Rio Acima

Up the River (1930)

** (out of 4)

John Ford's prison comedy has been forgotten in the director's filmography and what limited knowledge people have about it is more with its stars. Spencer Tracy and Humphrey Bogart made their first big splash on the big screen here and this would be the only film they'd do together. In the film, Bogart falls in love with a female prisoner (Claire Luce) and they plan to get married once she gets paroled but a man from her past comes after Bogart once he's released from jail. Needing help, two buddies (Tracy, Warren Hymer) escape from prison and go after the man. There's also a subplot dealing with a big baseball game between two prisons but this doesn't get too much attention. I was left pretty disappointed with this film because Ford's direction really doesn't bring too much life to the screenplay, which, to the director's credit, is all over the place. It starts off as a comedy but then we switch gears to a rather strange drama. Some of this might be due to Ford having the screenplay rewritten after MGM's The Big House stole some of his ideas. The final thirty minutes drag by pretty badly as this is the same time that the laughs stop. There's some funny stuff early on including one scene where the men are getting ready for bed, four to a cell, and they realize they only have three pillows. Tracy's film debut is a very good one and I was shocked to see that Tracy personality on full display at such an early time in his career. That street tough attitude mixed with his cocky side comes off very well here. I was also shocked at Bogart who certainly isn't playing what we'd come to see in the future. Here he's constantly smiling, getting pushed around and I guess you'd say he plays a real dork. He's actually very good here, which shocked me since some of his pre-fame roles feature him looking pretty silly. From what I read, Bogart and Ford hated one another after Bogart called the director "Jack" so this was sadly the only film they made together. The Fox DVD of this is in incredibly bad shape with some jumps in the print and cuts in the soundtrack.

Spencer Tracy and Humphrey Bogart are "Up the River" in this 1930 film directed by John Ford and also starring Claire Luce and Warren Hymer. The movie makes for tough going, as the print I saw kept skipping and the sound along with it. Well, the movie is nearly 80 years old after all. Bogart is so young-looking in this it boggles the mind. He's actually playing the romantic lead, Steve, a young man from a good family. While in prison for a fight (in which it's implied the other man was killed), he meets a woman named Judy (Luce) who was involved in a shady bond racket. She took the fall for her boss, Frosby (Morgan Wallace). Judy and Steve fall in love, and when his parole comes up, he says he'll wait for her. After being back with his family for awhile, Forsby sets up his racket in town and is cheating Steve's mother. His friends, Saint Louis (Tracy) and Dannemora Dan (Hymer) break out of prison during a variety show and come to his rescue.

I probably liked this better than most of the people who reviewed the movie here. The ongoing problems with the baseball team ("the pitcher got paroled right before the big game") are amusing. I also liked the free-for-all atmosphere of the prison, with the warden's daughter and her dog wandering around the jail yard, friendly with all the prisoners. The warden's a lovable fellow too. I also liked the bit where notes are hidden in the hem of a charity woman's skirt on the women's side, and when she enters the men's yard, they all rush over and dust off her shoes, retrieving the letter at the same time. Finally, there's an ongoing bit based on the fact that Saint Louis deliberately drove off and left Dannemora in the lurch previously. They're now in the same prison together, Saint Louis swearing up and down that he thought the car had a rumble seat.

Besides the bad sound, the film has the usual politically incorrect blackface number. I will say that the black prisoners seemed to be on an equal footing with the whites, if that means anything.

"Up the River" is fascinating, too, for the use of microphones throughout the set and actors needing to be near them. No one really has figured out screen acting yet - Bogart speaks quickly while the woman playing his mother drags out every sentence. Tracy appears very natural, however.

Films had a long way to go. This one was made quickly by a man destined to become one of the screen's greatest directors and two actors who would become two of the greatest stars ever. Humble beginnings.

