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7,2/10
5,2 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaThe owner of a rubber plantation becomes involved with the new wife of one of his employees.The owner of a rubber plantation becomes involved with the new wife of one of his employees.The owner of a rubber plantation becomes involved with the new wife of one of his employees.
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Avaliações em destaque
The fetid RED DUST of a Malaysian rubber plantation is the setting for an adulterous triangle involving the quick-tempered, rawboned manager, a brassy American prostitute & the upper-class wife of a new employee. Together, they're about to heat up the tropics.
Although blessed with good acting & fine production values, this is merely a soap opera set in the jungle. MGM was pushing the moral envelope here, seeing just how far they could go with libidinous behavior - and in those pre-Production Code days that was pretty far. Clark Gable & Jean Harlow exude sexuality, openly lusting for each other & spreading hormones around the screen. Harlow's lines (of dialogue) are both witty & suggestive, while Gable talks with his eyes and his hands. They were a perfect cinematic match and this film was such a big success that they would repeat the same basic plot 3 years later in CHINA SEAS, although the Code would cause that film to be a bit more covert.
Mary Astor adds a wrinkle to the plot as another fine-looking female for Gable to mate with, but the audience is never in any doubt that gorgeous Harlow will get him in the end. The rest of the cast (Gene Raymond, Donald Crisp, Tully Marshall & giggling Willie Fung) are good in small roles.
It should be noted that the story line contains racist elements, not unusual in a Hollywood film of that era.
By the way, the bedtime story Harlow is reading Gable at the end of the movie is a parody - and a good one - of the animal stories by Thornton W. Burgess which were very popular at the time.
Although blessed with good acting & fine production values, this is merely a soap opera set in the jungle. MGM was pushing the moral envelope here, seeing just how far they could go with libidinous behavior - and in those pre-Production Code days that was pretty far. Clark Gable & Jean Harlow exude sexuality, openly lusting for each other & spreading hormones around the screen. Harlow's lines (of dialogue) are both witty & suggestive, while Gable talks with his eyes and his hands. They were a perfect cinematic match and this film was such a big success that they would repeat the same basic plot 3 years later in CHINA SEAS, although the Code would cause that film to be a bit more covert.
Mary Astor adds a wrinkle to the plot as another fine-looking female for Gable to mate with, but the audience is never in any doubt that gorgeous Harlow will get him in the end. The rest of the cast (Gene Raymond, Donald Crisp, Tully Marshall & giggling Willie Fung) are good in small roles.
It should be noted that the story line contains racist elements, not unusual in a Hollywood film of that era.
By the way, the bedtime story Harlow is reading Gable at the end of the movie is a parody - and a good one - of the animal stories by Thornton W. Burgess which were very popular at the time.
Erotically highly charged melodrama that fairly sizzles, even today, more than 70 years later. Cinematography has a plasticity and a sheen to it that makes the film gorgeous to look at, editing is highly efficient and gets the job done and the story told, and the acting is fabulous. I wasn't prepared for the physical impact of the young Gable, how he makes absolutely no excuses for his raw sexuality and libido and how amazingly attractive he was. Harlow as well, I was prepared to find her vulgar and shallow, but she was quite good and certainly had a chemistry thing going with Gable.
Recommended, and please, all of you insisting that this is an inexcusably racist picture, any work of art needs to be judged by its own unique standards, and those of its time. Racism in movies today is a lot subtler, but certainly exists just like it did in the early 30s, and politics or no politics it doesn't detract from the greatness of this genre movie.
Heartily recommended.
Recommended, and please, all of you insisting that this is an inexcusably racist picture, any work of art needs to be judged by its own unique standards, and those of its time. Racism in movies today is a lot subtler, but certainly exists just like it did in the early 30s, and politics or no politics it doesn't detract from the greatness of this genre movie.
Heartily recommended.
A very entertaining movie with Gable and Harlow at their best.They really shine in their roles.Also a good performance by a young Mary Astor.It's easy to see that Clark Gable consolidated his newly won fame with this film.He shows his magnificent charisma on the screen perhaps for the first time to full effect.Harlow matches him all the way.An inspired pairing.
