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IMDbPro

Loura e Sedutora

Título original: Platinum Blonde
  • 1931
  • Approved
  • 1 h 29 min
AVALIAÇÃO DA IMDb
6,7/10
3,9 mil
SUA AVALIAÇÃO
Jean Harlow, Robert Williams, and Loretta Young in Loura e Sedutora (1931)
ComédiaComédia malucaComédia românticaRomance

Adicionar um enredo no seu idiomaA young woman from a very rich family impulsively marries a reporter, but each assumes the other is the one whose lifestyle must change.A young woman from a very rich family impulsively marries a reporter, but each assumes the other is the one whose lifestyle must change.A young woman from a very rich family impulsively marries a reporter, but each assumes the other is the one whose lifestyle must change.

  • Direção
    • Frank Capra
  • Roteiristas
    • Harry Chandlee
    • Douglas W. Churchill
    • Robert Riskin
  • Artistas
    • Jean Harlow
    • Loretta Young
    • Robert Williams
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,7/10
    3,9 mil
    SUA AVALIAÇÃO
    • Direção
      • Frank Capra
    • Roteiristas
      • Harry Chandlee
      • Douglas W. Churchill
      • Robert Riskin
    • Artistas
      • Jean Harlow
      • Loretta Young
      • Robert Williams
    • 76Avaliações de usuários
    • 28Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 2 vitórias no total

    Fotos52

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    Elenco principal38

    Editar
    Jean Harlow
    Jean Harlow
    • Ann Schuyler
    Loretta Young
    Loretta Young
    • Gallagher
    Robert Williams
    Robert Williams
    • Stew Smith
    Halliwell Hobbes
    Halliwell Hobbes
    • Butler
    Reginald Owen
    Reginald Owen
    • Grayson
    Edmund Breese
    Edmund Breese
    • Conroy - The Editor
    Don Dillaway
    Don Dillaway
    • Michael Schuyler
    • (as Donald Dillaway)
    Walter Catlett
    Walter Catlett
    • Bingy
    Claud Allister
    Claud Allister
    • Dawson - The Valet
    • (as Claude Allister)
    Louise Closser Hale
    Louise Closser Hale
    • Mrs. Schuyler
    Wilson Benge
    Wilson Benge
    • Butler
    • (não creditado)
    Vance Carroll
    • Reporter
    • (não creditado)
    Eddy Chandler
    Eddy Chandler
    • Hank - A Reporter
    • (não creditado)
    Richard Cramer
    Richard Cramer
    • Speakeasy Proprietor
    • (não creditado)
    Oliver Eckhardt
    Oliver Eckhardt
    • Reporter
    • (não creditado)
    Bill Elliott
    Bill Elliott
    • Ann's Beau - The Round-the-World Flyer
    • (não creditado)
    Adolph Faylauer
    Adolph Faylauer
    • Party Guest
    • (não creditado)
    J.C. Fowler
    J.C. Fowler
    • Reporter
    • (não creditado)
    • Direção
      • Frank Capra
    • Roteiristas
      • Harry Chandlee
      • Douglas W. Churchill
      • Robert Riskin
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários76

    6,73.8K
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    Avaliações em destaque

    8Michael-110

    Terrific comedy about the newspaper biz, class struggle and true love

    Stew Smith is a salt of the earth, street smart, cynical wisecracking reporter who's proud of his $75 a week salary. While tracking a story about a rich kid involved in a breach of promise suit, he gets involved with the Schuylers. This group of nitwits is a super-rich family trying desperately to avoid bad publicity. Stew catches the eye of the gorgeous Ann Schuyler, and the two fall madly in love to the absolute horror of Anne's snooty mother (who unfortunately is afflicted with gastritis). Indeed, Stew and Ann actually get married--with predictably catastrophic results. How will the filmmakers deliver Stew out of Ann's arms and into the arms of Gallagher--the equally gorgeous reporter who's madly in love with Stew?

    This wonderful Frank Capra comedy must have appealed greatly to the sentiments of the 1931 audience at the very depths of the Depression. The Schuylers (and their idiot lawyer Dexter Grayson) were everything that people loved to hate--snooty, superior, stupid, wholly undeserving of their vast riches. They are mocked ruthlessly, while Stew Smith and Gallagher, as worthy representatives of the working class, are portrayed with understanding and compassion. Stew briefly embraces the idle life of the super-rich (even to wearing garters), but, of course, this doesn't last long.

    This is more than just a film for Frank Capra fans--it's a glorious spoof of the old-time newspaper business and a tasty bit of social history.
    alrodbel

    A Delight

    There is a scene with Robert Williams and Jean Harlow singing a ditty to each other. There was such natural wit and affection that their infatuation and joy in each others company was perfectly expressed. This was love, this was sensuality, without a hint of the physicality that modern movies are forced to graphicly depict. Seeing a movie like this, made in low fidelity black and white seventy years ago shows what we have lost.
    7evanston_dad

    Terrific Performance from Robert Williams Highlights This Early Capra Comedy

    I see that I'm in good company here on IMDb in first wondering why on earth I had never heard of Robert Williams before and then in regretting that his career was cut so short after hearing his story.

