O Rei Vagabundo

This is a terrible early talkie with a flamboyant 19th century ham performance by Dennis King in the lead and a nondescript one from Jeannette MacDonald. It was filmed entirely in 2 strip Technicolor, which makes up for some of its failings. A restored print is housed at UCLA and it is the only known surviving color print. The elaborate art direction deservedly earned an Oscar nomination.

It is available on DVD from Loving the Classics, which uses an old battered 16 mm black and white television print (MCA-TV), which is 3/4 screen, blurry, washed out and with poor sound. The silence surrounding the dialogue is full of white noise.

There is the lovely score - MacDonald has three numbers: Someday, Only A Rose and Love Me Tonight.

Songs:

Act One: 1:08:10

King Louis - King Hymn - Chorus SOMEDAY – sung by MacDonald If I Were King - King What France Needs - King Song of the Vagabonds – King ONLY A ROSE – sung by MacDonald, joined at end by King SOMEDAY – reprise – sung by MacDonald Huguette's Waltz - sung by Roth LOVE ME TONIGHT – sung by MacDonald and King

Act Two: 36:30

Pool Procession - Chorus Song of the Vagabonds – reprise – King Requiem – Chorus ONLY A ROSE – reprise finale – sung by Macdonald and King

This is for die-hard fans of Rudolf Friml (composer) and Jeannette MacDonald.

MacDonald scenes: 11

Act One: Church Interior, Street, King's Observatory, Observing Villon's transformation, Palace Walk, Balcony Scene, Observing Villon and Herald from Burgundy; Act Two: Garden, Huguette's Death Scene, Church, Gallows.

Does anyone know when shooting on this film started? I know that films in this era took only a short time to film. Was this one standard in production, or did it take longer? Anyone who knows the background of this film, I would like to talk to you. I don't have anything else to say. So, in order to reach the ten lines I have to add ballast So, this is ballast Any information is appreciated Any hints on how I might view this film in Technicolor are appreciated. I think this may be one of those films held hostage. Why those who love these films, preserve them, restore them, save them, object so strenuously to people seeing the results of their efforts.

Thank you.

King Louis XI of France (the competent O. P. Heggie) hasn't his problems to seek. The Burgundians are at the gates of Paris and his subjects within are all a bit disgruntled. They are being stirred up by the rebellious poet "Villon" (Dennis King) who repeatedly suggests that Louis is an incompetent fool. He voices those opinions a bit too freely one evening and finds himself arrested by none other than the King himself. Hanged? Well, the rather shrewd monarch decides to see if this loudmouth can do any better. He ennobles him, puts him in charge and tells him his survival depends on him defeating the marauders outside the city walls. Meantime, his time in the palace introduces him to "Katherine" (Jeanette MacDonald) with whom he quickly becomes smitten. Now he has to save the city, get the girl and, ideally, avoid the gallows! It's quite good fun this, when it concentrates on the action. There is some acrobatic sword fencing and great ensemble fight scenes with tables and chairs and bottles used to full effect. The singing, though - well we had to have it, but the mediocre songs do rather break up the pace and there isn't really much chemistry between the rather hammy King and an off-form and pretty unremarkably flat MacDonald. It does look great though, with some stylish and authentic looking scenarios presented, but in the end I was a bit disappointed with this rather muddled historical adventure.

Considering the major names involved (in addition to the performers, it was an early screen adaptation from Herman J.

Mankiewicz!) in this fine reflection of the popular 1925 operetta, it's high time we had a good Technicolor restoration done and issued on DVD.

Jeanette MacDonald as the female lead is, perforce, secondary to the slightly "over the top" Dennis King recreating his starring Broadway role (511 performances at the Casino Theatre), but she gives a pure portrait of the King's niece much more honest and appealing than her later over blown "acting" in the Nelson Eddy screen operettas of the late 30's and 40's.

Lillian Roth's Huguette is more throaty than many familiar with the character's beautiful Rudolf Friml music may be used to, but her acting is impeccable and quite moving. Additionally, the chance to see 20th Century Fox's first major "Charlie Chan," Swedish actor Werner Oland, in another perspective entirely as Thibault, is not to be missed for any fan of Earl Derr Biggers' famous sleuth.

While, after the painful Hollywood custom, much of the rousing score has been sacrificed in the film's fast moving 104 minutes (only 100 surviving in the TV print I've seen), most of the best, "Some Day," "Only A Rose," "Huguette Waltz" and of course, "Song of the Vagabond" are here in fine form. Certainly preferable in this relatively faithful form than the bland 1956 remake. It's an exciting alternative to the fine (if music-less) 1938 Ronald Colman film drawn from The Vagabond King's source material: "If I Were King."

I have seen The Vagabond King (1930) twice on the big screen, in the restored two-strip Technicolor version and it is gorgeous. It is like a Rembrandt painting which moves, with lots of dark, muted colors which evoke the medieval setting. The smaller size of the film studio orchestras at this time (compared with symphonic proportions later on), and the stage-bound camera-work typical of early talkies, combine with the acting style of Dennis King and the rest of the cast, to give the modern viewer a sense of seeing this great musical on stage. In fact, a film such as this, I believe ought to be compared to stage productions or other films of the period, more than to later films. Dennis King's Shakepearian delivery and legitimate baritone singing voice would seem out of place in a later film, where subtlety would reign. How fortunate, then, that we have such a fine document from the Broadway creator of the role. Jeanette MacDonald fairly glows in this, her second film, and gives a haunting delivery of Only a Rose. As a fan of early stage and film musicals and the 1920s era in general, I highly recommend this film in the color version.