Senhoritas em Uniforme

Provocative, sensual film that is also daringly (and determinedly) anti-authoritarian and anti-establishment (no surprise that the Nazi regime tried to burn all copies). Because of the way it is made, and the things it is about, it has not aged at all, and never will. Another novelty: an all-female cast (there is not even a male extra), long before Hollywood's "The Women" (1939), with the young girls especially giving naturalistic performances at the dawn of sound cinema. I was sad when this film was over - I wanted more. ***1/2 out of 4.

Filmed in pre-National Socialist Germany when the economy was at a true low. The girls at this Catholic boarding school are slight, pale, hungry creatures -for food and comfort. Daughters of soldiers, they are taught discipline and deprivation, not luxury. The girls, however, have more personality and strength of character than those in the majority of movies produced nowadays. Manuela is a highly emotional 14 year old 'new girl' who has no mother. She, like the rest of her classmates, yearns for the attention of the fair and beautiful Fraulein von Burnberg. Ilse is the school trouble-maker, leader, and clown. Witty and outspoken, she repeatedly entertains the other girls, binding them together in secret comradery against their oppressive elders. At an after-play function Manuela is the only student who can tolerate the taste of the punch given to them as a reward. Her friends pass their cups on to her and she soon gets herself quite drunk. In a semi-conscious state she announces her feelings for the popular Fraulein von Burnberg to the entire school along with the infuriated Headmistress. These girls are not all lesbians, they are merely children starved of human contact and love. As a result they throw their hearts at the open mind and kind heart of Frau von Burnberg. I found it surprising and beautiful how loyal the girls were to each other. There is very little rivalry or conflict among the students, a vast contrast to the modern representation of teens. Even when Manuela embarrasses herself horribly in front of the school, her classmates stick by her without hesitation. That's cool.

I found this film to be both touching and disturbing. Innovative and bold, Madchen in Uniform exposes social taboos in its depiction of lesbianism and teacher-student relationships. Beyond the subject matter, I was impressed with the acting and camera work, which seemed to tell a story all on its own. The quality of the film was certainly poor and the subtitles leave much to question, but the overall effect of the film is poignant. It succeeds in lifting the veil which conceals adolescent female life and without exploiting the budding sexuality of young girls, a phenomenon too often seen in cinema today. It seems strange that this careful balance of exposition and preservation was better kept seventy years ago than it is today. Should this movie be re-made now, one would doubtless see nudity,stereotypical lesbian behavior and exploitation of the relationship between the student and teacher. This film reminds us that a film doesn't have to shock us to be sexually provacative.

Mädchen in Uniform This was a very bold film. It presents the controversies of lesbianism, teacher-student relationships, and antifascism in Germany in the 30's. The acting is of great quality. You don't need to know German to understand what's going on, even with out the subtitles. I find it interesting that feminine sexual powers are used throughout the film. The beloved teacher, Fräulein von Bernburg, uses her sexual powers to win the affection of the children, keeping them in check. During rehearsals for a play, one of the girls is told to use her feminine powers (to be more seductive) to play her part. Sex appeal is also mentioned in describing a movie star. The antifascism isn't blatant in the film, but in the opening scene, we see soldiers marching and then the schoolgirls marching, hinting at the hidden meaning. This film has a place in history and is worth seeing.

This was more than a gay classic, this film was a social commentary on the time period it was set in. We all now well know the views held on homosexuality by Hitler's socialist party which was coming into power during the time this movie was made. The entire film foreshadowed many of the things that would happen to people who were not seen as desirable in the eyes of the German government. One part especially, where the students and teachers were forbidden to have contact with Manuela, spoke of the public shunning of Jews and other so-called undesirables who were forbidden contact with other people. Of the three movies that Leontine Sagan directed this was the only one made in Germany. Given the fact that Sagan was of Jewish ancestry and the main theme of this movie was of love between women, it's not hard to see why her career in Germany was short lived.