A Deusa Verde

A small plane is forced down somewhere near the Himalayas. On board are an English major, his young wife and their doctor friend. The plane lands in the tiny Princedom of Rukh, ostensibly under the British Viceroy, but actually ruled by a curiously deranged old Raja. The three visitors find themselves at the mercy of the Raja and are caught up in his lustful plots & plans.

This very early talkie is an interesting little curio and still fun to watch. George Arliss is a fascinatingly sardonic Raja. His every word & gesture entertain the imagination. Mr. Arliss was a very important & distinguished English actor working in Hollywood in the 1930's, although now he's sadly neglected. This was his first talkie - (but was released after DISRAELI). All of his Warner Brothers movies are very entertaining, if you can find them.

In the supporting cast are Ralph Forbes as the heroic doctor; H.B. Warner & Alice Joyce as the callous Major & his estranged wife; gaunt Nigel de Brulier as a suspicious temple priest; and Ivan Simpson as the Raja's wicked butler.

"The Green Goddess" is a dated piece of colonialist exotica--one of those old-time melodramas hyper-concerned with the purity of white women in the face of lascivious racial others. Its saving grace is the performance by George Arliss as the Raja. Besides acting circles around the rest of the cast--seemingly being the only one here capable of a wry expression or sly mugging for the camera--the cunning he brings to his character seems to extend to a lack of earnestness to the ridiculous role and scenario. He plays a monarch of a fictional kingdom in the Himalayas who affects English manners, while in truth the English actor is affecting an Eastern stereotype. Because Arliss makes light of the melodramatics and doesn't shy away from hamming it up, this creaky early talkie may be enjoyed as something of a guilty pleasure. The Academy wasn't wrong to honor this talent; although he's usually ascribed for having won the Best Actor Oscar for "Disraeli" (1929), he was doubly nominated that season for this film, too, and I think it his better.

Unfortunately or fortunately, depending on one's taste for being amused by others' incompetence, nobody else in "The Green Goddess" appears to be in on the joke. Ivan F. Simpson, despite, like Arliss, reprising the same role from stage, to the 1923 silent-film version and here, is unremarkable. The zealots in bald caps look preposterous. Alice Joyce, returning from the 1923 film, as well, along with the other two British colonialists are atrocious. They merely read their stupid lines and feign earnestness. The married couple's climactic dialogue is laughably bad. Compare it to Arliss's sardonic quips. Some credit, I suppose, deserves to go to those behind the camera for allowing Arliss to play his part, but given that nobody else on screen comes along suggests he's the sole talent in this one. Indeed, the rest of "The Green Goddess" is utter rubbish, but Arliss is a delight.

George Arliss's Victorian melodramatic style of acting might put some off today. Still playing The Rajah Of Rukh in one of his stage triumphs, Arliss is still fascinating to watch. Especially as he entertains three unexpected European visitors with malice in his heart.

It turns out three of his half brothers got caught in revolutionary activity against the British Raj and the more violent kind than what Gandhi advocated. Arliss takes it as a sign from his Hindu gods that Ralph Forbes, Alicia Joyce and H.B. Warner have to crash land in his remote part of India, near the Nepal border. At first he's a gracious host, but then he springs it on them that they're hostages.

Ivan Simpson plays Arliss's English butler. It amuses him to have one and Simpson is in no position to complain since he's a wanted man. He's a sniveling and sneaky sort and not one to be answering a call for help with king and country platitudes. Simpson was the only other one besides Arliss to appear on Broadway with him and in a 1924 silent version of The Green Goddess.

When this film came out the British public was debating the issue of giving up India. Almost singlehandedly Winston Churchill then a member of the Tory shadow government and the Beaverbrook press prevented independence from being granted sooner, not exactly Winnie's finest hour.

Arliss was competing against himself at the Academy Awards as he lost to his own performance as Disraeli in Disraeli, another of his stage triumphs.

