O Porto do Inferno

"Tonight, near you, that song makes me think of love. The moon warms me in its light. Still the stars twinkle just for me."

What starts off as a rather creaky old film, not helped by the state of its preservation or by its moving along at a rather ponderous pace, turned into halfway decent film, mainly because of the charms of Lupe Velez. And there's great casting all around, with Jean Hersholt and Gibson Gowland appearing as a couple of island rakes, six years after playing enemies in Erich von Stroheim's silent classic Greed. It's one of those pre-Code films that played upon the enticement of an "exotic" locale, in this case, an island in the Caribbean, but instead of glamorizing it, we feel the grit and sleaze of the place. Dance halls are filled with dangerous men who will do anything for money. One such man (Gowland) regularly beats his daughter (Velez) and wants to sell her into a marriage with a lecherous trader (Hersholt). The young woman recoils at the thought, and dreams of going to Havana. Enter a handsome sailor (John Holland) and, well, you get the idea. Not unexpectedly, there is a "white savior" aspect to the story.

Velez was just 22 in this film, her second talkie, and she has lots of charming moments. She sings while dreaming of Havana and dances playfully on the beach, but she also stands up to her father as he tries to whip her, threatening to kill him with a knife if he keeps it up. She shows quite a range between moments of dismay over her fate to standing proudly at the bow of the little boat and sneaking aboard the trader's vessel. There is also a truly sublime moment when she's dreaming something rapturous and is woken up - she's wonderful and is captured beautifully. In the version of the film that is 83 minutes long, it appeared at roughly the 51:40 point. Overall, it's not a great film, but it was entertaining anytime she was on the screen, and that was enough to make me happy I saw this.

Interesting, rarely seen film that is notable for the re-teaming of Jean Hersholt and Gibson Gowland, who made such memorable enemies in Erich von Stroheim's GREED (1924). For genre fans though it is also memorable as the first screen appearance of Rondo Hatton. Filmed in Florida, Hatton was working as a reporter for the Tampa Herald at the time and was probably spotted there by director Henry King. Though Hatton's glandular condition, acromegaly, was already noticeable we can see it is not nearly as pronounced as it was in his later Universal films. Rondo has the small role of the bartender in a dusty dive in the small coastal village where the action takes place. He may or may not have any lines. In one scene where the lights go out and a murder takes place a voice cries out "He's done for!" and that MIGHT be Rondo's voice but it is hard to tell. Henry King gave Rondo that old line (which was probably a cliche even in 1930) "If you ever come to Hollywood come and see me." Well it took Hatton 7 years to make up his mind but finally he boarded a train for the west coast, leaving behind a wife who thought he was wasting his time. His first film in Hollywood was IN OLD CHICAGO (1937) also directed by Henry King. Rondo is billed 17th in the credits and listed as "bodyguard" though several people in the film call his character "Rondo". It was the start of a short but memorable career, capped by immortality in 3 Universal pictures where he played the spine snapping "Creeper". Nicely done Rondo, you lived the dream.

If you want to view Henry King's "Hell Harbor" simply as a form of entertainment, then you'll probably enjoy it. Otherwise, it seems kind of flat, with Lupe Vélez playing a woman whose father wants to marry her off, but she hopes to flee to Havana with a sailor from the US.

I guess the fact remains that most movies out of Hollywood don't have the most complex plots. One thing about this one is that it got released before the Hays Code, and there's a scene or two that couldn't have gotten filmed a few years later.

It's somewhat entertaining, if nothing special. Vélez's co-star Jean Hersholt was the paternal half-uncle (by marriage) of Leslie Nielsen.

I want to thank the reviewer who called it sleazy and fascinating. That's exactly what I want to hear and what I call a great review! Spare me the psychoanalysis people and tell me the brass tacks like he did, ok?

So I therefore watched it based on the word 'sleazy', and what do ya know? Heck, this movie is one of sleaziest ever, so hot, not a dull moment from beginning to end.

Simply one of the greatest ever made!!

Henry King who was a contract director later on for 20th Century Fox and turned out some of their best films did this one for an outfit called Inspirational Pictures. The star here is Lupe Velez who by all accounts was one wild child. She plays one here in Hell Harbor.

She's the descendant of the famous pirate Henry Morgan in fact on this obscure Caribbean island everybody's a descendant of those bloodthirsty buccaneers of yore. But Lupe yearns for the big city life to be found in Havana.

Her meal ticket she sees as playboy John Holland who is arriving on his yacht and Lupe has just what he wants. Well one of the two things he wants. The other is pearls and trader Jean Hersholt has those. He also wants Lupe and Lupe's dead Gibson Gowland is quite willing to promote a marriage like that. Hersholt and Gowland have plans for Holland that don't include matrimony.

The location shooting in Tampa and surrounding environs substitute well for the Caribbean. Well it's close enough in any event. You'll also see cowboy sidekick Al St.John in an unusual non-western role as one of the island denizens. But of course there's the seductive Lupe Velez who got everyone's 1930 mojo going. Also unusual to see Jean Hersholt who is best remembered as the kindly Dr. Christian in a villainous part.

What Lupe Velez had never goes out of style.