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IMDbPro

Os Novos-Ricos

Título original: Five and Ten
  • 1931
  • Passed
  • 1 h 29 min
AVALIAÇÃO DA IMDb
6,4/10
1,5 mil
SUA AVALIAÇÃO
Marion Davies in Os Novos-Ricos (1931)
DramaRomance

Adicionar um enredo no seu idiomaAfter her businessman father moves her family from Kansas City to New York, a woman falls in love with an engaged man.After her businessman father moves her family from Kansas City to New York, a woman falls in love with an engaged man.After her businessman father moves her family from Kansas City to New York, a woman falls in love with an engaged man.

  • Direção
    • Robert Z. Leonard
  • Roteiristas
    • Fannie Hurst
    • Andrew Percival Younger
  • Artistas
    • Marion Davies
    • Leslie Howard
    • Richard Bennett
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,4/10
    1,5 mil
    SUA AVALIAÇÃO
    • Direção
      • Robert Z. Leonard
    • Roteiristas
      • Fannie Hurst
      • Andrew Percival Younger
    • Artistas
      • Marion Davies
      • Leslie Howard
      • Richard Bennett
    • 20Avaliações de usuários
    • 10Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
  • Fotos40

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    Elenco principal28

    Editar
    Marion Davies
    Marion Davies
    • Jennifer Rarick
    Leslie Howard
    Leslie Howard
    • Berry Rhodes
    Richard Bennett
    Richard Bennett
    • John Rarick
    Irene Rich
    Irene Rich
    • Jenny Rarick
    Douglass Montgomery
    Douglass Montgomery
    • Avery Rarick
    • (as Kent Douglass)
    Mary Duncan
    Mary Duncan
    • Muriel Preston
    Henry Armetta
    Henry Armetta
    • Taxi Driver
    • (não creditado)
    Wilson Benge
    Wilson Benge
    • Wilson
    • (não creditado)
    Lee Beranger
    • Leslie
    • (não creditado)
    William Burress
    William Burress
    • Man in Hospital Waiting Room
    • (não creditado)
    Jack Byron
    • Wedding Guest
    • (não creditado)
    Bill Elliott
    Bill Elliott
    • Wedding Guest
    • (não creditado)
    Charles Giblyn
    • Dennison
    • (não creditado)
    Maude Turner Gordon
    Maude Turner Gordon
    • Dowager
    • (não creditado)
    Sherry Hall
    • Albert
    • (não creditado)
    Halliwell Hobbes
    Halliwell Hobbes
    • Hopkins
    • (não creditado)
    Arthur Housman
    Arthur Housman
    • Piggy - Wedding Guest
    • (não creditado)
    George Irving
    George Irving
    • Mr. Brooks
    • (não creditado)
    • Direção
      • Robert Z. Leonard
    • Roteiristas
      • Fannie Hurst
      • Andrew Percival Younger
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários20

    6,41.5K
    1
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    10

    Avaliações em destaque

    drednm

    Great Role for Marion Davies

    Solid film with terrific performances by Marion Davies as an heiress, Leslie Howard as the man she loves, and Douglass Montgomery (billed as Kent Douglass) as her tragic brother.

    Davies plays the daughter of wealthy "five and ten" king (Richard Bennett) who crashes New York to build his empire. He's obsessed with his business and ignores his family and wife (Irene Rich). Montgomery is in the business against his will while Davies tries to crash New York society with little success. She falls for Howard but he's engaged to snooty Muriel (Mary Duncan).

    Things start to fall apart as Rich gets involved with a gigolo, Montgomery starts to drink, and Davies gets humiliated at a weekend party and loses Howard.

    This film is notable for three exceptional scenes. There's a long scene all in one take where Davies and Howard are falling in love and toying with silly drawings of pigs and cows. The two stars are exceptional as they are drawn to each other yet try to stay apart. This is one of the best scenes I ever saw Davies do. Montgomery is great in his initial drunk scene as he wanders around the stone mansion, talking and singing to servants. He's also excellent in his final scene with the family gathered around him. Best work he ever did.

    Overall one of Davies' best films because the story is solid and the co-stars are all top notch. And of all her dramatic roles this is her best. Her voice is excellent here. She often has a stilted quality because of her stutter but there's not a trace of that here. Plus she's absolutely gorgeous.

    Halliwell Hobbes is the butler, Henry Armetta the cab driver, and Theodore van Eltz the gigolo.

