Gatos Escaldados

Police Chief Anders Randulf is upset with beat cop Edgar Kennedy because of the burglars he hasn't caught. Kennedy has a brainstorm: he offers not to run in a couple of tramps if they'll burgle the chief's house so he can catch them. It's a brilliant plan, with one small flaw: his stooges are Laurel and Hardy.

Edgar Kennedy was a brilliant comic himself, who had been one of the Keystone Kops. He had directed a couple of the Boy's silent shorts, but he was largely a supporting comic at the Roach lot. He gets a couple of good gags here, although Stan and Ollie, of course, are the main show.

NIGHT OWLS

Aspect ratio: 1.37:1

Sound format: Mono

(Black and white - Short film)

Hoping to make an arrest that will please his boss (Anders Randolph), a lowly cop (Edgar Kennedy) persuades two vagrants (Laurel and Hardy) to rob Randolph's house in the dead of night, so he can 'arrest' them. However, things don't go according to plan...

An early sound-era comedy, in which absolute silence is the main objective! Naturally, L&H make enough noise to wake the dead whilst attempting to extricate themselves from a tricky legal dilemma (Kennedy threatens to arrest them if they decline his 'request'!), leading to the usual array of comic complications. James Finlayson hams it up as Randolph's clueless butler, hurling shoes at 'cats' in the garden (actually L&H, trying to evade detection) and getting one hurled back at him for his troubles! Ollie bullies Stan into compliance at every turn, though Stan tolerates his behavior only so far, resulting in conflict at every turn, timed to perfection by artists at the peak of their craft. Directed by James Parrott.

Cop Edgar Kennedy is in trouble. Their have been forty-two robberies in the police chief's neighborhood and he'll be fired unless he makes an arrest. He gets an idea. Rather than run off two vagrants, Stan and Ollie, he convinces them to rob the police chief's house so he can arrest them in the process. It was a pretty good idea, if Stan and Ollie hadn't proved to be the most inept burglars in history.

"Night Owls" was the team's seventh talkie and definitely the best one to date. The concept itself is funny, and the slapstick gags are plentiful and well-performed. (My favorite bit is when the boys pretend to be cats.) Nor does it hurt that Stan and Ollie are backed up here by Edgar Kennedy and James Finlayson, two of their best foils. Stan and Ollie themselves seem very comfortable in this film. Their interplay has a smooth, naturalistic rhythm that one expects from the boys at their best.

This film isn't quite a classic, but it fine little film. The team had finally found their footing in the new medium of talking films.

Night Owls (1930)

** (out of 4)

A policeman is on the down and outs with the captain so he has L&H to pretend to be robbers so that he can arrest them. The boys think the policeman will then get them off the hook but breaking into a house is harder than they thought. This is a pretty lifeless short with only a few chuckles and mostly dead jokes. The scene where the boys pretend to be cats is certainly the highlight.

Ladrones (1930)

** (out of 4)

Spanish version of Night Owls has the exact same story, although there's an added third reel, which is a different ending. Like other Spanish versions, the alternate ending here is actually a lot funnier than the American one so you've gotta wonder why it was cut. Some of the physical gags also work better here but it's still not one of the duo's best.

By no means this is the best short Laurel & Hardy film but it still one that offers some decent entertainment, which is thanks to the stupidity and clumsiness of the boys, especially Laurel's.

The movie and its story are rather simple. It relies on simple one comical premise; The boys trying to break in at the police chief's house, at the request of Officer Kennedy, so he can capture the boys later on and impress his chief, who is not very pleased with the 42 unsolved robberies committed on Officer Kennedy's watch. If the boys don't help Officer Kennedy out, they'll go to jail for 90 days for sleeping in a public park. Sometimes one simple comical premise is enough to fill an entire entertaining and hilarious movie with but the slapstick and moments in this movie begin to get rather tiresome after a while, since it's mostly more of the same, when the boys begin to try and break-in. The movie is perhaps lacking in great true comical originality but yet it's perfectly executed in the movie, which still makes sure that this movie is a very good and fun one to watch.

The Laurel & Hardy regulars also make sure that this movie provides some great entertainment, such as James Finlayson as Meadows, the police chief's aid and Edgar Kennedy. Kennedy's role is rather limited down, almost to an non-comical one. Baldwin Cooke also shows up in a small part as one of the police officers.

The comical situations and slapstick in the movie works out well, though it's never anything too original. It's one of the reasons why this movie is not really more than a slightly above average Laurel & Hardy short, that is perhaps a bit disappointing, despite its entertainment value.

7/10

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