Pra que Casar?

"Girls About Town" from 1931 is a pre-code starring Kay Francis, Lilyan Tashman, Joel McCrea, and Eugene Palette.

Pre-codes are fun because you don't know how they're going to end - once the code came in, if you were a woman and committed adultery, you died; if you were a tramp, you died. If you had a career, you gave it up because your life was empty without a man.

In this film, Francis and Tashman are Wanda and Marie who make their living as escorts for rich men. So they spend their time on yachts, they wear furs and jewels, and we assume they sleep with these guys.

That's implied but when the men want to go up to the girls' apartment, their maid (Louise Beavers) sits in the window so the girls can say, "That's mother. She's waited up for me. You'd better not come up" or words to that effect.

The women are paired with the very wealthy Benjamin (Palette) and the young, handsome assistant (McCrea). Wanda is very attracted to Jim (McCrea) but stuck with Benjamin; Tashman finds Jim a miserable bore. So they switch, and Jim and Wanda fall in love.

Benji meanwhile, for all his big bucks, turns out to be a tightwad. Later Tashman enlists some help to get him to part with what's in his wallet.

Fast-moving film with delightful acting, particularly from Tashman, who is a riot. Gorgeous clothes, too. Louise Beavers has a great turn as the maid - she's devoted to the two women and has no problem telling Wanda off. But when there's a guest in the house she acts like a real subservient maid. Very funny.

Highly recommended. A lively movie.

This film is about two professional gold diggers - Marie has her heart in her work (Lilyan Tashman), Wanda doesn't (Kay Francis). The two women are paid handsomely to entertain men who are in town to do business with their employer and to soften them up so they are more receptive to striking deals with that employer. This film has more introspection than many precodes, possibly due to the presence of George Cukor as director. He really did a great job in "women's films" such as these. At any rate, Wanda is on the lookout for the love of her life and most improbably finds him during one of her "assignments" - Lansing businessman Jim Baker (Joel McCrea). However, she can't marry him until she obtains a divorce from her long estranged and lazy husband (Anderson Lawler). With experience in marriage to such a shady predatory character, you'd wonder why she would want to give matrimony another try.

Kay Francis has made many such films - the good girl in bad girl's clothing - but few films remain that show Lilyan Tashman and what she could do with a meaty precode role. This is one of them. As Marie she manages to look out for herself, be charitable to a friend in need, and even help the wife of a stingy client reunite with her husband (Eugene Palette). The two women even turn out to be great friends, trading fashion tips of all things. As always with Lilyan, there are the wonderfully delivered catty remarks. Sadly she died in 1934 of cancer at the age of only 37. Check this one out to see one of the biggest names in precode film in a pretty good movie (Kay Francis), and one star that did not shine quite so brightly, but added spice to any role she was given (Lilyan Tashman).

Lilyan Tashman could sit and read the telephone book and make it funny. Someone needs to give this woman, and her tragically short career, a retrospective. This time she's got a sumptuous Paramount production, George Cukor at the wheel, everyone's favorite clotheshorse Kay Francis as co-star. Not enough? How about the great black actress Louise Beavers, whose entrance in the film is a scream (I'll say no more, lest I ruin it). It's a witty piece of art deco comedy, with Tashman and Francis as ermine-caped gold diggers, and Eugene Palette (not quite yet obese) and handsome Joel McCrea as the latest targets. Like so many Paramount films of the early 30s, its still fresh and contemporary, thanks to its grown up, pre-Code script. And those opening credits--couples dancing over the new york skyline--just icing on the cake. Don't miss this.

We follow a couple of girls - Kay Francis (Wanda) and Lilyan Tashman (Marie) - as they are given different escort assignments by their agent Alan Dinehart (Jerry). They work as a pair and share an apartment obviously paid for by the wealthy clients who have made payment to them. You get what I'm saying? Things change for one of them when assigned as escorts onto a boat containing wealthy Eugene Pallette (Benji) and Joel McCrea (Jim).

The film is a comedy and the lead women are good in their roles. Pallette is sometimes inaudible and incomprehensible with that peculiar squawking he does, whilst McCrea is there for eye candy. There are a couple of side plots going on and all-in-all it is an enjoyable film.

This one remains a favorite pre-Code with Kay Francis and Lilyan Tashman playing a couple of party girls who work with Alan Dinehart to bilk the out-of-town rubes who come to New York City for a good time. Lots of zippy one-liners as the "girls" parade around in plunging gowns and dripping with jewels. After they ditch the boys from Des Moines (George Barbier, Robert McWade) they go on a yachting party and get involved with Joel McCrea and Eugene Pallette from Lansing. While Kay falls for McCrea, Lilyan tangles with Eugene and his wife (Lucile Gleason) to wrest some needed jewelry from cheapo Eugene. Great fun. The film takes a dramatic turn toward the end when Kay's discarded husband (Anderson Lawler) shows up on the mooch. Louise Beavers has a funny role as the girls' maid and Frances Bavier appears as one of the party girls.

Not to be missed!