Sócios no Amor

While traveling through France, the playwright Thomas B. 'Tom' Chambers (Fredric March) and his best friend, the painter George Curtis (Gary Cooper) meet Gilda Farrell (Miriam Hopkins) and they fall in love with her. Gilda is "protected" by the wealthy Max Plunkett (Edward Everett Horton) and Tom and George are losers, but she cannot decide between them who could be her boyfriend. So she proposes a gentleman's agreement where they would be friends without having sex. She decides to criticize their works and they become successful. But will their platonic relationship work?

"Design for Living" is a movie with a female character ahead of time. Actually the sexy story is a Pre-Code Hollywood that became effective 01 July 1934. The plot has sexual freedom, adultery and even a possible threesome but is naive in the present days. There are many funny situations and this movie is a delightful entertaining. My vote is seven.

Title (Brazil) "Sócios no Amor" ("Partners in Love")

This was one of the movies I was so sure was going to be stupid and annoying but it turned out to be such fine comedy I've already watched it three times in the past week or two. So many good lines. Tom writes a play called Goodnight Bassington - a comedy in about three acts with a tragic ending. George paints Lady Godiva on a bicycle, despite the fact that a bicycle seat IS a little hard on her historical background. Gilda says that she went to see the above-mentioned painting of Lady Godiva with a friend. "She loved it. We haven't spoken since," Gilda tells George, who begins to pout. He does a fair amount of pouting throughout the film.

Eaglebauer also makes for some fine humour in some scenes near the end, but we never get to see the man. We only hear him bellowing out a joyous song about "falling leaves and fading trees! Goodbye, summer, goodbye!"

But besides all that this really wacky movie is a delight and I sure wish they'd re-release it because it's so good.

So. There's only one thing I have to say to you. Immorality may be fun, but it's not fun enough to replace one hundred per cent virtue and three square meals a day.

I'm not a big fan of the Lubitsch Touch. This, which I hadn't seen in 20 years, I think is my favorite.

The recent Broadway revival of the Noel Coward play, which was supposedly very ooh-la-la and daring, was a bust. Interminable and misguided.

One problem was that the female lead was made very cold. In the movie, Miriam Hopkins is just right: pretty, seductive, witty.

Gary Cooper is sublime. He was a great comedian -- equally good in "Desire," the delightful movie with Dietrich that Lubitsch produced and supposedly had a big hand in directing. Too bad he changed gears so drastically and became the strong, silent Western hero he's known for today (if he's known at all, alas.)

Fredric March was a very fine actor but not a comedian. He is the weakest link; but he works well in the ensemble.

Edward Everett Horton is funny, as always.

It really works, and is as racy today as it must have been when it came out.

Miriam Hopkins finds herself in love with both Gary Cooper and Fredric March (who can blame her?), so she does what any sensible Pre-Code woman would do: she decides to live with both of them!

It's a tribute to movie audiences of the early 1930s that a sophisticated comedy like Design for Living could a.) Get produced, and b.) Be a success at the box office. The dumbing down of current films means that the delicious innuendo in Design for Living would go over the head of most of today's audience.

The key to the Lubitsch Touch was in the perfect timing of physical gestures and the delivery of the lines. Trouble in Paradise and Design for Living were the best in this respect. Personally, I prefer the lack of music in Design for Living. I think it dates the film less than Lubitsch's other efforts.

I don't mind that Ben Hecht wrote most of the film's dialog rather than Noel Coward, who wrote the original play. All I know is that the dialog is very very funny and quite naughty, making this the ultimate Pre-Code film.

Miriam Hopkins could do no wrong in a Lubitsch film, and her work here is brilliant. She's intelligent and uncompromisingly honest. Her leading men, Gary Cooper and Fredric March, are both sexy and hilarious. Gary Cooper is a particular revelation, displaying a flair for comedy that is quite unexpected. As Cooper's friend and rival for the affection of Hopkins, March is also very funny, which comes as no surprise after his brilliant parody of John Barrymore in The Royal Family of Broadway (1930).

Prepare to laugh yourself silly during what may be the funniest film ever made.

I bought the Gary Cooper collection because of "Design for Living". It didn't disappoint me. This movie is classy, it's full of wit and sexually free. I found the plot intriguing, the set excellent, the costumes fine and Lubitsch inspired together with Ben Hecht (lovely and smart screenplay).

The movie shows 4 actors only, which could be considered its strength if the actors were all good. 1 out of 4 is good and 2 out of 4 are really good. 1 out of 4 has got nothing to do with such environments, dialogs and sophisticated comedy. Gary Cooper does not fit to me. He's a sort of amazing good looking and so dashing statue to look at. Nothing more. He just doesn't look comfortable in acting spoiling intellectual shades. He doesn't work to me.

Miriam Hopkins is good, she's mischievous, charming and funny. She plays the free woman with intelligence, combining sensuality and brain. Audience - even the male one - does understand why she can't choose between the two guys and she conquers it. Every woman would like to be her; that's the message she strongly brought on the screen: being free of living life the way she desires.

Edward Everett Horton is perfect, hilarious and very elegant. He's the right choice to play Plunkett Inc. and he didn't let it down. He IS Plunkett Inc.!

Fredric March is so charming, sophisticated, sexy and so right for Thomas. He does much better here than in other movies (e.g. Anna Karenina) which could seem more suitable for him. He's perfect for Lubitsch so much and his performance is a top one. He's a fine comedian too, he's measured and passionate at the same time and he's really handsome. His sensuality is made up either by intellectual attitude or a physical one.

Don't know why he's been forgotten, a wonderful actor like he is. Can anybody tell me?

I do suggest to get this movie and to enjoy it since it's really a nice touch in our collection. We do need nice and elegant touches. Especially nowadays.