    Basil Appleby
    • Jock MacIntyre
    Percy Walsh
    • Dvorak
    A.E. Matthews
    A.E. Matthews
    • Earl of Meadowbrook
    Aubrey Mallalieu
    Aubrey Mallalieu
    • Dean
    Ben Williams
    • Graubitz
    • Direção
      • Leslie Howard
    • Roteiristas
      • Anatole de Grunwald
      • A.G. Macdonell
      • Wolfgang Wilhelm
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários33

    7,21.9K
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    Avaliações em destaque

    Scaramouche2004

    A great bullet in the powerful gun of British wartime propaganda.

    In England we hold a special place in our hearts for the great Leslie Howard. He was a learned man and gave to all his roles on either side of the Atlantic, a suave sophistication that appealed both here and in the states.

    But what we loved about him most was his unswerving patriotism. His love of this country, more evident during the war years, was something he lived by and eventually was something he gave his life for and we all herald him a hero in our midst. A truly great Englishman and one we can all be proud of. To us he was the sort of Englishman we all wanted to be and to Americans he was the Englishmen on whom all others would be judged from that day forward.

    In Pimpernel Smith he all but reprises his roll as The Scarlett Pimpernel from the 1934 film of the same name. This time the action takes place in 1939 and our modern day Sir Percy is an architect on an expedition in Germany where our hero has the chance to rescue innocent political prisoners incarcerated by the Nazis.

    There is very little gun play or physical violence at all, but we get plenty of entertainment by the casual and almost comedic performance by Howard as the foppish Smith, who whilst convincing the Germans he is a scatter brained professor, constantly out-smarts and out-wits them as he steals the 'enemies of the Reich' from under their very noses.

    Ultra patriotic and echoing Howard's own anti-Nazi views, Pimpernel Smith is an espionage great with a powerful message to deliver.

    I love the speech he makes at the end about how the Germans will never find a horizon and as how one day they will be lost and they will be doomed. Also the line, "I'll be back, we'll all be back" gives an almost spine chilling prediction of D-day. Three years before D-day and four years before the final victory, it is amazing just how accurate Howard's words were, words made more powerful with our knowledge that Howard himself would not live to see either event.

    One of the best British propaganda films of the war years ,it has enough elements here to have your British hearts souring with pride re: the Rupert Brooke quote and enough to keep you on the edge of whatever you may be sitting on at the time.

    Look out also for a young David 'Bedknobs and Broomsticks' Tomlinson as one of Smith's students.
    9davidh-51

    excellent one of my favourite films

    Leslie Howard plays absent minded professor in updated version of the scarlet pimpernel spiriting away enemies of Nazi Germany.Set almost at the outbreak of world war II the film is clearly anti Nazi propaganda with classic quips such as "that is to stop the oppressed Swiss from escaping into free Germany".The Germans are typically portrayed as bungling half wits afraid of their masters with the exception of Francis Sullivan's character Graum who is portrayed as a parody of Herman Goering. I love this film despite its limitations and deficiencies it reminds me of a happier bygone England, it is full of humour,a hint of romance and plenty of adventure. Great.
    10renfield54

    fictional heroes join the war effort

    Concerning this film, I can't decide if my soft spot is for the always superb Leslie Howard, or for one of the old heroes of literature, resurrected to fight the nazi menace. This is a clever update of the Scarlet Pimpernel story. I found this re-incarnation of the classic much more enjoyable than the original. It was even more fun than another personal favorite, Basil Rathbone as Sherlock Holmes, who came back in the 1940's to do his bit for king and country against the Third Reich.

    Albeit, very light fair, films like this were more to entertain and keep spirits high in not so certain times. The horrors of war can be looked back upon, but to push onward, the propaganda of the day was to show the enemy as almost comical foes, outwitted by the ever sensible Englishman. Leslie Howard plays this role beautifully and it remains one of my favorite performances by him...
    10Pimpernel_Smith

    Well I have to review this, don't I!? But beware other comments!

    I'm so pleased that this film has inspired so many people to write so effusively of it. I first saw it in my teens (a long time ago now, alas!) and was totally captivated. If you haven't seen it yet, I'd suggest you just get hold of a copy and enjoy it before you browse the other comments.

