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6,3/10
1,2 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaReporters, vigilantes, a moll and a crooked lawyer work to bring down a bootlegger.Reporters, vigilantes, a moll and a crooked lawyer work to bring down a bootlegger.Reporters, vigilantes, a moll and a crooked lawyer work to bring down a bootlegger.
- Prêmios
- 2 vitórias no total
Johnny Mack Brown
- Hank Rogers
- (as John Mack Brown)
Frank McGlynn Sr.
- Judge
- (as Frank McGlynn)
William A. Boardway
- Assistant District Attorney
- (não creditado)
Lynton Brent
- Reporter
- (não creditado)
Mary Carlisle
- Girl
- (não creditado)
Avaliações em destaque
This crime drama features both an excellent cast and an excellent script by Frances Marion. The story could easily be filmed today and become a huge box office hit. Louie Scorpio (Wallace Beery) is an uneducated meathead from the streets with a thirst for money. He learns that bootlegging is a great way to get what he wants, so he joins up with Johnny (Ralph Bellamy) and "Newt" (Lewis Stone) who run a powerful gang in town. After bumping Johnny off, Louie becomes the leader and fixes half the town in his favor. Among the most desirable allies are the town reporters Hank (Johnny Mack Brown) and Carl (Clark Gable). He uses a beautiful dame (Jean Harlow) to keep them in line, but can't seem to shake the cops.
For an early talkie, the camera-work here is surprisingly innovative. There are scenes that feel very static and others that move fluidly through various sets. The lighting is fantastic and creates a beauty for a bleak storyline. Unfortunately, the sound quality isn't so impressive. Sometimes the dialogue is difficult to understand, so the story can become confusing in some areas. Thankfully, audiences will be able to figure things out fairly easily.
For an early talkie, the camera-work here is surprisingly innovative. There are scenes that feel very static and others that move fluidly through various sets. The lighting is fantastic and creates a beauty for a bleak storyline. Unfortunately, the sound quality isn't so impressive. Sometimes the dialogue is difficult to understand, so the story can become confusing in some areas. Thankfully, audiences will be able to figure things out fairly easily.
In the '30s, Warner Bros. specialized in gritty, violent urban crime dramas, and no studio did them better. This tough-as-nails gangster film is, surprisingly enough, from MGM, and compares favorably with the Warners product--in fact, it comes out ahead in several respects. The cast is terrific--with Wallace Beery, Jean Harlow, Ralph Bellamy and Clark Gable, to name a few--and George Hill's direction is as energetic and forceful as any of the directors at Warners. Another bonus is the well-known MGM gloss; it may have been just a B picture, but a "B" at MGM was as good as, and often better than, an "A" at other studios. Although this is one of Gable's earlier performances, his star quality is unmistakable--he explodes onto the screen, his good looks and charm in full force. Ralph Bellamy, whose career was spent mostly playing good-natured second leads, does a top-notch job as a two-timing, scheming gang leader who gets his just desserts after a double-cross. Even Wallace Beery manages to rein in his tendency to ham it up and contributes a solid job as the murderous "Slaughterhouse" Scorpio, who takes over Bellamy's gang. Lewis Stone as a corrupt lawyer who actually runs the gang shows what a good job he could do when given a part he could sink his teeth into, and Jean Harlow proved that she wasn't just another pretty face (and great body); she really shines in the last part of the film, especially during the courtroom scenes. This is a first-rate picture, with sharp writing, tough, no-nonsense direction and superior performances from all concerned. Don't miss it.
This is an odd movie on two accounts. First, the plot for this movie appears to have been stolen by Warner Brothers just four years later in SPECIAL AGENT. Both films feature a newspaper reporter who is actually a government agent. And both have these reporters gaining close access to mob leaders in order to convict them of tax fraud. I just can't believe the story parallels are just coincidental. Second, while he receives very low billing, Clark Gable is given one of his first starring roles. Despite the low billing, he is second only to Wallace Beery in the film in regard to time on screen and importance to the story.
As mentioned above, this film concerns Gable getting close to mobster Beery in order to help a secret grand jury gain enough information for an indictment. However, unlike SPECIAL AGENT, there is more emphasis on the exploits of the mob leader and the newspaper reporter's role is slightly less prominent. While the film was certainly more original that SPECIAL AGENT, the film wasn't quite as polished and seemed a bit shrill. As a result, if you only want to see one film, SPECIAL AGENT is probably a slightly better film.
As mentioned above, this film concerns Gable getting close to mobster Beery in order to help a secret grand jury gain enough information for an indictment. However, unlike SPECIAL AGENT, there is more emphasis on the exploits of the mob leader and the newspaper reporter's role is slightly less prominent. While the film was certainly more original that SPECIAL AGENT, the film wasn't quite as polished and seemed a bit shrill. As a result, if you only want to see one film, SPECIAL AGENT is probably a slightly better film.
While not on the level of the work being done in Warners crime films during the same period ("The Public Enemy," "Little Caesar"), "The Secret Six" is a fine picture with a lot to recommend it.
