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IMDbPro

Possuída

Título original: Possessed
  • 1931
  • Passed
  • 1 h 16 min
AVALIAÇÃO DA IMDb
6,9/10
2,5 mil
SUA AVALIAÇÃO
Clark Gable and Joan Crawford in Possuída (1931)
DramaRomance

Adicionar um enredo no seu idiomaAn ambitious factory girl meets a handsome, wealthy lawyer, but he's interested in her as a mistress, not a wife.An ambitious factory girl meets a handsome, wealthy lawyer, but he's interested in her as a mistress, not a wife.An ambitious factory girl meets a handsome, wealthy lawyer, but he's interested in her as a mistress, not a wife.

  • Direção
    • Clarence Brown
  • Roteiristas
    • Edgar Selwyn
    • Lenore J. Coffee
  • Artistas
    • Joan Crawford
    • Clark Gable
    • Wallace Ford
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,9/10
    2,5 mil
    SUA AVALIAÇÃO
    • Direção
      • Clarence Brown
    • Roteiristas
      • Edgar Selwyn
      • Lenore J. Coffee
    • Artistas
      • Joan Crawford
      • Clark Gable
      • Wallace Ford
    • 45Avaliações de usuários
    • 14Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 3 vitórias no total

    Fotos33

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    Elenco principal31

    Editar
    Joan Crawford
    Joan Crawford
    • Marian Martin
    Clark Gable
    Clark Gable
    • Mark Whitney
    Wallace Ford
    Wallace Ford
    • Al Manning
    Richard 'Skeets' Gallagher
    Richard 'Skeets' Gallagher
    • Wally Stuart
    • (as Skeets Gallagher)
    Frank Conroy
    Frank Conroy
    • Horace Travers
    Marjorie White
    Marjorie White
    • Vernice LaVerne
    John Miljan
    John Miljan
    • John Driscoll
    Clara Blandick
    Clara Blandick
    • Mother Martin
    Norman Ainsley
    • Ambrose - Wally's Butler
    • (não creditado)
    Jack Baxley
    • 'League of Nations' Heckler
    • (não creditado)
    Wade Boteler
    Wade Boteler
    • 'Answer That One' Heckler
    • (não creditado)
    Clarence Brown
    Clarence Brown
    • Man on Merry-Go-Round
    • (não creditado)
    André Cheron
    • Monsieur Lavell - Party Guest
    • (não creditado)
    Gino Corrado
    Gino Corrado
    • Signor Martini - Party Guest
    • (não creditado)
    Phyllis Crane
    Phyllis Crane
    • Undetermined Secondary Role
    • (não creditado)
    Jean Del Val
    Jean Del Val
    • Waiter
    • (não creditado)
    Florence Enright
    • Undetermined Secondary Role
    • (não creditado)
    Bess Flowers
    Bess Flowers
    • Party Guest
    • (não creditado)
    • Direção
      • Clarence Brown
    • Roteiristas
      • Edgar Selwyn
      • Lenore J. Coffee
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários45

    6,92.4K
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    Avaliações em destaque

    8secondtake

    Rather great stuff, if you can find a watchable copy...natural and warm

    Possessed (1931)

    A wonderful Joan Crawford film not to be confused with her second, completely unrelated, also wonderful movie of the same title (yes) from 1947. This one, to be sure, also stars Clark Gable, and it dates from the years when Gable and Crawford had an intermittent, steamy affair. The chemistry is good, the filming excellent (and sometimes breathtaking), and the overall story a lively pre-code, Depression-era tale of succeeding.

    But success at what cost? That's the key. You love Crawford's rise, and her methods are sincere even if not as sweet and homespun as the first scene would imply. It's not that she's corrupted, but that she discovers the excitement of the big city, and the truth that there really is sincerity there as much as in the little town she came from.

    Gable represents every girl's dream, of course. He's suave, warm, funny. And rich. Their interactions are natural throughout, and the pace lively (as most of the famous pre-Code films are).

    The filming is excellent, including a somewhat famous long take of Crawford, near the beginning, watching a train slowly amble by as a parade of different scenes unfolds through each window. It's worth seeing just for that scene alone (if you like great cinematography, and the aura of old Hollywood).

    Clarence Brown is the uncredited (!) director here, and he's terrific. See "A Free Soul" made at the same time for another (even better) film showing off his ability to make dialogs crisp and true. (He's more famous for his many movies with Garbo, but he did a slew with Crawford.)

    If you think there is a predictability here, you're going to be partly wrong. See this one, not because it's a classic, but because it's very very good, and forgotten. You will have trouble finding a good version, however. The one I found was on iTunes and it was so terrible (harsh tones, highlights so washed out you couldn't see their faces in many scenes) I don't recommend it. (I wrote to complain and got a quick refund, an apology, and a promise to look into it. I don't know if that fixed the problem, however, in Spring 2014.) Anyway, find a good copy somehow. Do it.
    8Jim Tritten

    Joan sings, dances, and gets slapped by Gable

    Excellent soaper with a Joan Crawford billed above the soon-to-be superstar Clark Gable. The possibility of upward mobility afforded to women, especially at this time during the Great Depression, remains a theme of interest today. Women can play on men and get upward mobility but there is often a price to be paid -- and Joan pays it in this movie.

