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A small-town Kansas girl encounters hard luck & happiness when she follows her true love to New York City.

Aided by an excellent cast, THEY CALL IT SIN is a superior soap opera which delivers just enough sentiment & humor to keep the attention of most viewers. While the heroine's change of affection in the final scene is never really explained, this doesn't detract from the overall enjoyment of the film. Particularly commendable are the sequences set in the Merton park, with the softly playing ukulele setting a gentle romantic mood.

Beautiful Loretta Young is radiant as the sweet young thing who follows her dreams to the Big City. Doe-eyed & innocent, her purity is nicely countered by brassy, sassy Una Merkel, cartwheeling through her role as a chorus girl who doesn't take nonsense from anyone. Suave doctor George Brent & earnest businessman David Manners are both very fine in their roles as the fellows who adore Miss Young.

Helen Vinson plays Manners' wealthy fiancée. Elizabeth Patterson scores in her small role as Miss Young's spiteful ‘mother.' Louis Calhern plays the proper scoundrel as a lecherous theatrical producer.

Movie mavens will recognize an uncredited Roscoe Karns as a sarcastic dance rehearsal director. Marion Byron delivers some funny moments as the Merton soda jerk.

This is an amazing one to see, especially for early days of the actors we're more familiar with decades later. Was Louis Calhern ever young? Even here, he has a very mature look. There's a very placid and pleasing Loretta Young, mostly philosophic, never very ruffled for long by the twists and turns that come her way. Her wild roomie, Una, is no end of fun, getting ruffled enough for the both of them. David Manners caught my eye and looked for other movies with him, his having left Hollywood after less than a decade or so in favor of stage work. Very handsome young man, who reminded me of Jeffrey Lynn, who also wasn't around very long, in his case, to pursue another career altogether. George Brent transfers his usual low key portrayal from the last time you saw him. Surprisingly lively and interesting older movie.

This film caught my attention immediately because of the great actors in this film and Loretta Young, (Marion Cullen) who looked so radiant as a church organist in a very small church. David Manners plays the role as Jimmy Decker who comes from a rich family and is an engaged man to his boss's daughter. Jimmy Decker visits Kansas and walks into a church and is struck by the beauty of Marion Cullen who plays the hymns: "On Ward Christian Soldiers" and "Rock of Ages" which seem to captivate his heart strings. Jimmy gets deeply involved with Marion and she gets into a problem with her mother and father and they tell her she is an adopted girl and they do not think she is a good Christian and in many ways disown her. Marion runs off to New York City and seeks out Jimmy Decker and then the trouble starts for this couple in love. Great film and George Brent, (Dr. Tony Travers) gave a great supporting role. Enjoy.

There is really nothing here that couldn't have been shown in the production code era. In fact it could be a training film on how to make a seemingly sensational film in the production code era without any of the protagonists actually sinning.

Loretta Young is lovely as always as Marion, an amateur composer from a small Kansas town who heads for New York to pursue both a career in music and Jimmy, a man she loves whom she doesn't know is engaged to someone else. Fortunately, once in New York, she makes the acquaintance of chorus girl Dixie Dare (Una Merkel), a gold digger with a heart of gold, and physician Tony Travers (George Brent) who also just happens to be Jimmy's best friend. Not so fortunately she makes the acquaintance of Broadway producer Ford Humphries (Louis Calhern). When he finds he can't steal Marion's heart he steals her songs instead, claiming he wrote them himself and putting them in his show without reimbursing her. Meanwhile, Jimmy has gone through with his marriage but can't get Marion off of his mind. Tony also loves Marion and proposes. All of these story lines converge dramatically. How? Watch and find out.

The only real sinner here is Calhern as the slimy Humphries - he was an excellent villain in many films through the years - the devil in a three piece suit. It is rather implied that Marion might be sleeping with Humphries since he is paying the rent on her apartment, but their scenes together with her wiggling out of all of his embraces as though he were a squid makes me wonder. Una Merkel is a delight as Marion's loyal friend and steals every scene as she cartwheels - literally - through the film. Oddly enough George Brent is second billed when he actually gets very little screen time.

Rather sad is Marion Byron, an actress who played supporting parts similar to Una Merkel in the very early talkie era, who by this time was reduced to uncredited roles. Here she is a spunky soda jerk in the small Kansas town who flirts with Jimmy and gets nowhere.

Recommended for anyone who enjoys the Warner precodes of the era.

"They Call it Sin" is a 1932 film starring Loretta Young, George Brent, Una Merkel, Louis Calhern and David Manners. It's about a small-town beauty named Marion who falls in love with a man, James Decker (Manners) passing through town. He is engaged to another woman. It doesn't stop him, however, from falling in love with Marion. After a row with her parents and finding out she's adopted, Marion heads for New York, hoping to do something with her musical talent, and looks up Decker. Disillusioned upon learning he's engaged, she eventually takes up with a producer (Louis Calhern) who has a bad reputation as far as women are concerned. When he realizes she's in love with someone else, he fires her from his show and steals the music she wrote. Trouble follows.

Una Merkel plays dancer Dixie Dare, Marion's roommate, and she's a riot - wait until you catch her dance act sans the cartwheels she was hired to do. George Brent is a doctor friend of Manners who finds himself falling for Marion. All in all, it's a very attractive cast. As was the style in the early '30s, Loretta is blonder here than most people will remember her. The luminous Young is gorgeous in a series of outfits. Some people criticize her acting - I have always found her very natural and believable.

There was nothing new even in 1932 about the young girl in the big bad city, but the cast makes this film fresh and holds one's attention. It's not a long movie, but for the time it lasts, it's entertaining.