Chandu, O Mágico

Sixty or more years ago, I saw this movie in Tehran, Iran. I was about ten at that time and there was a huge poster of the movie in the bicycle shop where I took my bike for repairs. The whole poster was the face of Chandu the Magician with his hands and opened fingers in front of him. I was mesmerized by the supernatural powers of that magician, who could make the audience see things that were not there. It was the first movie I fell in love with, but they didn't show the sequels which I now see on this website had been produced. I was waiting in such earnest to see more of my favorite hero. They were innocent times....

Chandu the Magician (1932)

* 1/2 (out of 4)

Chandu (Edmund Lowe) must stop a madman (Bela Lugosi) from blowing up the world with his death ray. Action, horror and fantasy elements are scattered throughout this film but none of those elements ever come together to make a very interesting movie. There's non-stop action but it's all rather boring, although a few of the magic tricks are nice. Lugosi is good in his role but the character never really gets to do too much. Lowe is downright boring as Chandu and this hurts the film a lot. The serial/sequel The Return of Chandu has Lugosi playing Chandu and is a lot more entertaining.

I have to agree with other reviewers on this film: Bela Lugosi steals the show. He's good a usual in this underrated fantasy film.

The sets and costuming are lavish, elegant and beautiful eye candy. Loved the Egyptian setting. The special effects are great for it's time era.

The story is good, it has quite a bit of romance and comedy in it. The film does have some action and it's fun adventure to watch. It's simply a worthwhile film classic to view.

Simply worded: If you like film surrounding magic, mysticism, fantasy, Egyptian-themes, and/or Bela Lugosi then I'm sure you will enjoy Chandu the Magician.

7.5/10

Willian Cameron Menzies does a more than adequate job creating suspense in this early serial-style thriller about a yogi mystic named Chandu protecting the world, his sister and her family, and his Egyptian princess love from the evil megalomaniacal ways of Roxor. Roxor has built a death ray to make himself master of the world. Only trouble is that the inventor will not give him the secret of the ray and Chandu is on to his dastardly scheme. Edmund Lowe makes a dashing, affable hero with his ready wit and his theatrical gestures conjuring magic. Roxor is played with aplomb by heavy Bela Lugosi. Lugosi steals all of his scenes and gives a first-rate performance. Irene Ware as the Princess Nadja makes an attractive, bright leading lady, and the rest of the cast fares well too. A thoroughly nice comedic turn is performed by Herbert Mundin as Mr. Miggles. He is a drunken friend/servant of Chandu and sees himself in miniature every time he takes a drink. The film boasts what must have been relatively high production values for the day. It plays well considering it was made in 1932. There are some great scenes in the film. Menzies, best known for directing Invaders From Mars, uses a very fluid camera. A scene where Chandu looks into a crystal is most impressive as the camera zigs and zags through a Egyptian tomb. Another memorable scene depicts the scientist's daughter, clad only in a tight slip, offered on the slave trading block. The scene was risque for its time to be sure. While Chandu is certainly not a great film, it is definitely a cut above many films made in its time.

Based upon the radio show of the same name this film is the story of Chandu,, real name Frank Chandler, a white man taught the secrets of the yogis. Chandler has been set loose to save his family who has been put into peril by the evil Roxor, played by Bela Lugosi (who not long after would play Chandu himself in a movie serial).

Containing more action than most serials this is a true popcorn movie that moves pretty much from start to finish. There are dangers aplenty as Chandu struggles to save the world.

The film is near perfect, but suffers from a couple of small flaws. The first is the over use of the small man that Biggles sees each time he drinks. Chandu enchants Biggles to prevent him from drinking and its used a couple of time too many. The second is that toward the end the effects look weak. The underwater sequence is terrible, and the use of rear screen as people flee the temple is awful.

Still this is a movie to sit down with a big bucket of popcorn and enjoy.

9 out of 10.