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Árbitro do Amor

Título original: Bachelor Apartment
  • 1931
  • Passed
  • 1 h 16 min
AVALIAÇÃO DA IMDb
6,2/10
510
SUA AVALIAÇÃO
Irene Dunne and Lowell Sherman in Árbitro do Amor (1931)
Bachelor Apartment: You Can See Right Through It
Reproduzir clip1:21
Assistir a Bachelor Apartment: You Can See Right Through It
1 vídeo
16 fotos
Romantic ComedyComedyDramaRomance

Adicionar um enredo no seu idiomaA New York playboy dates wild woman until he falls for a hard-working stenographer.A New York playboy dates wild woman until he falls for a hard-working stenographer.A New York playboy dates wild woman until he falls for a hard-working stenographer.

  • Direção
    • Lowell Sherman
  • Roteiristas
    • John Howard Lawson
    • J. Walter Ruben
  • Artistas
    • Lowell Sherman
    • Irene Dunne
    • Mae Murray
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,2/10
    510
    SUA AVALIAÇÃO
    • Direção
      • Lowell Sherman
    • Roteiristas
      • John Howard Lawson
      • J. Walter Ruben
    • Artistas
      • Lowell Sherman
      • Irene Dunne
      • Mae Murray
    • 25Avaliações de usuários
    • 7Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Vídeos1

    Bachelor Apartment: You Can See Right Through It
    Clip 1:21
    Bachelor Apartment: You Can See Right Through It

    Fotos16

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    + 10
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    Elenco principal19

    Editar
    Lowell Sherman
    Lowell Sherman
    • Wayne Carter
    Irene Dunne
    Irene Dunne
    • Helene Andrews
    Mae Murray
    Mae Murray
    • Mrs. Agatha Carraway
    Norman Kerry
    Norman Kerry
    • Lee Graham
    Claudia Dell
    Claudia Dell
    • Lita Andrews
    Ivan Lebedeff
    Ivan Lebedeff
    • Pedro De Maneau
    Noel Francis
    Noel Francis
    • Janet
    Purnell Pratt
    Purnell Pratt
    • Herb Carraway
    Charles Coleman
    Charles Coleman
    • Rollins
    Kitty Kelly
    Kitty Kelly
    • Miss Clark
    Bess Flowers
    Bess Flowers
    • Charlotte
    • (não creditado)
    Roberta Gale
    Roberta Gale
    • Third Girl in Ladies Room
    • (não creditado)
    Carl Gerard
    Carl Gerard
    • Undetermined Secondary Role
    • (não creditado)
    Arthur Housman
    Arthur Housman
    • Tippler in Bed
    • (não creditado)
    Arline Judge
    Arline Judge
    • Second Girl in Ladies Room
    • (não creditado)
    Lee Phelps
    • Traffic Cop
    • (não creditado)
    Florence Roberts
    Florence Roberts
    • Mrs. Halloran
    • (não creditado)
    Fred Santley
    Fred Santley
    • Jim - Man Under the Bed
    • (não creditado)
    • Direção
      • Lowell Sherman
    • Roteiristas
      • John Howard Lawson
      • J. Walter Ruben
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários25

    6,2510
    1
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    10

    Avaliações em destaque

    6ccthemovieman-1

    Better Than You Might Think

    I didn't expect much from this film when I first saw it, not knowing who Lowell Sherman was and figuring it would be extremely dated.

    I found out the film provided some good laughs, some clever sarcastic dialog, realistic characters and a certain charm at the same time.

    Sherman might have been a bit too old to be playing the role of playboy but he carried it off, being enjoyable to watch. It was fun seeing such a young Irene Dunne, too, complete with the early '30s short hairstyle. Unlike most of the women pictured in this film, Dunne played her typical high-principled character, reflecting the classy lady she was off screen, too.
    dougdoepke

    Life at the Top,circa 1931

    It may be 1931, but there's no hint of an economic depression among the well-upholstered lounge lizards of Manhattan. It's pretty much a steady round of casual couplings and uncouplings among the urban sophisticates. Not much of a plot except for middle-aged Lothario (Sherman) slowly falling for nice girl Helene (Dunne). Movie's main interest is in its provocative pre-Code liberties—innuendoes fly fast, while some clinging gowns leave little to the imagination. It's a talky script with some clever lines, and if there's little action, at least director Sherman keeps things moving. The comedy is more occasional than sparkling, but does have its moments, even though Dunne surprisingly gets few laugh lines. All in all, it's a fairly entertaining antique with a good glimpse of bygone fashions.
    7mukava991

    a pleasant surprise

    I watched this on TCM for one reason: curiosity about Mae Murray. I had never seen her in a talkie, heard she was exceptionally bad and was expecting her to have a high-pitched or grating voice with a common accent. What a surprise to hear something more like a cross between Billie Burke and Myrna Loy but deeper. She still had "it" in the Thirties, with a fine figure, and I am not alone in wondering why she fizzled out so quickly. Over the top? Yes. Even obnoxious (particularly when she bursts into kooky peals of laughter) - but entertaining. When she's on screen you don't look at anyone else.

