Shivering Shakespeare

This one had me laughing until the pie fight at the end. I was sorry to see it end that way. I thought the adult participation was very amusing and expressed the way the people would really feel about each other if this had been produced in real life. It was very natural and personal. You don't see natural man to man interactions any more. The scenes with the men dressed as animals were irresistible. The children acted like children would at that time, too - it was all very believable. And the lady in charge of this drama was the perfect spinster librarian type everyone liked to ridicule, only no more nor less than she, too, would have been in real life. The mothers were also very motherly and warm and attached to their children. I could relate to them - far more than I can relate to the mothers I meet today, most of whom seem to feel very little for their children. I feel a very warm affection for the time when family love was still so much a part of people's lives.

The Gang is involved in a really, really lame play. None of the kids know their lines and one mistake after another occurs. In addition to the kids, Officer Kennedy (Edgar Kennedy) is on hand--and he's just as untalented as the rest. Later, some mean kids in the audience begin throwing food at the actors as they put on the lamest version of "Quo Vadis" in history.

Aside from not being all that funny, this short suffers from relatively poor sound--which is made worse because the short is MUCH more talky than usual and there are no closed captions on the DVD. At the end, they had a giant pie fight (some of it in slow motion) but WHY they did this was never at all apparent. A limp short with little to recommend it.

I first saw this as a kid (THE LITTLE RASCALS first went on TV the year I was born) and fairly recently bought this on DVD. In between, I watched it on the occasions it was on and took careful notes at 1) the pie fight itself and 2) how racist some of these parts were: Farina as a Nubian slave, doing voodoo, for example. I think Roach and McGowan would have been beaten to death if they'd tried to do that now.

Notice how the pie fights in The Three Stooges' HALFWITS' HOLIDAY and IN THE SWEET PIE AND PIE resemble this one...and this film came out a few years before their initial contract with Harry Cohn at Columbia Pictures. There was obviously some inspiration from SS and Laurel & Hardy's THE BATTLE OF THE CENTURY for these films...remember, at that time, they all stole from the best, each other!!!

One more note: Laurel & Hardy buffs, that bake sale lady was none other than Dorothy Coburn, who also appeared in TBOTC-the 'flapper' getting into her car and getting it in the rear end. It always escapes me why she was never credited?

"Shivering Shakespeare" could be considered the first classic of the "Our Gang" talkie era. By now, Hal Roach Studios began to hit their stride in making talking pictures, and "Shakespeare" is the happy result.

The Gang is appearing in a version of Quo Vadis produced by Kennedy the Cop's wife. The kids don't find the play very fun to be in and are distracted by people in the theatre and cannot remember their lines. Among the funniest bits are Kennedy the Cop as the giant, who pulls off his makeup to fight an overzealous man in a bull costume; and the terrible dancing girl (played by director Bob McGowan's daughter.)

Several filmographies mention that "Shakespeare" has the first pie fight in a talkie. This may be true, seeing as they tried different speeds with the film during the fight. Buster Keaton's brother Harry is at the receiving end of one of the pies. Very funny and an early Gang talkie classic. 9 out of 10.

This is the seventh Little Rascals sound film, 20 minutes long. Shakespeare does not actually feature in the film, which is entirely devoted to a school play of QUO VADIS staged at the school attended by the Little Rascals. (The fact that Wheezer is only four years old and could not yet be at school is conveniently set aside, and there he is declaiming the lines of an ancient Roman.) Pete the Dog is of course in attendance, and howls at an appropriate moment. The chief Rascals in the action of this film are Chubby, who plays the Emperor Nero, Farina who plays a sorcerer 'from darkest Africa', and Mary Ann, who plays a Christian girl who is going to be thrown to the lions. For those who do not know, QUO VADIS was at this time an extremely famous book. It is a novel written by the Polish author Henryk Sienkiewicz (pronounced 'Syen-kyay-vitch'), who won the Nobel Prize for Literature for writing it. It is set in Rome at the time of Nero, and is a very powerful and dramatic work. Sienkiewicz was a brilliant author, and is still a literary hero to Poles today, who all have to read him in school (though not this novel, instead they read his many Polish historical novels). QUO VADIS was what we call 'a runaway international best-seller' which sold millions of copies. One reason for its success was its description of the early Christians, who were being persecuted by Nero, since until the 1970s, Christianity was still very important to everyone in the 'mass market'. If it were published today, few people would buy it, I expect, despite its being very good. No one cares about early Christians anymore, at least not in films. QUO VADIS was made into a famous Hollywood epic film in 1951 with Peter Ustinov playing Nero. I remember asking Peter, whom my wife and I knew very well, what it was like playing Nero. He said he had to remember to keep squinting up his eyes, because Nero was notoriously near-sighted. He felt ambivalent about giving the thumbs-down to the gladiators in the Colisseum, since although it made him feel powerful, it also made him feel guilty at the same time. The costumes worn by the kids in the school play are extremely lavish, well above the budget of any actual school play. Everything imaginable that could go wrong with the production does go wrong. Comic situations abound, and not only the Rascals but all the parents and adults attending the performance throw custard pieces in each other's face, so that a very congenial total chaos results.