Barqueiro de Voga

THE SELF SUFFICIENCY of the L & H team is presented here in the best example possible. The slow and deliberate method of working a gag to its maximum was very handily put to good use in these shorts. Whereas most all other comedians opted for an array of fast paced comic situations, being rapidly dispatched at sometimes break-neck pace, L & H worked each slowly and deliberately doing their own reactions to whatever. (As a true antithesis to this Hal Roach/Leo Mc Carey style, see some of comedian Larry Semon's silent screen work.)_

ANOTHER SINGULARLY UNIQUE feature of this short subject is that it is all Stan & Ollie. Other than the brief appearance of Billy Gilbert at the beginning, the boys have this one all to themselves. They play out their shtick against the backdrop of their seagoing reclamation project. The now familiar routines of Laurel messing up Hardy's work, Hardy's reaction, stare at the camera and his slow burn are meticulously combined with Laurel's crying to great effect.

ALONG WITH SUCH other titles as ME AND MY PAL. OUR WIFE and THE MUSIC BOX, we have what we like to call "quintessential Laurel & Hardy".

AS IS THE norm, all is lost in the end; bu we know that there will be other moments to come.

Laurel and Hardy are travelling fishmongers, selling door to door on the street. Laurel has the idea to cut out the middle man and catch the fish themselves – hence turning pure profit on every fish they sell. They buy an old boat and begin to do it up – with predictable consequences.

From the opening conversation where Hardy asks Laurel to repeat his sensible and good idea and Laurel proceeds to muddle himself (`if we catch the fish, the people wouldn't have to pay and….') I was sold on this short film. The action follows this banter with a fantastic mix of physical humour and the good old double take stuff they do so well. Here the two (styles) really compliment each other – the highlight being when Laurel causes Hardy to become covered in paint and there is an eternity of looks, double takes and pauses before he asks `why did you put that stuff on your face'!

The stuff around the boat is all good and both men do really good work with their looks and their bodies. Hardy shows his class while leaning on the mast of the boat, hears sawing, looks to camera, looks down towards the sound, looks to camera then goes!

Overall this short has everything in it that I love about Laurel and Hardy and should be immediately seen by anyone who is wondering what all the fuss is about!

This film is highly reminiscent of another Laurel and Hardy short, HELP MATES. They both concern this clumsy and dopey duo trying to fix something. In HELP MATES, it was home repair and here it is fixing up an old sailboat. In fact, now that I think about it, it's pretty much the same film all over again with only some minor differences. This, though, is not that bad, as regardless it is still very entertaining and funny. I particularly liked the paintbrush goatee that Ollie is sporting late in the movie after a mishap. And the ending, is pretty much as you'd expect--a total disaster. This is pure Laurel and Hardy and, like their best material, NOT set to music or a contrived plot--just simple stupidness--the way Laurel and Hardy are meant to be seen.

Can it get any better than this. Stan has a great idea. Instead of working for "the Man," they should get a boat and fish themselves, thereby accruing all the profits. Since they have little money, it means buying a piece of junk boat and fixing it up. Actually, their ideas are sound and at times their skills aren't bad...but when it comes to coordination and execution, they are totally lost. As soon as they are finished trying to destroy the boat before getting it launched, things seem ship shape, if you will. But it isn't long before their mutual efforts begin to clash. Of course, as is usually the case, poor Ollie gets the worst of it. He is crunched, glued, painted, and abused. Yes, he did make the mistake of listening to his friend whose track record is anything but solid. I think the fact that their hearts are always in the right place is what made these guys so endearing. They never meant to be nasty to each other. Circumstances just didn't go their way. This effort, with really just them on the screen, except for a short scene with Billy Gilbert, shows them at their absolute best.

Towed In A Hole finds Laurel and Hardy seeking to expand their business horizons. When we first meet them they are selling retail fish from the back of their truck, fish caught by other people. Of course Stan gets the idea that they should get a boat and start catching their own fish to sell and become wholesalers. But what do these guys know from boats or fishing.

They buy a used boat that's a fix-it-up from Billy Gilbert who saw them coming a mile away. Then the rest of the film is spent in their futile attempts to repair this beached craft. After that it's the usual antics.

Best scene for me was Stan getting his head caught between the inside wall of the boat and the mast. What to do but saw the mast to get his head out. Good thing he had around a saw that he had been trying to make music on a few minutes earlier.

Problem was that while Stan was below Ollie was on top of the mast doing some repair there. When Stan finishes solving his problem the results are disaster for Ollie.

Directing these shenanigans for Hal Roach is George Marshall who would in a few years start turning out a whole series of some great comedy films.

Towed In A Hole also gives us some idea of Ollie's singing voice which was quite good. He doesn't sing, but right at the beginning he's hawking those fish in good voice in which he occasionally slips into the southern speech of his native Georgia.

Nice short subject for Stan and Ollie's legion of fans world wide.