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Árbitro do Amor

Título original: Bachelor Apartment
  • 1931
  • Passed
  • 1 h 16 min
AVALIAÇÃO DA IMDb
6,2/10
510
SUA AVALIAÇÃO
Irene Dunne and Lowell Sherman in Árbitro do Amor (1931)
Bachelor Apartment: You Can See Right Through It
Reproduzir clip1:21
Assistir a Bachelor Apartment: You Can See Right Through It
1 vídeo
16 fotos
Romantic ComedyComedyDramaRomance

Adicionar um enredo no seu idiomaA New York playboy dates wild woman until he falls for a hard-working stenographer.A New York playboy dates wild woman until he falls for a hard-working stenographer.A New York playboy dates wild woman until he falls for a hard-working stenographer.

  • Direção
    • Lowell Sherman
  • Roteiristas
    • John Howard Lawson
    • J. Walter Ruben
  • Artistas
    • Lowell Sherman
    • Irene Dunne
    • Mae Murray
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,2/10
    510
    SUA AVALIAÇÃO
    • Direção
      • Lowell Sherman
    • Roteiristas
      • John Howard Lawson
      • J. Walter Ruben
    • Artistas
      • Lowell Sherman
      • Irene Dunne
      • Mae Murray
    • 25Avaliações de usuários
    • 7Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Vídeos1

    Bachelor Apartment: You Can See Right Through It
    Clip 1:21
    Bachelor Apartment: You Can See Right Through It

    Fotos16

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    Ver pôster
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    + 10
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    Elenco principal19

    Editar
    Lowell Sherman
    Lowell Sherman
    • Wayne Carter
    Irene Dunne
    Irene Dunne
    • Helene Andrews
    Mae Murray
    Mae Murray
    • Mrs. Agatha Carraway
    Norman Kerry
    Norman Kerry
    • Lee Graham
    Claudia Dell
    Claudia Dell
    • Lita Andrews
    Ivan Lebedeff
    Ivan Lebedeff
    • Pedro De Maneau
    Noel Francis
    Noel Francis
    • Janet
    Purnell Pratt
    Purnell Pratt
    • Herb Carraway
    Charles Coleman
    Charles Coleman
    • Rollins
    Kitty Kelly
    Kitty Kelly
    • Miss Clark
    Bess Flowers
    Bess Flowers
    • Charlotte
    • (não creditado)
    Roberta Gale
    Roberta Gale
    • Third Girl in Ladies Room
    • (não creditado)
    Carl Gerard
    Carl Gerard
    • Undetermined Secondary Role
    • (não creditado)
    Arthur Housman
    Arthur Housman
    • Tippler in Bed
    • (não creditado)
    Arline Judge
    Arline Judge
    • Second Girl in Ladies Room
    • (não creditado)
    Lee Phelps
    • Traffic Cop
    • (não creditado)
    Florence Roberts
    Florence Roberts
    • Mrs. Halloran
    • (não creditado)
    Fred Santley
    Fred Santley
    • Jim - Man Under the Bed
    • (não creditado)
    • Direção
      • Lowell Sherman
    • Roteiristas
      • John Howard Lawson
      • J. Walter Ruben
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários25

    6,2510
    1
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    9
    10

    Avaliações em destaque

    7mukava991

    a pleasant surprise

    I watched this on TCM for one reason: curiosity about Mae Murray. I had never seen her in a talkie, heard she was exceptionally bad and was expecting her to have a high-pitched or grating voice with a common accent. What a surprise to hear something more like a cross between Billie Burke and Myrna Loy but deeper. She still had "it" in the Thirties, with a fine figure, and I am not alone in wondering why she fizzled out so quickly. Over the top? Yes. Even obnoxious (particularly when she bursts into kooky peals of laughter) - but entertaining. When she's on screen you don't look at anyone else.

    The second surprise was the direction by Lowell Sherman and the story by John Howard Lawson. There is a naturalness to the dialogue and a lifelike quality to the characters' frequent and casual banter that brings you inside the world of young ladies struggling in New York City during the early Depression years. Some exteriors are actual location shots of New York City streets and the interiors are depicted in detail, particularly clutter on tables (the aftermath of a wild party in the titular penthouse and breakfast paraphernalia in the humble flat inhabited by Dunne and her sister). Surely the leftwing Lawson was responsible for the haves-vs-have-nots element of the story. It's a witty and somewhat farcical tale about a Park Avenue business executive consumed with the pursuit and avoidance of an army of attractive young women until he meets Miss Right (Irene Dunne - no one ever righter). The supporting cast is mostly excellent, particularly Noel Francis as one of Sherman's pickups. She registered very strongly in a very brief scene as the prostitute in I AM A FUGITIVE FROM A CHAIN GANG.

    At first sight one cannot accept the puffy and dissipated Sherman as a desirable ladies' man. Only in his mid-40s when he directed and starred in this film, he looks 10 years older and occasionally slurs his speech but nevertheless manages to be charming and totally in control in the kind of role Robert Montgomery was born to play. I see from IMDb that Sherman was a director of some note and consider it a sad loss for cinema that he died so young, though seeing him here and in WHAT PRICE Hollywood it's obvious he was far from robust. I intend to look for other films he directed based on my happy experience with BACHELOR APARTMENT.
    6ccthemovieman-1

    Better Than You Might Think

    I didn't expect much from this film when I first saw it, not knowing who Lowell Sherman was and figuring it would be extremely dated.