    Williams proves himself to be a winning and engaging comedian in this very funny Frank Capra film about a reporter (Williams) who marries a society dame (Jean Harlow) only to realize that his true love is for the female co-worker (Loretta Young) who's been by his side the whole time. Never mind that Young is one hundred times more feminine and prettier than Harlow -- I just chalk it up to the theory that Harlow had a certain look that was very much in vogue in the 1930s and that made her extremely attractive to people.

    I don't think Harlow is at all attractive, but I do see her appeal, and I didn't find her performance to be as bad in this film as the history books have claimed. It's true that the casting should have been reversed, and Young should have played the society belle with Harlow as the working-class girl next door. But never mind. She equips herself pretty well with the material given her, and she manages to be believable in the role.

    But in any case, it's neither of the women you'll remember from this movie. It's Williams and his absolutely fantastic way with a funny line. He died of appendicitis at the age of 37, and it's clear that 30s movie audiences lost a potentially major star when they lost him.

    Grade: A-
    7mukava991

    A Robert Williams showcase

    After watching Platinum Blonde, I, like most other viewers, had to look up Robert Williams, wondering whatever happened to him while fearing the worst, the worst being true: he died shortly after he made this film. Tragic! One can wonder endlessly over what might have been. What is clear is that he was a natural for the camera, was highly skilled (years of stage experience behind him), and fit perfectly into the Capra-Riskind universe of tough-but- articulate Everyman up against monied mediocrities. He might well have ended up playing the Clark Gable role in It Happened One Night if he had been around at the time. In fact, the reporter he plays here seems like a first draft for that character. (The plot involves Williams as a reporter falling in love impulsively with the daughter of a wealthy Social Register family only to encounter the usual boobytraps built into such a union.)

    The movie itself, though hard to separate from Williams's domination of it, stands up fairly well on its own. There are some imaginative camera movements and setups and intelligent, witty dialogue laced with fizzy Depression-era argot. The story is not very convincing but you suspend disbelief because of the way the actors, dialogue and cinematography bring it to life. The pace is leisurely, sometimes a bit too much so, with many minutes taken up in gentle, playful, ultra-naturalistic banter between Williams and his co-stars. I can't think of another film from that period that detoured so often into that type of throwaway conversational interlude.

    Jean Harlow as the heiress and Loretta Young as a newspaper columnist are not ideally cast. Their roles should have been reversed, but it doesn't really matter because both actresses do well. Harlow, who by this time had had relatively little experience in front of a camera, seems right at home about 90% of the time. And it's hard to believe that Loretta Young was only 18 when she made this! But she had already been a veteran of several years standing as a film actress.
    cherold

    Unusual performance

    The most notable thing about this movie is Robert Williams unusual performance. I've seen performances like it but none of them were in 1931 and I was surprised I'd never heard of him. Turns out he *died* in 1931, and it's worth watching the movie just to see someone who could have been a star. The movie itself is quite enjoyable, although Harlow makes little impression as a society dame and it's difficult to believe the enticing Loretta Young could be any one's idea of "one of the boys."

    Enredo

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    • Curiosidades
      In a 2008 interview, actor Christopher Plummer called Williams "...one of the most realistic comedians the screen had. He made Cary Grant look like he was overacting... To watch Robert Williams act was like seeing a comic using the Method, long before the Method became famous with Marlon [Brando] (Marlon Brando) and Monty [Clift] (Montgomery Clift)."
    • Erros de gravação
      When they are looking at the front page of "The Tribune Paper", in the headlines, the word "okay" is misspelled. It shows "It's okey with me."

      The spelling of "OK" was not standardized for a long time. Writer Dashiell Hammett among others spelled it "okeh" and "oke",
    • Citações

      Dexter Grayson: Where were you yesterday?

      Anne Schuyler: Oh, Stew and I went for a long ride. Dexter, is there any finishing school we could send him to?

      Dexter Grayson: Yes - Sing Sing!

    • Conexões
      Edited into 365 days, also known as a Year (2019)
    • Trilhas sonoras
      Manhattan
      (uncredited)

      Music by Richard Rodgers

      Played over main titles

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    • How long is Platinum Blonde?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 31 de outubro de 1931 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • Platinum Blonde
    • Locações de filme
      • Columbia/Sunset Gower Studios - 1438 N. Gower Street, Hollywood, Los Angeles, Califórnia, EUA(Studio)
    • Empresa de produção
      • Columbia Pictures
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • £ 600.000 (estimativa)
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 29 minutos
    • Cor
      • Black and White

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