    Excellent photography makes the best of the stars and Adrian's dressing of Joan. Notable train sequence in beginning of film has the poor Joan facing the possibility of the good life if she is willing to defy convention and joint those "inside the car." Gable teaches her how to act and she becomes a refined, but kept, woman. He refuses to marry her for all the "right" reasons but in the end, Joan is affected by society's opinion of women in her station.

    Grandstand speech sequence at the end of the film is a bit too unbelievable but my wife was moved to tears when she saw it. One of Joan's better films. Recommended.
    8preppy-3

    Fast-paced and racy

    Poor factory girl (Joan Crawford) goes to New York to find fame and fortune. She quickly becomes a "kept" woman for a rich lawyer (Clark Gable--without his moustache). But she can't keep her past away forever and things start to go terribly wrong.

    Strong (for 1931), short (71 minutes) pre-Code drama. The script is sharp and believable, the direction good and there are some incredibly lavish settings. Also Crawford and Gable are just great in their roles and both of them look incredibly beautiful. There was a brief part at the end that I didn't buy, but that didn't destroy the picture at all. Well worth seeing for anybody, but a definite must for Crawford and Gable fans.
    8atlasmb

    Early Crawford and Gable in an intelligent film

    I am not a Joan Crawford fan, but I have come to appreciate her acting, especially in her early career. This film, released in 1931, shows her promise as an actress (not to mention Gable, who always displayed a magnetism that lit up the screen). Joan would star in another film titled "Possessed" in 1947, but they are two different stories. In this pre-Code story, adapted from a play, she is Marian Martin, a small-town girl who works in a box factory, but is determined to get ahead, though she sees no prospects locally.

    A train passing through town slows and stops in front of her. Through the windows, she sees highlights of the high life, the life of the big city, promising wealth and romance. It is a wonderful scene. As a result, she makes her way to New York City, where she meets Mark Whitney (Clark Gable), a wealthy, unmarried attorney who immediately likes her no-nonsense honesty. They become involved, but he has no plans to marry her.

    Crawford is vivacious and convincing in the role, showing a wide range of emotions. The film spotlights her beauty and her talent. In one scene, she sings in French, German and English. The song is "How Long Will it Last?"--an appropriate choice. The script is intelligent and the directing is clever and inventive.

    There is only one section of the film that did not ring true, but it sets up a scene that is the dramatic climax of the film. As a whole, this film is well worth seeing.
    Jim West

    Mature pre-code Hollywood drama

    This movie goes to prove that pre-code Hollywood was much more mature and knew how to make movies of good taste on socially relevant issues. The theme of the woman who lives as a 'mistress' of the man she loves because he prefers not to get married was very daring in those days. The social background was also cleverly handled. One scene is particularly impressive and intelligent: when J. Crawford, just about to cross a railroad, stops to wait a train go slowly by and, through each window that passes, she has a glimpse of how the other half lives, just as though she were watching a movie. A visually very inspired moment.

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    Enredo

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    Você sabia?

    Editar
    • Curiosidades
      The first of two films with this title Joan Crawford appeared in. The second was Fogueira de Paixão (1947), for which she received an Oscar® nomination. This makes Crawford the only star to appear in two completely different films with identical titles.
    • Citações

      Marian Martin, aka Mrs. Moreland: You don't own me. Nobody does. My life belongs to me.

      Al Manning: You'll make one fine mess of it.

      Marian Martin, aka Mrs. Moreland: It'll still belong to me.

      Marian's mother: Don't, Marian, you frighten me when you talk like that.

      Marian Martin, aka Mrs. Moreland: If I were a man it wouldn't frighten you! You'd think it was right for me to go out and get anything I could out of life, and use anything I had to get it. Why should men be so different? All they've got are their brains and they're not afraid to use them. Well neither am I!

    • Conexões
      Featured in MGM Greatest Moments: A Video Sampler (1987)
    • Trilhas sonoras
      How Long Will It Last?
      (1931) (uncredited)

      Music by Joseph Meyer

      Lyrics by Max Lief

      Sung by Joan Crawford in French, German and English

      Played as part of the score throughout

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    Perguntas frequentes

    • How long is Possessed?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 21 de novembro de 1931 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idiomas
      • Inglês
      • Francês
      • Alemão
    • Também conhecido como
      • A Possuída
    • Locações de filme
      • Philharmonic Auditorium, Los Angeles, Califórnia, EUA(Political Rally)
    • Empresa de produção
      • Metro-Goldwyn-Mayer (MGM)
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 16 minutos
    • Cor
      • Black and White
    • Proporção
      • 1.20 : 1

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