AVALIAÇÃO DA IMDb
6,0/10
421
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaThe stage stars Wheeler and Woolsey play two soldiers who go absent without leave in Paris, during World War I.The stage stars Wheeler and Woolsey play two soldiers who go absent without leave in Paris, during World War I.The stage stars Wheeler and Woolsey play two soldiers who go absent without leave in Paris, during World War I.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 3 vitórias no total
Jack Rutherford
- MP Sergeant
- (as John Rutherford)
Original John Tiller Girls
- Performers
- (as The Tiller Sunshine Girls)
William Bechtel
- Restaurant Patron
- (não creditado)
E.H. Calvert
- Gen. Hale
- (não creditado)
Stanley Campbell
- Undetermined Secondary Role
- (não creditado)
André Cheron
- French Waiter
- (não creditado)
Edgar De Lange
- Military Policeman
- (não creditado)
Alexander Ikonnikov
- Undetermined Secondary Role
- (não creditado)
Owen Martin
- Undetermined Secondary Role
- (não creditado)
Alan Roscoe
- Capt. Jones
- (não creditado)
Avaliações em destaque
RKO gave the vaudeville comedy team of Wheeler and Woolsey a second starring feature with this fairly funny piece set in Paris during the Great War. The boys are AWOL from their lowly ranks in the army and running amok amongst the girls in the wicked city. Meanwhile the colonel (former singer George MacFarlane) is juggling a romance with the sparky Olga (scene-stealing Leni Stengel) and the suspicion of his wife (Edna May Oliver's film debut), while his youngest daughter (the team's resident cutie, Dorothy Lee, fixing on curly-haired Wheeler as usual) is on the prowl for someone to be nice' to her.
The movie has a watchable mix of pure comedy (the roller skating waiter, the scented letter, the café scene), songs (the usual duet for Wheeler and Lee; plus a fun bit for Woolsey and Stengal where he ends up dancing in a fountain in his underwear), and romance with the obligatory happy endings after all the mayhem. What does jar though is the attempt to signpost the war by sending the boys to the Front this section just doesn't fit somehow.
The movie has a watchable mix of pure comedy (the roller skating waiter, the scented letter, the café scene), songs (the usual duet for Wheeler and Lee; plus a fun bit for Woolsey and Stengal where he ends up dancing in a fountain in his underwear), and romance with the obligatory happy endings after all the mayhem. What does jar though is the attempt to signpost the war by sending the boys to the Front this section just doesn't fit somehow.
Wheeler and Woolsey play two service men during the First World War and go AWOL in Paris changing identities as they go to avoid being captured. How good they are at not being caught is best summed up early in the film when the steal their image off a photograph. Its lunacy from an earlier era and at times its quite funny. The duo made numerous film through the mid 1930's stopping only when Woolsey died of kidney failure.
This is a film thats not quite on par with the duos later films. Thats not to say its not funny, it is; its just that films were still feeling their way around sound and so the cameras often had limited motion and set ups which make them feel stiff. If you can get past that feeling and want to see an under appreciated comedy duo then rent this or any of the other Wheeler and Woolsey films.
This is a film thats not quite on par with the duos later films. Thats not to say its not funny, it is; its just that films were still feeling their way around sound and so the cameras often had limited motion and set ups which make them feel stiff. If you can get past that feeling and want to see an under appreciated comedy duo then rent this or any of the other Wheeler and Woolsey films.
Comedy team Wheeler and Woolsey are soldiers in WW I who go AWOL, impersonate military police, flirt with the locals, and cause havoc where-ever they go. Edna May Oliver is in here as the Colonel's wife, with her usual disapproving glances and sarcasm. The Tiller Girls perform a bit in the cafe. The boys pretend to speak french in a terrible, insulting fashion. and everyone pretends not to notice. This was one of their earlier films, and could use a restoration -- the version I saw had some rough spots in both sound and picture quality. It's a fun, light film. The usual sight and banter gags as all their other films, but it's fun to watch the vaudeville bits taped together into a film. Moves pretty slowly, as they try to stay one step ahead of the real MPs. Directed by Paul Sloane, who also directed them in "Cuckoos". I caught this one on Epix channel. It's entertaining.