    If you do look at other comments, a few points: This film is *funny* too! It was not Leslie Howard's last film - 49th Parallel was made later the same year, and First of the Few in 1942, then he subsequently directed 'The Gentle Sex' and 'The Lamp still Burns' in 1943.

    Howard was certainly on the Nazi's blacklist, but his death may have been an accident. He was returning from a 'lecture tour' (which was certainly propaganda and may well have had intelligence connotations) via Portugal, and the civilian plane he was on was shot down over the bay of Biscay. It's still not clear if this was an accident or a deliberate target, but if the latter, it's as likely that Howard's accountant, who bore a strong resemblance to Churchill, may have been the target.

    Also, look out Violette Cunningham, the assistant in the cosmetic shop. She was Howard's last love - despite still being married to Ruth, he fell for Violette (who also appears in the German dinner scene in 'The First of the Few'). It broke his heart when she died, of cerebral meningitis, in 1942.
    9Igenlode Wordsmith

    Unmissable starring role for Leslie Howard

    On the face of it, I don't ask much of a film: only - only! - that it should make me laugh and cry and catch my breath, and stir my blood in equal measure. Strange, then, how rare this seems to be... and how few films earn the final accolade by almost forcing me to review them! I had not the slightest intention, this morning, of writing about "Pimpernel Smith". But now that I sit down afterwards and try to work, I find my attention wandering back to it again and again. Clearly, I must set down this review, or I shall never get anything done... and there can be few stronger tributes to the power of a film.

    Leslie Howard, of course, makes or breaks the whole. As producer, director and starring actor, his name is scrawled - literally - on the film from its opening titles; indeed it gives us a chance to recognise the penmanship on the mysterious hand-written notes that recur! Unsurprisingly, in some ways this is very much a one-man vehicle. If Leslie Howard's charms escape you, the whole production is probably a dead loss - but for any fan of his earlier films, it is little short of unalloyed delight.

    "Pimpernel Smith" takes much of its resonance from the subtle parallels with Baroness Orczy's story of the Scarlet Pimpernel. The latter is openly referred to only in the title, but acknowledged in a dozen ways, from the leading character who cloaks an incisive mind beneath a foolish mask to the young acolytes who aid and yet rashly put him at risk, the woman who is set to spy out the identity of a beloved one's potential saviour, and of course the closed frontiers and despotic arm of a new-fledged state - not Revolutionary France, but a Nazi Germany not yet at open war. Above all, the echoes lie in the ingenious guises and plans for escape, always one twist ahead of both the enemy and the viewers themselves. By the end of the film, I was suspecting the most innocent characters of being the nondescript Professor Smith in disguise... and I'm still not certain about the indignant lady on the Cook's Tour!

    The references, however, are never obtrusive and always remain subtle; and of course perhaps the chief of these is the casting of Leslie Howard himself. Along with a humane and intelligent script, it was his outstanding depiction of the title role that raised the 1934 film of "The Scarlet Pimpernel" above the average. Even today, the association is immediate. Less than ten years after the original, the dual performance of their star must have been inescapable.

    From vacuous fop to absent-minded professor... and yet it is to Howard's credit that his Professor Smith is not a carbon copy of Sir Percy Blakeney, but a distinct and undoubtedly charming character in his own right. For a moment, rapt in admiration of an Aphrodite, he is startlingly handsome. But for the most part, peering owlishly over a newspaper or buried beneath a deplorable hat, he is more the living spit of bespectacled Charles Hawtrey in some post-war "Carry On". He has developed the baggy amble to a fine art, and the knack of deprecation and inoffensive insolence almost without effort; and the role of gentle academic is not a pose, but the guiding principle behind all his unlikely impersonations, even that of the part of hero. The Professor, above all, is a man who hates destruction and waste.

    Passionate screen kisses rarely move me; oddly enough, a handful of restrained moments of tenderness in this film did. It may be a carefully-scripted star vehicle, but few enough of those choose to celebrate the clever and the unassuming. I like Professor Smith very much indeed.





