Wise Girls

I read the other reviews and they make some valid points about quality of production and maybe a little stiff acting, but the pace was excellent, and the dialogue and story was so funny I almost peed my pants. I was laughing so hard, I had to keep pausing the movie so I could wipe the tears from my eyes and catch my breath.

JC and Eliot's comedic timing, delivery, and facial expressions were much better than I expect from a movie from 1929 (or even 2009, for that matter), and I absolutely fell in love with Marion Shilling. Anyone who loves the bawdiness of Pre-Code cinema will not be disappointed. There are sexual innuendos and double entendres that will make your jaw drop.

This is a movie I want to own because I want to see it another 20 times, but alas, no DVD as of yet.

It's not a 10 out of 10 movie, but I had to try and make up for the other reviewers low marks.

"Of course I'm going to marry you... sometime." That's what Duke (Roland Young, from Topper and Philadelphia Story) tells Kate, played by Norma Lee, in one of the two credited roles she ever did. in the very next scene, she marries the next guy she meets, who happens to be "Kemp" (Elliot Nugent), who her dad treats like enemy number one . Kemp's claim to fame is : "I rule my own life, and I don't stammer!" You can see why she fell for him. This is all quite silly, but the picture and sound quality are actually pretty good for a film from 1929. It's all a family affair, because Kate's dad in the film is Elliott Nugent's actual father, J.C. Nugent. To confuse things further, Norma Lee was actually married to Elliott Nugent, who also wrote and directed. The Nugent father and son team had written the play on which this film is based. The editing is pretty rough. About halfway through, there's a scene where the camera stays on sister Ruth, while she makes eyes at Kemp for a minute or two; the camera stays on her for an extra long time, which is awkward in itself, then we cut back to the wide shot, and suddenly her mouth is down-turned, in an unhappy, dour look. The whole story starts with the question of the family deciding whether or not to accept the new husband, when everyone had expected her to marry Duke. More silly, smarmy looks from sister Ruth towards Kemp. Much ado about nothing. Elliott Nugent's acting is terrible... he should have stuck to writing. and Marion Shilling keeps turning to stare into the camera after she says a line. lame. At one point, she fondles his wrench VERY slowly and suggestively as she says: "Just think, here we are all alone in the world...". Could leave this film on while you are doing homework, or cleaning house, or something. big yawn. it kind of felt like it wa everyone's first job... the director, the actors, the film editor.

Was able to catch this Gem on a TCM airing recently and found it to be a wonderful comedy. Stopped by here to learn if the Nugent authors were related. The dramatic hyperbole is part of the comedy, not to be critiqued as poor acting, but enjoyed like reruns of Dark Shadows with all the notorious set flaws. A talkie borne out of the silents, sans bad makeup, the dialog is intentionally over expressive, but the script is heartfelt small town Americana, and the casting is wonderfully touched. My favorite is the bewildered and berated "king of his castle" Dad, besieged by 4 women in his life... Ma, the older married daughter next door, the naivete "artiste du wannabe" Kay, and the youngest budding collegian Ruth. An overall excellent run around of 30's family values with many little lessons mixed into the porridge.

Hope to find this teams other creation and be able to be similarly entertained.

WISE GIRLS (Metro-Goldwyn-Mayer, 1929), directed by E. Mason Hopper, is the screen version to the 1920s theatrical play "Kempy" by and starring the father and son team of JC. Nugent and Elliott Nugent, who also appear in this early talkie adaptation. Oddly retitled as WISE GIRLS rather than using a title that bears reference to the story like SHE MARRIED A PLUMBER, WISE GIRLS can be said to be a film record of the staged play that has surprisingly survived intact decades after its initial release.

The setting is set in "Lucyville, New Jersey, sixty miles from New York and sixty two miles from Atlantic City." The story focuses on the Bence family, headed by the retired and opinionated head of the house (J.C. Nugent), his wife (Clara Blandick), and three adult daughters, Katherine (Norma Lee), Ruth (Marian Schilling) and Jane Wade (Leora Spellman), wife of real estate agent, Ben (James Donlan). Kate, a free-spirited woman whose relationship with attorney Duke Merrill (Roland Young) ended two years ago due to an argument over her published book, "Angie's Temptation," reunite again, only to have another disagreement to have Merrill part company with her once again. Kempy James (Elliott Nugent), a 20 year old plumber of Hodges Plumbing Company, is hired by Bence to fix the pipes in the kitchen. His short time at the household soon goes to a different direction. After meeting with the family, and learning that Kate is the author of the book that inspired him to become an architect, Kempy goes off with Kate across the river to get married. After returning home, it comes as a surprise to everybody that not only did Kate married the plumber instead of the proposed Merrill, but the plumber never started the job he was hired to do at $4 an hour. If that isn't enough, Ruth shows more interest in Kempy than Kate, who now wants a career on the stage, much to the dismay of her father, now nearly going out of his mind.

Not quite as well known by today's standards due to its lack marquee names and unusual title, WISE GIRLS has fortunately survived intact at 98 minutes. Virtually stage bound with few cutaways to the outside home and closeups of facial expressions, WISE GIRLS gets by on its own merits through some witty dialogue probably transferred from the stage. Elliott Nugent's performance comes as a reminder to the style enacted by actor Eddie Bracken of the 1940s. Not only does Nugent sometimes resemble Bracken at times, but speaks almost like him in certain scenes. Had WISE GIRLS or KEMPY been remade in the 1940s when Bracken was at his prime, there is no doubt that Bracken would have been a perfect fit in the role.

WISE GIRLS also plays like a situation comedy of latter television shows of the 1950s, sans laugh track, especially with an unrealistic approach of someone marrying a woman he had just met. As in many 1929 releases that aren't categorized as musicals, WISE GIRLS is all talk and no action, something that would be dull and deadening for some, or a curiosity for others. While J.C. Nugent appeared on screen in character parts during the 1930s, his son, Elliott, gave up acting where he fared better as both playwright and director for both stage and screen. Aside from Roland Young and Clara Blandick becoming better known to many due to their continued film work in future years, its vintage age and casting of mostly forgotten and now unknown stage actors may be the main reason WISE GIRLS has seldom or never been revived on television broadcasts.

With no distributions on video cassette or DVD, WISE GIRLS (not to be confused with the 1938 comedy, WISE GIRL (RKO Radio) starring Miriam Hopkins), began to surface again first on Turner Network Television in 1988, followed by limited showings even on Turner Classic Movies since 1994. (**)

Roland Young is pretty good as the other man in this comedy about a woman who marries the plumber and causes all sorts of fuss. It's based on the stage play "Kempy" by Elliot Nugent and his father, J.C. Nugent, and stars them.

Unfortunately, director E. Mason Hopper is constrained by the immobility of the camera and everyone speaks slowly so their words can be understood, so Roland Young's comic timing has problems. It's he who has the task of speeding up the thought processes of Elliot Nugent. Marion Shilling, who usually played pieces of fluff, is stiff as a board. In fact, everyone but Young is, which pretty much explains what happened to everyone's career. The younger Nugent became a respected writer and director, but not off this. It would require top-ranked actors to make this sort of dialogue flow.

This is supposed to be the first MGM talkie issued without a silent version. Considering how much dialogue there is, it's not surprising. Alas, the dialogue is not very good.