    Loosely based on Barbara Hutton, the Woolworth heiress, and her family. The building old Rarick is building is an obvious reference to the Woolworth Building, tallest building in the world 1913-1930.
    7becky-bradway

    the second half is all pre-code

    This pre-code is very odd. Actually, very good. The first half is a naughty romantic comedy (sort of) that has the usual adorable Leslie Howard (can't help it, he's appealing as hell) and a kind of off-kilter Marion Davies. She seems a bit uncomfortable in this role -- maybe because it's an early talkie and she lisps? because it becomes dramatic and she isn't sure how to play it? Anyway, I was getting a bit annoyed with the whole thing when the movie does a real pre-code twist. Mom has an affair because mogul Dad is too busy with work. Brother has major mental health issues and suddenly takes up some very bad flying. And Heroine Marion takes on a role that reflects her own life by unrepentantly taking up with a now-married Leslie Howard. Things get...dark. So I found myself being impressed with the risks in this second movie (although I did laugh at some melodramatic moments). This movie doesn't apologize for anything. Marion is not punished for her love. Now that's new. She is defiant -- not just the character, but Marion Davies herself, I believe. I also appreciated the way it carried through its rich-man-neglecting-his-family theme to its most bitter result. This was surprisingly well done. No excuses are made for Dad's work obsession whatsoever. And Richard Bennett plays it subtly.

    There are a few tremendous scenes. One involves a nocturnal visit to a rooftop. The other is a long drunken rant by the brother (Douglas Montgomery) in which he makes fun of Dad's obsession with money and success. Both of these are just lovely -- genuinely touching, I thought.

    If you get a chance to see it, you should. It's an important movie in the Marion Davies pantheon, and Leslie Howard gets to be all charm. Just be patient and see where it goes.
    7planktonrules

    About a family that is both amazingly rich and amazingly poor at the same time.

    This is yet another Davies films with inexplicably high ratings. What I mean by this is that it appears as if a group of people have gone onto IMDb and deliberately over-inflated the scores on all of Marion Davies' films--giving 10s to EVERYTHING--even her worst films. No one is THAT good that they always deserve a 10--but here, 49% of those rating the film give it a 10. By comparison, "Gone With the Wind" and "Casablanca" have only 34 and 38% 10s!! Are these folks seriously trying to tell us that just about every film Marion Davies made are better than these classics?! So my advice with her films is to ignore the IMDb ratings and just see the films for yourself--some of her films were wonderful (such as "Show People"), some awful ("Cain and Mabel" comes to mind )and many were somewhere in between--just like it would be for most actresses.

    John Rarick has created a hugely successful chain of five and ten cent stores--enabling his family to live in great luxury. However, this money does not make them happy. His wife runs around behind his back with other men, his son is slowly slipping into alcoholism and depression and, finally, his daughter (Davies) is trying too hard to fit in to society--and is laughed at by her new 'friends'. The main focus in this film is on the daughter--and her unhealthy relationship with a rich young architect (Leslie Howard).

    Of all the characters in the film, Avery (Douglass Montgomery) is the most interesting. Unlike his sister, mother and father, he sees tragedy coming to his family. And, when he tries to tell his father, he can't even get this workaholic to listen to him. The film is a nice showcase for him and his story is quite touching--and, although it's a small role compared to Davies', he steals the show. Despite this, his career never really took off. Perhaps it was due to his good looks--he was amazingly pretty and not the conventional tough leading man type.

    Overall, a very good film that is well worth your time. However, be aware that Davies' and Howard's portion of the film is probably the weakest. It isn't bad but its resolution seemed bizarre--and never would have occurred in a Post-Code film.
    6bandersnatched

    Worthwhile, But Somewhat Disappointing

    Five and Ten is about a young girl (the charming Marion Davies) who is trying to deal with being New Money, a fact that's tearing her family apart, and being in love with a to-be married rotter/architect (the frankly swoon-worthy Leslie Howard).

    The focus of this really ought to have been in one place or the other, or else they should have made it into a longer picture, because important parts seemed rushed. Jennifer's brother Avery, for instance, was a great character who was rather important to the way the plot revolved, but far too little screen time is given to him. This is a particular shame as Douglass Montgomery really shone in this role. Instead, time is spent lingeringly on simple romantic scenes between the young lovers. Davies and Howard's chemistry was undeniably electric, making for a few surprisingly sexy scenes, but one can't help but feel that the editors ought to have made a few more judicious cuts and the writers a few additions.