    But even the quietest hero needs a villain as foil, and Francis L. Sullivan is also outstanding here as the elephantine von Graum, a Nazi general who turns out to be far less stupid than one might assume. It's hard not to suspect the character of being a lampoon on Goering, and from the start we are invited to laugh at him; but for all his girth and his struggles with "the English sense of humour", von Graum is brighter by far than most of his staff, and sometimes even one step ahead of the viewer, which makes it hard to be complacent on our heroes' behalf. He may rant and foam for lack of proof, but the net is tightening... and without the advantage of Orczy's predetermined plot, the unexpected twist at the end of this film could all too easily go either way. Unfortunately, heroism is not necessarily defined by survival...

    In fact, in retrospect, I feel that the ending (which I won't reveal here) was perhaps the one weak point. Unlike the Basil Rathbone wartime pictures (there are echoes of "Pimpernel Smith" in the subsequent, not at all bad, "Sherlock Holmes and the Secret Weapon"), the anti-Nazi sentiments of the hero's set-piece speech are not dated or tendentious to modern ears. Indeed, Leslie Howard's shadowed intensity remains one of the most effective shots in the film. The only trouble is that it's so good that it becomes a hard scene to top, and the actual finale comes off as somewhat trite by comparison.

    But that's with hindsight. At the time, the only thing of which I was fully conscious was that, already pre-disposed in that direction by "The Scarlet Pimpernel" and "Pygmalion", I had just become a raving Leslie Howard fan! Every time I catch myself whistling 'Tavern in the Town' without thinking, over the next few days, I shall know why... and smile.

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    Interesses relacionados

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    Aventura
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    Drama
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    Guerra
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    Suspense

    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      One of the earliest movies to openly and unflinchingly discuss Nazi labor, concentration, and death camps.
    • Erros de gravação
      At the reception in the English embassy, Professor Smith misquotes Lewis Carroll's Jabberwocky. He mispronounces "borogoves" in the third line of the poem as "borogroves".
    • Citações

      General von Graum: But we have one problem. "To be or not to be?" as our great German poet said.

      Professor Horatio Smith: German? But that's Shakespeare.

      Professor Horatio Smith: But you don't know?

      Professor Horatio Smith: Why, I know it's Shakespeare. I thought Shakespeare was English.

      General von Graum: No, no, no. Shakespeare is a German. Professor Schuessbacher has proved it once and for all.

      Professor Horatio Smith: Oh dear, how very upsetting. Still, you must admit that the English translations are most remarkable.

      General von Graum: Good night.

      Professor Horatio Smith: Good night. Good night. "Parting is such sweet sorrow."

      General von Graum: What is that?

      Professor Horatio Smith: One of the most famous lines in German literature.

    • Cenas durante ou pós-créditos
      Immediately following the opening credits: "The tale we are about to unfold to you is a fantasy. None of its characters are living persons. But it is based on the exploits of a number of courageous men who were and are still risking their lives daily to aid those unfortunate people of many nationalities who are being persecuted and exterminated by the Nazis. To these champions of freedom this story is dedicated."
    • Versões alternativas
      This film was cut and retitled 'Mister V' for its first American release in the early 1940s. Some versions censor the response from Hugh McDermott's character "I'd do my damndest..." in response to a question posed by Leslie Howard's character at a table in a café.
    • Conexões
      Featured in Century of Cinema: A Personal History of British Cinema by Stephen Frears (1995)
    • Trilhas sonoras
      There's A Tavern in the Town
      (uncredited)

      Traditional

      Whistled by Leslie Howard in several scenes

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    Perguntas frequentes16

    • How long is Mister V?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 28 de julho de 1941 (Reino Unido)
    • País de origem
      • Reino Unido
    • Idiomas
      • Inglês
      • Alemão
      • Francês
    • Também conhecido como
      • Profesor Smit
    • Locações de filme
      • D&P Studios, Denham, Uxbridge, Buckinghamshire, Inglaterra, Reino Unido(as D & P Studios Denham . . . England)
    • Empresa de produção
      • British National Films
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 2 h(120 min)
    • Cor
      • Black and White
    • Proporção
      • 1.37 : 1

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