Old fashioned that he is, George Arliss is still fascinating in The Green Goddess as the Rajah of Rukh.

***SPOLIERS**** Held back from released in favor of his 2nd talkie "Disraeli" George Arliss is the British educated Himalayan Raja of the land of Rukh who after have three British subjects fall into his hands, when they crash landed, held them hostage to get his three murderous brothers-Moe Larry & Curly-from being executed by the British in India. Not only that the hot blooded Raja got the hots for one of his British captives the homely looking Lucilla Crespin, Alice Joyce, who compared to the women of his kingdom is as sexy looking as Cleara Bow. It's when Lucilla's ex-husband and now new lover Major Crespin & Dr. Traheme, H.B Warner, Ralph Forbes,find out what the Raja's is up to they try to contact the outside world with the help of the Raja's communication chief British turncoat Watkins, Ivan F. Simpson. That by bribing him with 2,000 pound sterling where he in fact double crosses them warning the Raja in what their up to! And in return Watkins ends up getting tied up and thrown off, by the Major & Dr. Traheme, a 500 foot cliff to his death.

With the Raja and his hoods coming on the scene he shoots and kills the Major before he can send out an SOS only to later have the cavalry or RAF show up and threaten to bomb the living hell out of him and his fanatical, who think that he's God, followers. Seeing the writing on the wall the Raja meekly gives in and lets his hostages, including his future bride to be Lucilla, go free without as much as firing a shot. And at the same time him not being charged by the British for the murder of British nationalist Major Crespin.

As hard as he tried George Arliss was anything but convincing as a non-British Hamalayin or Indian Raja as well as most of his followers who seemed to be mostly made up of European Hispanic and African American actors. It also didn't make any sense in Arliss attraction for Lucilla, who hated the very sight of him, who's lust for her seemed to be more forced then genuine. As for Alice Joyce who played Lucilla she seemed to have been so traumatized in her role, in having to fight off a lustful and sex crazed Arliss, that she soon retired from making films and was never seen or heard from on the silver screen again.

I used to own an old VHS tape of "The Green Goddess" (1930), but it's been years since I had any of those old tapes. Yesterday I re-watched this George Arliss vehicle for the first time in at least 30 years, and I enjoyed it all over again. It's dated, yes, and unfortunately Ralph Forbes is in it, a person who never learned to act in sound films, period. But Arliss is such a superb actor that, no matter what, the film is so very fun to watch. He's so full of Victorian stage acting technique that one can't help but be captured by a certain hamminess that screams to the rafters, but it's in his liquid body movements, full of grace and poise, and a voice that registers practice and experience that gives his performances across the board a positive charisma still noticeable 80 years after his death.

The premise of the film is absolute nonsense, a mixture of "Lost Horizon", "Gunga Din", "Frankenstein", "Dracula", and all the revenge films combined. In the end, the British ("civilization") still beat the underdog people in the Himalaya's (India, "barbarians"). The words in parentheses are those of Arliss, who, when he speaks them as a man of India, is scathing in their satiric intent. One can't help but notice that Arliss was having a ball playing this character, even in the face of Winston Churchill's trying to hold on to India as a "piece" of Britain, and Arliss probably saw in his own life that such would not be the long-term fate for Britain.

The main thing that I took away, though, was that the final line in the film I always thought was, "She probably would have been a lot of trouble anyway!" What came out of Arliss' mouth was, "She probably would have been a damn nuisance anyway!" Perhaps Bob Fells could answer this question: were there two versions released? Was one made for British audiences and one for American audiences, or am I just imagining all of this. I've seen the '23 silent version, too, but I don't remember how it ends. Help, Bob!

Also in the film are Alice Joyce (who'd also been in the '23 version), H. B. Warner, Ivan F. Simpson (great personal friend of Arliss' and one who was in many Arliss films), Reginald Sheffield, Nigel de Brulier, and several others.