Fiddling Around

Wow, this is the most plot less of any of the cartoons I've seen in the Disney Treasures DVD "Mickey in Black & White, volume 2". The entire film consists of Mickey standing on stage playing the violin! That's it! As a result, it's hard to like this one--even if it is one of the few early Mickey cartoons where you also get to hear him speak. In this case, while the cartoon is only about 7 minutes long, it seems three times longer due to the total lack of anything interesting--unless your idea of thrills is seeing Mickey wildly playing the violin. Decent animation cannot make up for the fact that this one is a big letdown. Dull and unappealing--and this from a man who loves Mickey!

As I grew up, my lone exposure to classical music came from the animation world. That, and "The Lone Ranger." The producers of various cartoons would frequently have actual concerts with animals or other characters actually conducting an orchestra of like characters. In many cases, it was simply used as background music. In this one, Mickey Mouse, who frequently showed his musical prowess, comes out on stage with a violin. Of course, he's not totally in control of his instrument. Nevertheless, other than the music, the episode is a bit lacking in plot development.

I have to say as a Disney, Mickey and classical music enthusiast, I thoroughly enjoyed Fiddlin' Around(or Just Mickey). The story is very thin and it is disconcerting to see him have long hair in some scenes and then no hair in others. The animation seemed uneven to me too, the personality animation is actually superb but the backgrounds for me were rather sparse and Mickey at the start was somewhat awkward-looking. But there are many things that make it interesting. The beginning with a curtain opening to reveal another and so forth is a neat gag. There are some other nice gags, like the string breaking when Mickey is tuning up and his reaction to his heckler. The music is simply delightful, Morning, Noon, and Night in Vienna by Suppe is a perfect piece to introduce Mickey to the unseen audience, and the Hungarian Dance by Brahms and William Tell by Rossini are really rousing, the latter is probably where Mickey is at his funniest as he grovels with his long hair, loses his balance and is pretty much crawling on the floor. Sandwiched in the middle is the more thoughtful and poignant Schumann Traumerai, how Mickey reacts to it in his facial expressions makes the scene work and the music is just beautiful, though in all honesty I would have preferred for the playing itself to have had more legato. Mickey is exceptional in what is essentially a one-man's show, and his facial expressions from passion, devout sadness and anger are priceless and beautifully expressed, it really is some outstanding personality animation. The changes in perspective are also interesting, right from wide shots, close-ups and side-shots from left/right-centre. All in all, an interesting and worthwhile cartoon, just not one of Mickey's very finest or among my favourites. 7/10 Bethany Cox

This quick little short has all the marking of early animation. Repeated sequences to fill the time, a small amount of dialogue, relying mostly on the image to tell the story, and a very simple plot. None of these things are criticisms of the cartoon though, they are of course limited by the technology available to them, but I point them out because if these are things that have bothered you about vintage cartoons, I am here to tell you that this one won't change your mind.

The story isn't particularly engaging, and very little is really going on, we are mostly watching Mickey play violin on stage. Most of the interesting stuff, the heckling etc, is happening off screen. There are a few minor mishaps throughout the performance that are designed to get a chuckle out of the audience, but overall it's very mundane in terms of the actual cartoon.

However, compared to some of the other animation studios at this time, you can still see how ahead of his time Walt Disney was, even at this early stage. If we compare it to WB and the early Bosko cartoons, there are a lot less repeated frames, a lot more of a coherent plot, and the backgrounds and characters have a lot more detail to them. A great precursor to the work that he would become renowned for in a few decades time.

There is just a lot of fiddling around in the cartoon, with Mickey Mouse playing a host of classics on his violin. There are a few times in the beginning where I chuckled due, including the part where Mickey attempts to tune his violin, but resulting in screeching sounds.

Not much of a story here, but definitely there's music to your ears.

Grade C+