The Sport Parade

Bill Gargan and Joel McCrea are a pair of former college athletes now sportswriters. They have a friendship which is put severely to the test over a woman, Marian Marsh. When it founders, McCrea takes up pro-wrestling and goes to work for crooked promoter Walter Catlett.

As the old saying goes when you lie down with dogs you come up with fleas. It's guilt by association for our intrepid hero and McCrea has to save his reputation.

Joel McCrea is probably the most moral decent hero the cinema ever produced. But his persona in the wrong director's hands and a bad script, he can venture over into Dudley Doo-Right territory. Unfortunately he does that here.

But if you want to see Joel McCrea stripped to the waist in his twenties than you have some incentive to see this movie.

It is, after all, a very Hawksian landscape -- men's men, sports, best friends vying for the same woman, a vague homoeroticism beneath. (The film historian Richard Barrios has suggested it's a heavily disguised gay fantasy, with Marian Marsh there just for convention's sake.) But Dudley Murphy, with David Selznick's blessing, goes in for terrible artsy cinematic transitions, needlessly elaborate camera-work, and an odd obsession with Harlemites (a pseudo-Cotton Club sequence that makes for highly uncomfortable viewing today). You do get the appeal of the young Joel McCrea, one of the most unassuming and likable of leading men, and there are nice, seemingly improvised bits by Robert Benchley, doing sportscaster variations on his famed "Treasurer's Report" routine. Walter Catlett pitches in, too, playing a sort of sub-Don King with his well-practiced brand of cynicism and breathless delivery. But the pacing's sluggish for an under-70-minute programmer, and the happy ending's awfully forced: Aside from the inexplicably quashed romantic rivalry, wouldn't a sequel show the mob gunning down McCrea for not throwing the fight?

This had to be schlocky, even for 1932. Two four letter athletes at Dartmouth graduate, and head down separate paths, one successful, one not. They meet again, wind up working at the same job, and fighting over the same chick. Are you snoring yet ? I am. The only reason to watch this one is to see early Joel McCrea, but he made better ones than this in his early career. Nuts to the "Sport Parade". This one probably didn't make the '32 "Hit Parade".

"The Sport Parade" is strictly a quick B-movie and since Joel McCrea was pretty new to the film industry, it's not surprising he made a few cheapo films.

When the story begins, Sandy Brown (McCrea) and Johnny Baker (William Gargan) are star athletes at Dartmoth. They are multi- sport heroes and their future looks grand. Johnny dreams of working for a newspaper and Sandy simply wants to get rich. What follows is a Horatio Alger-type story where Sandy eventually learns that his way is not the healthy way...and he repeatedly makes an idiot of himself until he eventually does the right thing.

Overall, a mildly interesting film...at best. About the only interesting things that stand out are seeing McCrea and seeing a lot of male skin, as it's a pre-code film and titillation was big back in the day.

The Sport Parade (1932)

** (out of 4)

Boring sport film with a silly love story thrown in. Best friends Sandy (Joel McCrea) and Johnny (William Gargan) go through their college years as football stars at Darmouth but after their playing days they go in separate directions. Johnny gets a legit job at a newspaper while Sandy falls in with a crooked manager who tries to exploit what fame his name carries. Soon the friends are fighting over a girl (Marian Marsh) while Sandy gets into deeper trouble when he gets into wrestling. THE SPORT PARADE might have an attractive cast but this is certainly "C" movie material as the screenplay never gives us much to care about. The entire sports angle really isn't all that interesting because we're simply not given anything we haven't seen countless times before. This material was already boring by 1932 standards so it doesn't help that everything is just one cliché after another. The stock footage used for some of the sports certainly doesn't help and neither does the obvious body double during the wrestling scenes. Another major problem is that the love story is so rushed that it really does seem forced and it's hard to take it very serious. The performances are the one saving grace with McCrea doing a pretty good job in his role and I thought he was really effective during the scenes where his character realizes that he's being taken advantage of. Gargan is good as the best friend and Marsh makes good support as the love interest. We also get a nice performance by Walter Catlett as the agent and we even get Robert Benchley playing a radio announcer. THE SPORT PARADE really doesn't have much going for it so it'll only be of interest to fans of McCrea or those who never realizes that wrestling was staged.