A Canção do Pecado

A very dated romance about two friends who does not really see each other as much more that just friends until luck be it, true heart wins.

Shocking, because how dated it feels both storywise and singing wise. The age of the film just pops off when watching the film. Given that this was also written during the infancy of sound. A lot of things feels underproduced but Miss Gracie sounds really different to even some of the songs contemporary to the film. The romance too, I would describe as too gentile for modern taste.

Anyways, an interesting time piece but boring as a whole. [2.5/5]

PS: I did not telegraphed that they were lovers in the film, but rather just close friends. Maybe that is also a dated vibe of the film?

In her second film, Gracie Fields stars as a woman who works as a manicurist in the same salon as her boyfriend Laurie (Richard Dolman) who works as a hair dresser. They have apartments across the alley from each other and dream of success. He wants to write songs and she wants to sing.

A snooty showgirl who is a customer (Wyn Richmond) invites Laurie to a party where a theatrical producer (Julian Rose) is intrigued by his songs and by Gracie's singing. He signs Laurie to write some song and showbiz goes to his head. Laurie and Gracie break up.

Gracie gets fired from her manicurist job and is forced to take a job as a policewoman. Laurie bombs as a songwriter and the showgirl dumps him. Gracie eventually gets fired from her copper job and is forced to seek out the producer for a job as a singer. Will she be a success? Will she and Laurie get back together?

Gracie Fields is a dynamo here, singing up a storm and digging into the film's dramatic scenes and comedy. Dolman is OK, but Rose and Richmond are very good. Viola Compton is also very good as the police sergeant.

Fields gets to sing the title song as well as "I Hate You," "After Tonight We Say Goodbye," "You're More Than All the World to Me," and the comic "He's Dead But He Won't Lie Down."

'