This is an OK film that would probably not be worth watching if it were not for its place in film history - the only pairing of Humphrey Bogart and Spencer Tracy and an early performance for the both of them. Here the pair both play a couple of convicts. Bogart is Steve Jordan, finishing up a sentence for manslaughter, and Tracy as Saint Louis is just starting one at the same prison. There are several strange aspects to this film about prison life and what comes afterwards. The first is that Bogart is playing the naive smiling kid whose one punch landed him in prison - you just don't run across a smiling nice-guy Bogart committed to celluloid every day of the week . The second odd aspect is that Tracy is playing a seasoned con, though with a bit of a heart of copper if not gold. It's strange to see Tracy taking "the kid" Bogart under his wing when in fact Bogart was a year older than Tracy. What makes the film better than average is that it is a believable performance by both actors.

The other strange aspect of this film is the depiction of prison life. The women are housed in the same prison as the men with just an iron gate separating the areas where the two groups have outdoor recreation. Bogart, who works in the prison office, gets to wear a suit and tie when he is at work there. The warden's little daughter walks around unguarded and treats the convicts all like uncles, and they reciprocate by treating her like a niece and reading her stories. The whole thing comes across like you are looking at life inside a Catholic high school with strict rules about the interaction of men and women, not a prison where you might have a few characters like Bogart's and Tracy's, but by and large most of these guys didn't get here by dropping out of Sunday school.

The worst part of the film is a rather inane musical number that gets inserted into the film at about the half-way point, with the convicts putting on a show. Ford got better at putting music into his films later on, but here it just intrudes on the plot.

I'd recommend viewing this. It's enjoyable enough, just be aware that the elements are in shaggy shape and that even the restored version by Fox has lots of skipping frames.

Wonderfully entertaining comedy drama about two prisoners (Bogart and Luce) who fall in love and what happens after Bogart is paroled. Spencer Tracy plays a flamboyant convict who comes to their aid when the two lovebirds are threatened by some very bad men. Lighthearted fun, set in a prison only Hollywood could dream up. An early John Ford talkie,this was made when and Bogart and Tracy were at the beginning of their careers. They are a blast to watch, and Luce is charming as a timid young woman who has been imprisoned on the flimsiest of charges. Some great comedic moments. A must-see for fans of two of the greatest actors of the 20th century.

I'm a fan of old 1930s movies, but this one really has nothing going for it except a very young Humphrey Bogart & Spencer Tracy. The movie's 92 minutes long, of which about 30 minutes consists of song & dance numbers (amateurish, to say the least) & a prisoners baseball game (with no real baseball action). Heavy on the comedy, but with only 1 or 2 chuckles. Warren Hymer is poor as the comic relief. Spencer is good & his natural delivery is in evidence here. Bogey is fine, playing a guy younger than Spencer (he's actually a year older), & this is one of the only movies where Bogey actually has a parent (a dear old mom); only "Dead End" comes to mind as a role for him with a parent. He's very good, but a little awkward at times, & he overdoes it a bit in one emotional scene near the end. It's very strange seeing Bogart play a romantic part in a standard Hollywood (soft) way, compared with his tough guy romances in his later films. A couple of other striking features of this film: there's only about 3 male & 1 female black prisoners in the jail, & there seemed to be such a "shortage" of black actors available, that they needed two white guys to do a blackface minstrel routine! The Woman's Auxiliary & the warden's daughter walk around the prison yard & mingle with the prisoners unescorted, as if they were at some sort of country club! Bogey gets to nervously shift pebbles from hand to hand in one scene; I wonder if he drew on this experience 24 years later for his similar actions as Lieutenant Commander Queeg in "The Caine Mutiny"? Claire Luce is suitably good as the romantic interest; Joan Marie Lawes is also good as the precocious warden's daughter. The plot, if there is one, is seriously underdeveloped amidst the song & comedy routines, & the expected ending is oddly left hanging without real resolution. I give it 2 points for Bogart & 2 points for Tracy, & rate this movie 4/10.