Sempre no Meu Coração

The First World War saw the debut not only of new military technology, but also new weapons of psychological warfare. It was the first war fought with means of mass persuasion as well as mass production. To get the American public in the proper fighting spirit for their inevitable entry into the war, the authorities deliberately and uncritically passed along British propaganda which wildly exaggerated or just plain fabricated German atrocities. (Sadly for all concerned, real German acts of brutality, especially in the conquered Low Countries, gave this propaganda an air of plausibility.)

It's unfortunate that, given its time and circumstances, this movie can only hint at the pervasive ugliness of these manufactured images of the gleefully nun-raping, baby-bayoneting "Bestial Hun", and the vicious persecution it inspired against German immigrants.

Though the glimpses it does show are often harrowing, as the story tracks the collapse of the blissful marriage between a professor (Otto Kruger) from Germany who teaches at a small college, and his American wife (Barbara Stanwyck), under the pressure of the growing hatred and intolerance they face from almost everyone around them. Even if the plot's predictable and the final twist is pretty contrived, and with few exceptions the acting and direction are about what you'd expect from a time when talking pictures were only four years old, I still have to give Warner Brothers some credit simply for having made a film -- even a low-budget "weeper" like this -- showing at least in some small way how war can corrode our humanity on the home front, too.

The other major thing this picture has going for it from my point of view is, of course, Barbara Stanwyck: In the moments when she subtly transcends what could otherwise have been just another mawkish, pedestrian melodrama, you can clearly see a great actress who's just beginning to hit her stride. She even manages to make the somewhat over-the-top final moments watchable, if not quite believable.

Barbara Stanwyck and Otto Kruger star in "Ever in My Heart," a 1933 film directed by Archie Mayo and also starring Ralph Bellamy.

Stanwyck plays Mary Archer, who, in 1909, falls in love with a young German, Hugo Wilbrandt (Otto Kruger), a friend of her cousin Jeff (Ralph Bellamy). They get married right away and settle down, and eventually have a baby boy. Hugo proudly becomes an American citizen.

Tragedy strikes the couple. When World War I occurs, the anti-German sentiment forces Hugo out of his teaching job and unable to find any other work. Mary's family wants them to move back in with them, but they want Hugo to change his name, which he won't do.

He talks Mary into staying with them, saying he will join her in a week. He doesn't; he turns his back on America and returns to Germany to fight the war with the Germans.

Mary divorces Hugo and later goes overseas to work for the war effort. There, she runs into Hugo.

I knew the plot of this film, but there were elements of it that I did not know, so I found the film even more profoundly depressing than I expected.

Barbara Stanwyck is wonderful, going from a fresh, young, happy woman to one who has to endure horrible sadness. Otto Kruger is very effective as well, but this is really Stanwyck's film. She'll break your heart.

Beautifully done film, but be prepared!

This poignant and graceful doomed-love weeper deals with a facet of American history rarely explored. In a beautifully restrained performance, Barbara Stanwyck plays a Daughter of the American Revolution who marries gentle German immigrant Otto Kruger. Upon the outbreak of the First World War, they become victimized by anti-German sentiments.

With tasteful understatement and an unusual attention to period detail, director Archie L. Mayo paints a vivid tableau of social intolerance that must have been quite daring in its time (the scars of the Great War were still fresh in '33). The writers, unfortunately, couldn't resist a nosedive into Mata Hari-like spy machinations, an eleventh hour plot contrivance that strikes an indelicate note. Even so, the film's quiet sensitivity stays with you long after.

With Ralph Bellamy (as the inevitable jilted boyfriend), Ruth Donnelly, Laura Hope Crews, and Clara Blandick.

Barbara Stanwyck, the gal who could play any role, is American Mary Archer, who is fawning over her cousin "Jeff" (Ralph Bellamy), until she meets the dashing German Hugo Wilbrant (Otto Kruger). They get married, and soon Germany is invading countries during WW I , which causes turbulence and troubles for the married couple and their family.

Its a shortie, at 68 minutes. I had seen Stanwyck in Ten Cents a Dance in 1931, and in that one, she was still very much a young girl, in style and appearance; in this film "Ever in my Heart", even though only two years has gone by, she is much more grown up, in looks and in sophistication. Too bad Donald Meeks scenes were deleted - he would have spiced up the plot, which could use some humor, with more than its share of sadness. Interesting scene where the little old ladies in the sewing circle giggle and gasp over the horrible things the enemy does to captured prisoners. Technically, the acting and story here are just fine, and I guess the plot would soon be a current event again with the coming of WW II, much less still be an issue with world events going on today. Producer Hal Wallis and Archie Mayo (director) would make eleven movies together in the 1930s.

TCM showed this film and I saved it on my DVR for later viewing. Barbara Stanwyck, World War I, Germans and throw in mystery...sounded like a good old war themed movie. Turns out it was a movie that could have only been made around 1933. It was sandwiched just right between the two World Wars to deal with the issues in the film. It showed the life of a German who married an American in the years before the Great War. Later in the film the War became a major focus and impact upon his life and his family. My grandfather was of German heritage. He was born in the US but both his parents were from Germany. When he became of age he attempted to enlist in WW I but was turned down because he was 'German'. Didn't matter that his family had arrived before the Civil War and had fought for the Union. When my family finished viewing this film we all thought - this film is 'different'. The theme was not something I was expecting and not something I had every seen in other films. A young Barbara Stanwyck was a bonus. Worth watching if you enjoy older films.