    The second surprise was the direction by Lowell Sherman and the story by John Howard Lawson. There is a naturalness to the dialogue and a lifelike quality to the characters' frequent and casual banter that brings you inside the world of young ladies struggling in New York City during the early Depression years. Some exteriors are actual location shots of New York City streets and the interiors are depicted in detail, particularly clutter on tables (the aftermath of a wild party in the titular penthouse and breakfast paraphernalia in the humble flat inhabited by Dunne and her sister). Surely the leftwing Lawson was responsible for the haves-vs-have-nots element of the story. It's a witty and somewhat farcical tale about a Park Avenue business executive consumed with the pursuit and avoidance of an army of attractive young women until he meets Miss Right (Irene Dunne - no one ever righter). The supporting cast is mostly excellent, particularly Noel Francis as one of Sherman's pickups. She registered very strongly in a very brief scene as the prostitute in I AM A FUGITIVE FROM A CHAIN GANG.

    At first sight one cannot accept the puffy and dissipated Sherman as a desirable ladies' man. Only in his mid-40s when he directed and starred in this film, he looks 10 years older and occasionally slurs his speech but nevertheless manages to be charming and totally in control in the kind of role Robert Montgomery was born to play. I see from IMDb that Sherman was a director of some note and consider it a sad loss for cinema that he died so young, though seeing him here and in WHAT PRICE Hollywood it's obvious he was far from robust. I intend to look for other films he directed based on my happy experience with BACHELOR APARTMENT.
    8rsoonsa

    Witty and abruptly moving dramatic comedy.

    John Howard Lawson, later one of the blacklisted Hollywood Ten, composed this screenplay which is ostensibly quite the reverse from his normal proletarian bent, but is actually deeply altered by wordsmith J. Walter Ruben to a suave and somewhat risqué (pre-Code) comedy. Fortunately, some sense of Lawson's customary concerns remains, and is dealt with nicely by Irene Dunne, co-starring with the elegant Lowell Sherman, who also directs with his usual flare in this tale of a Park Avenue man about town struggling with a raft of nubile and aggressive young creatures. An early sound film, it forms the first arrangement of what has become a basic cinema plot device, as we know it, that of the carefree unmarried man being chastened from his rollicking ways by exposure to feelings of romantic love. Cinematography by the brilliant Lee Tover is of particular value here and one should advert to the art direction of Max Ree, who garnered an Academy Award for his characteristic talent during this same year (1931) as a result of his work with CIMARRON. Although Mae Murray's flamboyance is transcendental, the acting is generally quite good, with a particularly strong and stage-accented performance from the lovely Dunne as an older sister attempting to shepherd a wayward sibling while standing her own ground against a playboy's blandishments. One of the final pieces of Sherman's tragically shortened directorial career, the film offers many admirable passages, none less so than the opening scene, with that eternal butler Charles Coleman patiently dealing with an importunate telephone and doorbell, setting the pace in a picture that never pushes too hard or tries too strenuously for its effects.
    6Handlinghandel

    Definite Shows Its Age But Still Racy

    Another of the movies I would not think of watching but for Irene Dunne, playing anything but swank comedy here. It consists of basically two types of characters. One is ladies in lingerie or revealing gowns. (Dunne wears neither but at one point we see her in her boss's bathrobe.) The other is gentlemen who appear to prefer other gentlemen.

    One of these is its director and star, Lowell Sherman. He had a solid hand as a director and is likable as a performer. But he's a little hard to buy as a ladies' man. And in one scene, he goes to a friend's apartment, demanding to see who's in the bedroom. Instead of the woman he's looking for, two men are there. They're fully clothed and maybe the audience at the time thought they were sleeping off hangovers. Maybe that's what the script meant, for all I know. But it's not the way they come across in the context of the movie.

    The print I saw was fuzzy but it's chic and entertaining -- dated but also risqué.

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    Enredo

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    • Curiosidades
      A popular Ziegfeld Follies headliner, forty-something Mae Murray had made a transition to silent films. This film was her second talkie, as an attempt to make this transition, playing the role of "Mrs. Agatha Carraway." She starred most famously in A Viúva Alegre (1925) opposite John Gilbert-and in a wink to the audience makes her first appearance in Árbitro do Amor (1931) to a Merry Widow waltz. However, this film turned out to be her next-to-last, with her final film being High Stakes (1931).
    • Erros de gravação
      When Carter is working at home with Helene, Mrs. Carraway drops in unexpectedly and goes into another room to change out of her wet clothes. When Carter goes to leave the room to go after Helene, he is shown opening and closing the door twice.
    • Citações

      Rollins, Wayne's Butler: [holding up a diamond bracelet] Er, I found this, sir.

      Wayne Carter: You find the strangest things in a bachelor's apartment.

      Rollins, Wayne's Butler: Do you suppose the lady lost anything else, sir?

      Wayne Carter: Well, if she did, she didn't lose it here.

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    Detalhes

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    • Data de lançamento
      • 15 de abril de 1931 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idiomas
      • Inglês
      • Italiano
    • Também conhecido como
      • Bachelor Apartment
    • Locações de filme
      • RKO Studios - 780 N. Gower Street, Hollywood, Los Angeles, Califórnia, EUA(Studio)
    • Empresa de produção
      • RKO Radio Pictures
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

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    • Tempo de duração
      1 hora 16 minutos
    • Cor
      • Black and White

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