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Although it betrays its theater-script origins in the rhythm of the performances and dialogue, this sparkling little formula comedy about a secretary who wins a rich Baron is chockablock with snappy retorts and racy rejoinders. Marian Marsh is adorable, charming and always convincing.

The surprising candor of the script is refreshing: despite the free modern use of more explicit language, this depression-era tale leaves nothing to the imagination. Its honesty is surprising and heightens the humor of the gentle jokes.

Watching scenes played out between Marsh and Warren William with such genuine engagement would be impossible in the modern era of frenetic jump-cutting. What a treat to see talented performers do such naughty and giggly scenes in a single take with hardly a cutaway or interruption in sight!

Beauty and the Boss was a delightful movie with some very subtle humor and frank interfacing between the competing beauties. The rapid dialog between the Count and his prospective secretary was a pleasure in wittiness and abstract humor. This movie promised a bright career.

Marian Marsh was a beautiful young lady, but what struck me was a resemblance to a later actress, Jane Powell when she was of that age. It was a shame the studios did not hold on to her for better roles but I guess it was the depression and they were interested in churning out low budget movies and constantly showing new faces. Ms. Marsh did show considerable talent, artistically before the cameras, at quite a young age. Considering her young age it seems the studios could have been more understanding when they did not pick up her contract while they were having disagreements over a bad performing movie.

No big stars in this one but still a very entertaining little film. Marsh and Doran are two women who go after Warren William in very different ways. Butterworth is good in his usual comic relief role. A charming and fast-moving movie.

...but you just can't help yourself. William is perfect here as an efficient German bank president and baron, totally consumed with business by day and with romancing the ladies -lots of them - at night. He only has problems when his two interests converge. This usually occurs because he has a beautiful secretary. His usual solution - to fire the secretary and get her out of his business life, and then make her one of his many mistresses.

The baron tires of this repetitive problem, and vows that his next secretary will be a plain practical woman for whom he will have no attraction. So into his life walks Susie Sachs (Marian Marsh), "the church mouse". The cutest scene of the film is where Susie tricks her way into see the baron and tells him about the plight of her class -"the mice" - the unemployed and hungry. The baron is quite interested in her story. You see, he is not such a bad guy. It just never occurred to him that there might be a girl of her age in Germany more interested in a good meal than a diamond bracelet. He's never seen that side of life and therefore not given it much thought. He hires her, and she works out quite well for him until a business trip to Paris brings the Baron quite a few surprises.

This film was really a delight with very good dialogue and animated performances. Charles Butterworth is really quite good as comic support in these early Warner Brothers talkies. He plays the baron's assistant who is constantly writing down instructions on his cuffs and seems to have no objections when he is told he will be working all night and won't be allowed time to eat. David Manners plays the baron's younger brother who sees the beauty in Susie even when she is playing the frump.

One of the very first boss falls for secretary films, but fresh, original, and wonderfully acted and scripted. Warren William is young but just as dapper and sophisticated as in later roles. I have never seen the female lead -- secretary -- before, but she is very pretty and a good comedic actress. One of the best parts is the way she keeps turning the tables on WW as the boss, first with super efficiency and later by doing what he commands, literally. It is set in Europe at the height of the worldwide depression, and it shows how well some of the rich -- those who were lucky enough not to be heavily invested in the preceding stock market mania -- were living, while others struggled. Seeing how people lived then, some 70 years ago, is always interesting.