    I found out the film provided some good laughs, some clever sarcastic dialog, realistic characters and a certain charm at the same time.

    Sherman might have been a bit too old to be playing the role of playboy but he carried it off, being enjoyable to watch. It was fun seeing such a young Irene Dunne, too, complete with the early '30s short hairstyle. Unlike most of the women pictured in this film, Dunne played her typical high-principled character, reflecting the classy lady she was off screen, too.
    6Handlinghandel

    Definite Shows Its Age But Still Racy

    Another of the movies I would not think of watching but for Irene Dunne, playing anything but swank comedy here. It consists of basically two types of characters. One is ladies in lingerie or revealing gowns. (Dunne wears neither but at one point we see her in her boss's bathrobe.) The other is gentlemen who appear to prefer other gentlemen.

    One of these is its director and star, Lowell Sherman. He had a solid hand as a director and is likable as a performer. But he's a little hard to buy as a ladies' man. And in one scene, he goes to a friend's apartment, demanding to see who's in the bedroom. Instead of the woman he's looking for, two men are there. They're fully clothed and maybe the audience at the time thought they were sleeping off hangovers. Maybe that's what the script meant, for all I know. But it's not the way they come across in the context of the movie.

    The print I saw was fuzzy but it's chic and entertaining -- dated but also risqué.
    dougdoepke

    Life at the Top,circa 1931

    It may be 1931, but there's no hint of an economic depression among the well-upholstered lounge lizards of Manhattan. It's pretty much a steady round of casual couplings and uncouplings among the urban sophisticates. Not much of a plot except for middle-aged Lothario (Sherman) slowly falling for nice girl Helene (Dunne). Movie's main interest is in its provocative pre-Code liberties—innuendoes fly fast, while some clinging gowns leave little to the imagination. It's a talky script with some clever lines, and if there's little action, at least director Sherman keeps things moving. The comedy is more occasional than sparkling, but does have its moments, even though Dunne surprisingly gets few laugh lines. All in all, it's a fairly entertaining antique with a good glimpse of bygone fashions.
    9JLRMovieReviews

    When Irene Met Lowell....

    We open on an bachelor apartment. We know this, because the place is trashed and littered with glasses, champagne bottles, cigarette butts, and something that looks like cigarettes all over the place, from the night before. We also know this, because this is aptly named "Bachelor Apartment." The bachelor in question is Lowell Sherman, whose other screen credits include What Price Hollywood?, the original "A Star is Born" movie, and his silent movies where he usually played the villain with the pencil-thin mustache. Here, he tries to stop playing the game, after finding it very tiresome having to keep track of who comes and goes through his revolving door. But it seems he decided just this morning. It makes the viewer wonder if this decision is one he makes all the time. But, in the meantime, the, er, um, ladies, yes well, they don't know of his conversion to sainthood and still show up unannounced, notably Mae Murray, in an unforgettable and saucy role, who can be seen in one scene in a see-through nightgown. Really! You can see.... Her husband suspects she's cheating and it's driving him crazy, He's going to find the @#$*& or die trying. Meanwhile, through a series of events, Irene Dunne enters the picture as a stenographer who doesn't like fast workers for bosses. He dares her to take this well-paying job, which she does. Will she fall for his charming ways? Will Irene's clean reputation rub off on him and make him see the light? Only I know, and you've got to see this very well-written and racy Pre-Code movie to find out.

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    Enredo

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    • Curiosidades
      A popular Ziegfeld Follies headliner, forty-something Mae Murray had made a transition to silent films. This film was her second talkie, as an attempt to make this transition, playing the role of "Mrs. Agatha Carraway." She starred most famously in A Viúva Alegre (1925) opposite John Gilbert-and in a wink to the audience makes her first appearance in Árbitro do Amor (1931) to a Merry Widow waltz. However, this film turned out to be her next-to-last, with her final film being High Stakes (1931).
    • Erros de gravação
      When Carter is working at home with Helene, Mrs. Carraway drops in unexpectedly and goes into another room to change out of her wet clothes. When Carter goes to leave the room to go after Helene, he is shown opening and closing the door twice.
    • Citações

      Rollins, Wayne's Butler: [holding up a diamond bracelet] Er, I found this, sir.

      Wayne Carter: You find the strangest things in a bachelor's apartment.

      Rollins, Wayne's Butler: Do you suppose the lady lost anything else, sir?

      Wayne Carter: Well, if she did, she didn't lose it here.

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    Detalhes

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    • Data de lançamento
      • 15 de abril de 1931 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idiomas
      • Inglês
      • Italiano
    • Também conhecido como
      • Bachelor Apartment
    • Locações de filme
      • RKO Studios - 780 N. Gower Street, Hollywood, Los Angeles, Califórnia, EUA(Studio)
    • Empresa de produção
      • RKO Radio Pictures
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 16 minutos
    • Cor
      • Black and White

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