    Overall, it's worth a watch, though, even if you're not particularly interested in any of the actors, because of the relative strength of both pieces, whether or not they coalesce particularly well.
    6wes-connors

    What Wealth Does

    After moving to New York City from Kansas, five-and-ten cent store heiress Marion Davies (as Jennifer Rarick) enters high society in style. Attending a charity event with her $5,000 donation from daddy, Ms. Davies is smitten with attractive architect Leslie Howard (as Bertram "Berry" Rhodes). But he is engaged to Mary Duncan (as Muriel Preston). While Davies decides to pursue Mr. Howard to the alter - even if it isn't her own - the rest of her family is falling apart. Strictly business-minded father Richard Bennett (as John G. Rarick) neglects wife Irene Rich (as Jenny). She sees more of gigolo Theodore von Eltz (as Ramon). And, nobody notices brother Kent Douglass Montgomery (as Avery Rarick) may headed for an emotional break-down...

    Davies produced "Five and Ten" with director Robert Z. Leonard and, given the MGM team, delivers quality product. A bigger box office star than acknowledged during the "silent" 1920s, Davies was still popular, but not enough to cover production costs. Howard had enough star-quality to carry a film on his own, even this early in his career, but he and Davies are upstaged by others in the cast. One wonders if the original Fannie Hurst story had more involving the "Rarick" family. The effects of wealth on the characters is more interesting than the "love story" between Davies and Howard. An even distribution of resources and story might have helped "Five and Ten" recover costs. Watch for Mr. Montgomery's troubled "Avery" to steal the film.

    ****** Five and Ten (6/13/31) Robert Z. Leonard ~ Marion Davies, Leslie Howard, Douglass Montgomery, Richard Bennett

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    • Curiosidades
      Star Marion Davies had seen Leslie Howard on Broadway in "Berkeley Square" and insisted that he be her co-star in this film, even though MGM production head Irving Thalberg wanted Clark Gable. When first meeting Howard in person at Hearst's estate San Simeon, she was surprised at his height and made Howard wear lifts in his shoes.
    • Erros de gravação
      At the end, the ship the Raricks are depicted as sailing on is shown as two different liners - the first with two funnels and the second and last one with three.
    • Citações

      [Berry enters room]

      Jennifer Rarick: Berry!

      Berry Rhodes: So you would hold out on me, wouldn't you?

      Jennifer Rarick: Get out of here. Can't you see I'm not dressed?

      Berry Rhodes: That's all right. I don't mind. Not bad either, if I do say so.

      Jennifer Rarick: Have you gone mad?

      Berry Rhodes: Something's come over me. Maybe that's it.

      [sounds of door locking]

      Jennifer Rarick: Berry...

      [Berry laughs]

      Berry Rhodes: That's how I like to see you... all shaky... instead of that devilish look you usually have.

      Jennifer Rarick: I'm not shaking.

      Berry Rhodes: Says she - her knees knocking.

      Jennifer Rarick: They're not knocking.

      Berry Rhodes: They're adorable knees, Jenny.

      Jennifer Rarick: What if somebody came in here?

      Berry Rhodes: Not a chance... they're all dressing. They'll be busy for hours.

      Jennifer Rarick: Berry, please go.

      Berry Rhodes: All right... I'll go. I'll go... whenever you say.

      [they kiss]

      Berry Rhodes: Want me to go now?

      [long pause]

      Jennifer Rarick: Yes...

      Berry Rhodes: Liar...

    • Cenas durante ou pós-créditos
      The main title lists the film's name in all lower-case letters: "five and ten".
    • Conexões
      Featured in Captured on Film: The True Story of Marion Davies (2001)
    • Trilhas sonoras
      Trail to Mexico (Bury Me Not on the Lone Prairie)
      (uncredited)

      Traditional ballad

      Sung a cappella by Douglass Montgomery

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    Detalhes

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    • Data de lançamento
      • 13 de junho de 1931 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • Os Novos Ricos
    • Locações de filme
      • Andrew Carnegie Mansion - 2 East 91st Street, Manhattan, Nova Iorque, Nova Iorque, EUA(Rarick's house exterior)
    • Empresas de produção
      • Cosmopolitan Productions
      • Metro-Goldwyn-Mayer (MGM)
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 29 min(89 min)
    • Cor
      • Black and White
    • Proporção
      • 1.20 : 1

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