For those that have never seen a pre-Code film, RED DUST is a great film to begin with. It certainly isn't shy about dealing with adultery, prostitution, or heavy drinking. Although it was made over 70 years ago, it holds up extremely well by today's standards. This is due to a well written script that dealt with these subjects directly and wasn't restrained by the Production Code that was enacted 2 years later. Later films either didn't deal with this type of content or did so in a way that was ridiculous. It is also due to the performances of a rugged and virile Clark Gable and a strong willed and street smart Jean Harlow and a strong supporting cast. There is no doubt as to the sexual stamina of their two characters. We find this out early and often. One example is when Gable tucks money down Harlow's dress and says, "It's been nice having you." and spanks her behind. Most modern films would have shown a sex scene while films subject to the code would have treated its audience as children and made us aware in a ridiculous way that would satisfy the censors. The scene where he warns her against misusing the plumbing and attempts to pull her out of the water barrel(yes, she's naked, but we don't see the nudity) while the society woman he is trying to seduce watches on is hilarious. Clark Gable and Jean Harlow made one the better on screen couples of that time. It is a shame that her career was tragically cut short. I also enjoyed the scene where a frightened Mary Astor slaps him across the face for his indifference to the plight of her sick husband and he responds with a smug and confident grin. The movie also gives one an appreciation of the primitive conditions people lived in on a rubber plantation during that time. RED DUST is directed by Victor Fleming who would later direct THE WIZARD OF OZ and Clark Gable in GONE WITH THE WIND. People have complained that this film is racist, but need to realize that the world was a much different place in 1932 than in 2003. If you can do that, you'll probably enjoy this film. 9/10
This actually is as good as the publicity says. Definitely one to watch.
Back in the thirties, MGM might be thought of as slightly smug and arrogant but watching this you can understand why they were a bit self satisfied. They were the studio who really knew how to make a movie.
Care, detail and time were clearly invested to evoke the feel the insect laden, steamy Indonesian rain forest where the normal constraints and rules of society don't apply. In a similar sort of way to how Coppola evoked the surreal, dislocated world of Colonel Kurtz in Apocalypse Now, Victor Fleming brings Clarke Gable's private fiefdom vibrantly to life.
What makes this film so watchable ninety years after it wowed the audiences back in 1932 are the two stars. Gable is perfect as the world's most macho man; you can almost smell the gallons of testosterone he sweats out. I've never been a fan of Jean Harlow but for once, she really shows what she can do - she is brilliant in this. You've also got to impressed by her professionalism in the way she effortlessly makes the personality of her character so real considering her husband was either murdered or committed suicide during its filming.
Back in the thirties, MGM might be thought of as slightly smug and arrogant but watching this you can understand why they were a bit self satisfied. They were the studio who really knew how to make a movie.
Care, detail and time were clearly invested to evoke the feel the insect laden, steamy Indonesian rain forest where the normal constraints and rules of society don't apply. In a similar sort of way to how Coppola evoked the surreal, dislocated world of Colonel Kurtz in Apocalypse Now, Victor Fleming brings Clarke Gable's private fiefdom vibrantly to life.
What makes this film so watchable ninety years after it wowed the audiences back in 1932 are the two stars. Gable is perfect as the world's most macho man; you can almost smell the gallons of testosterone he sweats out. I've never been a fan of Jean Harlow but for once, she really shows what she can do - she is brilliant in this. You've also got to impressed by her professionalism in the way she effortlessly makes the personality of her character so real considering her husband was either murdered or committed suicide during its filming.
Você sabia?
- CuriosidadesDuring filming of the famous rain-barrel sequence, Jean Harlow reportedly stood up--topless--and called out something along the lines of "one for the boys in the lab!" Director Victor Fleming allegedly removed the film from the camera to prevent any footage from reaching the black market.
- Erros de gravaçãoWhen Clark Gable and Gene Raymond are in the tree while hunting, after the line: 'This would be a bad country to raise children in, wouldn't it?' Thecloud in the background changes dramatically.
- Citações
Barbara Willis: [watching the workers pouring liquid rubber] Why, it's milk.
Dennis Carson: Oh no, just rubber. But you could drink it if you care to stretch a point.
Barbara Willis: Oh, I once knew a man who made a joke like that. He was run over by a truck.
Dennis Carson: Were you driving it?
Barbara Willis: Yes!
Dennis Carson: Well, you're out of luck here. We only have ox-carts and every ox knows me personally.
- ConexõesEdited into Hollywood: The Dream Factory (1972)
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- How long is Red Dust?Fornecido pela Alexa
Detalhes
- Data de lançamento
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- Orçamento
- US$ 408.000 (estimativa)
- Tempo de duração
- 1 h 23 min(83 min)
- Cor
- Proporção
- 1.37 : 1
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