O Juízo Final

Day of Reckoning (1933)

*** (out of 4)

Highly entertaining pre-code from MGM about a loving husband (Richard Dix) who embezzles some money in order to keep his shop-happy wife (Madge Evans) into the things she needs. The husband gets sent away for two years and while the maid (Una Merkel) is busy taking care of the two kids, the wife is out doing other things. There's a lot more details to the plot but I'm going to quit there because the twists are so good that there's really no point in ruining them for those unfamiliar with the picture. It's always great fun when a film buff can see a forgotten movie and then go out and sing its praises and DAY OF RECKONING is just the type of film that deserves to be rediscovered. I'm sure most people are familiar with the always fun Dix but this here is without question one of the best performances I've seen from him. This character goes through quite a bit in the picture and I thought Dix was incredibly sympathetic but when he "snaps" you can believe and see the rage and anger in his eyes. Evans is also extremely entertaining as the wife and there's no question that Conway Tearle makes for a great villain. Merkel steals nearly every scenes she's in as the loving maid and manages to bring some laughs. Classic film fans will also recognize Raymond Hatton, Paul Hurst, George 'Spanky' McFarland and D.W. Griffith regular Wilfred Lucas can be briefly spotted. The screenplay certainly doesn't fall into the "B" movie traps and instead it stays original throughout and manages to throw a couple nice twists at the viewer as well. One of the best moments in the film is when the maid and her boyfriend are trying to write a letter and there's a baby in the sequence. It appears the baby is acting up and not really behaving like she's supposed to but it's rather cute seeing that the director just let it go and had the actors deal with it the best way that they could. DAY OF RECKONING is one of hundreds of films that have been forgotten but if you're a fan of classic dramas then it's a must see.

The strong cast -- including Spanky McFarland away from the Hal Roach studio -- really shines in this well-mannered, but definitely Pre-code drama. Richard Dix ha rarely been better as a man slowly unraveling in prison, but Una Merkel is terrific in a straight role.

"Day of Reckoning" is a surprisingly involving and well-done minor effort from MGM in 1933. It does not stiffly unspool like most films from the early 1930's, as it has excellent pacing and the performances are effortless and realistic. A variety of personalities are on display, played by a troupe of comfortably familiar actors from the era, and weave themselves in and out of the proceedings in a most natural way. Director Charles Brabin orchestrates and maintains a modern fluidity through the entire film.

More than a decade later Richard Dix made a picture with a very similar story in a Whistler feature, but this one seems to be a little more energetic and less maudlin, at least as I remember it now. One especially appreciated element is how the precipitating reason for the ensuing drama is not even depicted (it seems to me that this particular plot and story-telling device was rarely-- if ever-- used in the countless detective and other dramas on television).

As a side note, I explored a scoring quirk that I discerned. This quirk is that the 12 viewers who previously reviewed the film here on IMDb assigned an average score for the film of 8.0, while the other 248 viewers who only rated the picture and provided no review assigned an average score of 6.3, nearly two points lower. There are at least two or three reasons why this might be; however, I will only offer the data as food for thought.

In conclusion, "Day of Reckoning" is dramatic and exciting and is very much worth a look by vintage movie fans.

Richard Dix as wealthy John Day is celebrating his birthday with his wife Dorothy (Madge Evans) and their friends. But there is trouble brewing. In the opening scene the milkman (Stuart Erwin as Jerry) has been instructed not to give the Days any more milk until the bill is paid up, which Dorothy makes excuses for, yet she still manages to keep a recently purchased expensive evening gown. The cops break up the celebration and arrest John for embezzlement, which he minimizes as just some kind of misunderstanding. It is - other people don't seem to understand that John has taken to "borrowing" money that is not his to satisfy his wife's expensive tastes.

The Days soon find out who their friends are as John doesn't even have the money to make bail. The only person who will help them is Hollins (Conway Tearle). However, his motivation is to keep John in jail so he can have his way with John's beautiful wife. He pays off a crooked lawyer to do just a bad enough job that John gets two years in the county jail when normally he would have gotten probation.

Dorothy talks the talk of the loyal wife, but she likes Hollins' gifts. Two years gives Hollins just enough time for Dorothy to forget John, have his way with her for awhile, and then discard her. However, Hollins' plot is not foolproof. You see, he has a recently discarded mistress, she does not like being replaced by Dorothy, plus she apparently has access to firearms. I'll let you watch and see how this all works out.

This love quadrangle - John, Dorothy, Hollins, the discarded mistress - and the story behind somebody in jail who is loyal to John beyond reason (Raymond Hatton as Hart) would take at least 90 minutes to flesh out halfway properly, but this was probably a second bill film so 68 minutes is all we are allowed. As a result, I felt like I had really been rushed through a story I didn't truly understand.

Now for the bright side - Una Merkel as Mamie, the Days' loyal servant, who somehow manages to keep everything going for the Days' two very small children, nursing them in sickness, and even bringing them to the yard in front of the jail so John can see his children. She is much more of a mom to these kids than their actual mother. Then there is the sweet romance that brews between Mamie and Jerry the milkman. You know how Jerry feels upfront, but you are not sure just how serious Mamie is until the very end. In this film that is a sea of characters who have bad intentions or at least bad actions, Mamie and Jerry are a breath of fresh air and actually take up more screen time than Richard Dix gets.

I'd recommend it, but just remember this little precode was probably never intended to be an A list film.

A young husband has his DAY OF RECKONING when he's sent to prison for embezzlement.

Fine performances raise what is essentially a soap opera above its material and provides some dandy entertainment along the way. While the subplots grow a little thick, all is resolved in time for an idyllic, if somewhat bittersweet, ending.

Leading man Richard Dix sheds his usual in-charge persona for a much more vulnerable characterization. Although they share few scenes, he is given firm support by perky Una Merkel playing his devoted Southern maid. She easily upstages pretty Madge Evans as Dix's conflicted wife. Stalwart Stuart Erwin plays the friendly milkman in love with Merkel.

Some fine character actors do quite well in smaller roles. Conway Tearle is the family friend who takes advantage of Dix's absence. Isabel Jewell is properly distraught as Tearle's former mistress. Raymond Hatton is effective as a prison trustee who befriends Dix. James Bell is noteworthy as a prisoner driven crazy by worry over his wife's supposed infidelity. Samuel S. Hinds manages to become suitably repellent in his brief screen time as a crooked lawyer. Tiny Spanky McFarland, of OUR GANG fame, turns on the charm as Dix's infant son.

Movie mavens will recognize an unbilled Clarence Wilson as a bail bondsman.