Primarily, this comes from the cast. Wallace Beery, then at the height of his fame, makes for a good central figure as Louis "Slaughterhouse" Scorpio, as the name implies, a former slaughterhouse worker turned bootlegger and murderer. His ordering "a hunk o'steak" after spending all day crushing animals heads with a sledgehammer suggests, right at the beginning, that killing means nothing to this huge primate of a man. Lewis Stone, on the wrong side of the law for once, is Newton, the dandyish crooked lawyer and head of the gang, giving an understated, sinister performance and making every scene count. Ralph Bellamy, one of the movies' perennial nice guys, plays a very, very bad guy here, as the gangster who brings Scorpio into the gang, to his later regret. And veteran Marjorie Rambeau, while she has little to do overall, is good as Bellamy's blowsy mistress, Peaches, a far cry from the society matrons she would specialize in later in her career.
But the big surprise, and one of the main reasons for watching this picture, are the solid early performances of Jean Harlow and a young, sans-mustache Clark Gable. Both were free-lancers who were hired for this film on a one-time basis. MGM was so impressed with their work as, respectively, Anne, the cigarette girl who loves and loses reporter Johnny Mack Brown, and Carl, the crusading reporter who aids the Secret Six of the title in bringing down Stone and Beery's criminal organization, that they were hired to long-term contracts right after the picture was completed. Both turn in solid performances. Those who think Harlow couldn't act should see her in the last third of the film, particularly the trial scene. And the sheer mile-a-minute energy Gable brings to his role makes his every scene watchable. Within the next few years, these two would establish themselves as the stuff of Hollywood legend.
Directed by the excellent, underrated George Hill ("Tell It To the Marines," "Min and Bill," "Hell Divers"), scripted by the great Frances Marion, and with the aforementioned solid cast and the usual MGM gloss, "The Secret Six" makes for a very enjoyable film, for historians, crime film buffs, fans of the stars, and just those of us who appreciate a good, involving story.
Primarily, this comes from the cast. Wallace Beery, then at the height of his fame, makes for a good central figure as Louis "Slaughterhouse" Scorpio, as the name implies, a former slaughterhouse worker turned bootlegger and murderer. His ordering "a hunk o'steak" after spending all day crushing animals heads with a sledgehammer suggests, right at the beginning, that killing means nothing to this huge primate of a man. Lewis Stone, on the wrong side of the law for once, is Newton, the dandyish crooked lawyer and head of the gang, giving an understated, sinister performance and making every scene count. Ralph Bellamy, one of the movies' perennial nice guys, plays a very, very bad guy here, as the gangster who brings Scorpio into the gang, to his later regret. And veteran Marjorie Rambeau, while she has little to do overall, is good as Bellamy's blowsy mistress, Peaches, a far cry from the society matrons she would specialize in later in her career.
But the big surprise, and one of the main reasons for watching this picture, are the solid early performances of Jean Harlow and a young, sans-mustache Clark Gable. Both were free-lancers who were hired for this film on a one-time basis. MGM was so impressed with their work as, respectively, Anne, the cigarette girl who loves and loses reporter Johnny Mack Brown, and Carl, the crusading reporter who aids the Secret Six of the title in bringing down Stone and Beery's criminal organization, that they were hired to long-term contracts right after the picture was completed. Both turn in solid performances. Those who think Harlow couldn't act should see her in the last third of the film, particularly the trial scene. And the sheer mile-a-minute energy Gable brings to his role makes his every scene watchable. Within the next few years, these two would establish themselves as the stuff of Hollywood legend.
Directed by the excellent, underrated George Hill ("Tell It To the Marines," "Min and Bill," "Hell Divers"), scripted by the great Frances Marion, and with the aforementioned solid cast and the usual MGM gloss, "The Secret Six" makes for a very enjoyable film, for historians, crime film buffs, fans of the stars, and just those of us who appreciate a good, involving story.
This is a great gangster movie with a very talented cast. Wallace Beery plays a Capone-type hoodlum that allows nothing to stand in his way. Well, tax problems do put his power and glory on the skids. The veteran actor Lewis Stone is a 'high brow' crime lord. Usual good guy Ralph Bellamy is a bootlegger/night club owner. The Chicago night life and gangland activity keeps this flick rocking back and forth, but well worth watching.
Talk about a great supporting cast. Get a load of this: Johnny Mack Brown, Clark Gable and the enchanting Jean Harlow. Fun to watch on the same evening with SCAREFACE(32) and THE STAR WITNESS(31)
Talk about a great supporting cast. Get a load of this: Johnny Mack Brown, Clark Gable and the enchanting Jean Harlow. Fun to watch on the same evening with SCAREFACE(32) and THE STAR WITNESS(31)
Você sabia?
- CuriosidadesDespite being billed seventh in the cast, Clark Gable has more screen time than this implies, and much greater impact. During the filming, Irving Thalberg had scenes added to bolster Gable's part. The result was a screen presence three times longer than that called for in the original script. He was given an MGM contract after shooting was completed.
- Erros de gravaçãoAlthough supposedly set in Chicago, after the shoot-out in the bar, as the gangs drive off on the rear-projection in the background can be seen the large vertical sign for the Metropolitan Theater in Los Angeles (at the corner of 6th and Hill Streets). That footage was also shot in 1929 or before as during that year Paramount bought the theater and renamed it "The Paramount). The distinctive 5-globe Llewellyn Iron Works streetlights are also a giveaway those shots were done in L.A.
- ConexõesReferenced in Hollywood Hist-o-Rama: Jean Harlow (1962)
- Trilhas sonorasPrelude in C-, Op. 28, No. 20
(uncredited)
Composed by Frédéric Chopin
[What Joe Colimo plays on the piano]
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- Orçamento
- US$ 494.000 (estimativa)
- Tempo de duração
- 1 h 23 min(83 min)
- Cor
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