Always say "Dorothy Lee" in the same breath as "Wheeler and Woolsey". Here our favorite pert, loose-limbed ingénue has a grand time singing and dancing and trading quips with the two comedians who are on the loose in Paris in 1918. The script by Roscoe "Fatty" Arbuckle, Ralph ("Five Dollars-A-Word") Spence, James Ashmore Creelman (who will always be remembered for King Kong) and the famous Broadway librettist Anne Caldwell represents a deliciously zany parade of visual and verbal nonsense which the performers endeavor to keep moving at an admirably fast pace despite the well-meaning efforts of stodgy director Paul Sloane to slow it down. A special pat on the back (if "back" is the right word) for Leni Stengel who makes quite an impression in a whole crowd of lovely Parisians. Production values are remarkably extensive. RKO were obviously expecting to clean up on this one.
Tommy (Bert Wheeler) and Gilbert (Robert Woolsey) have gone AWOL from the army in Paris and are running around chasing girls. Col. Marshall (George MacFarlane) wants them arrested. However, his daughter Annette (Dorothy Lee) bumps into Tommy and they fall in love. Olga (Leni Stengel) meets with Gilbert and they also fall in love. Annette has a plan that will make heroes out of Tommy and Gilbert..............
Wheeler and Woolsey (the one with the glasses) act out various set-piece scenes, most of which are crammed with obvious one-liners and aren't very funny. Dorothy Lee is good in her scenes even if a little wooden at times - but she is not bad as the actors who play the military police. They are terrible! Mrs Marshall (Edna May Oliver) is the best of the cast.
There are 3 good bits in the film - the first dance with Wheeler and Lee (she is very good to watch); the 2nd dance with Wheeler, Wooster and Lee (watch her final landing and subsequent explanation as she jumps off a truck); and there is a funny moment at the restaurant where Tommy, disguised as a waiter, serves the food to the Colonel and his wife. That's your lot for entertainment - it's not a catastrophe but the film mostly drags.
Wheeler and Woolsey (the one with the glasses) act out various set-piece scenes, most of which are crammed with obvious one-liners and aren't very funny. Dorothy Lee is good in her scenes even if a little wooden at times - but she is not bad as the actors who play the military police. They are terrible! Mrs Marshall (Edna May Oliver) is the best of the cast.
There are 3 good bits in the film - the first dance with Wheeler and Lee (she is very good to watch); the 2nd dance with Wheeler, Wooster and Lee (watch her final landing and subsequent explanation as she jumps off a truck); and there is a funny moment at the restaurant where Tommy, disguised as a waiter, serves the food to the Colonel and his wife. That's your lot for entertainment - it's not a catastrophe but the film mostly drags.
Você sabia?
- CuriosidadesThis film was a hit at the box office, earning "RKO" a profit of $400,000 ($5.98M in 2019) according to studio records.
- Erros de gravaçãoAfter a number with Tommy and Gilbert, Annette jumps off the roof of the car, expecting to be caught by the pair, but isn't. She lands on her posterior beside the car. In the next shot, when one of the MPs run up, she's in the same position but much further from the car.
- Citações
Annette Marshall: Are you married?
Tommy Turner: No, I just naturally look worried.
- Cenas durante ou pós-créditosOpening credits are shown over a battlefield scene, with barbed wire.
- Trilhas sonorasWHISTLING THE BLUES AWAY
(1930) (uncredited)
Music by Harry Tierney
Lyrics by Anne Caldwell
Performed by Bert Wheeler & Dorothy Lee
Later danced at Pierre's café by Original John Tiller Girls
Principais escolhas
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Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- Half Shot at Sunrise
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 529.000 (estimativa)
- Tempo de duração
- 1 h 18 min(78 min)
- Cor
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